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Pasquino Da Montepulciano
Pasquino or Pasquin (Latin: ''Pasquillus'') is the name used by Romans since the early modern period to describe a battered Hellenistic-style statue perhaps dating to the third century BC, which was unearthed in the Parione district of Rome in the fifteenth century. It is located in a piazza of the same name on the northwest corner of the Palazzo Braschi (Museo di Roma); near the site where it was unearthed. The statue is known as the first of the talking statues of Rome, because of the tradition of attaching anonymous criticisms to its base. The satirical literary form pasquinade (or "pasquil") takes its name from this tradition. The actual subject of the sculpture is ''Menelaus supporting the body of Patroclus'', and the subject, or the composition applied to other figures as in the Sperlonga sculptures, occurs a number of times in classical sculpture, where it is now known as a " Pasquino group". The actual identification of the sculptural subject was made in the eight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loggia Dei Lanzi
The Loggia dei Lanzi, also called the Loggia della Signoria, is a building on a corner of the Piazza della Signoria in Florence, Italy, adjoining the Uffizi Gallery. It consists of wide arches open to the street. The arches rest on clustered pilasters with Corinthian capitals. The wide arches appealed so much to the Florentines that Michelangelo proposed that they should be continued all around the Piazza della Signoria. History Sometimes erroneously referred to as ''Loggia dell' Orcagna'' because it was once thought to be designed by that artist, it was built between 1376 and 1382 by Benci di Cione and Simone di Francesco Talenti, possibly following a design by Jacopo di Sione, to house the assemblies of the people and hold public ceremonies, such as the swearing into office of the Gonfaloniers and the Priors. Simone Talenti is also well known from his contributions to the churches Orsanmichele and San Carlo. The vivacious construction of the Loggia is in stark contrast w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marphurius
Marphurius or Marforio ( it, Marforio; Medieval la, Marphurius, ) is one of the talking statues of Rome. Marforio maintained a friendly rivalry with his most prominent rival, Pasquin. As at the other five "talking statues", pasquinades—irreverent satires poking fun at public figures—were posted beside Marforio in the 16th and 17th centuries. The statue and its location Marforio is a large 1st century Roman marble sculpture of a reclining bearded river god or Oceanus, which in the past has been variously identified as a depiction of Jupiter, Neptune, or the Tiber. It was the humanist and antiquarian Andrea Fulvio who first identified it as a river god, in 1527. The ''Marfoi'' was a landmark in Rome from the late 12th century. Poggio Bracciolini wrote of it as one of the sculptures surviving from Antiquity, and in the early 16th century it was still near the Arch of Septimius Severus, where the various authors reported it. The origin of its name is a matter of some debate. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon (gathering)
A salon is a gathering of people held by an inspiring host. During the gathering they amuse one another and increase their knowledge through conversation. These gatherings often consciously followed Horace's definition of the aims of poetry, "either to please or to educate" (Latin: ''aut delectare aut prodesse''). Salons in the tradition of the French literary and philosophical movements of the 17th and 18th centuries were carried on until as recently as the 1920s in urban settings. Historical background The salon was an Italian invention of the 16th century, which flourished in France throughout the 17th and 18th centuries. The salon continued to flourish in Italy throughout the 19th century. In 16th-century Italy, some brilliant circles formed in the smaller courts which resembled salons, often galvanized by the presence of a beautiful and educated patroness such as Berta Zuckerkandl, Isabella d'Este or Elisabetta Gonzaga. Salons were an important place for the exchange of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Statue Of Pasquin In The House Of Cardinal Ursino MET DP870228
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture that represents persons or animals in full figure but that is small enough to lift and carry is a statuette or figurine, whilst one more than twice life-size is a colossal statue. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Color Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, but there is evidenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxford Boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesco Dialect
Romanesco () is one of the central Italian dialects spoken in the Metropolitan City of Rome Capital, especially in the core city. It is linguistically close to Tuscan and Standard Italian, with some notable differences from these two. Rich in vivid expressions and sayings, Romanesco is used in a typical diglossic setting, mainly for informal/colloquial communication, with code-switching and translanguaging with the standard language. History The medieval Roman dialect belonged to the southern family of Italian dialects, and was thus much closer to the Neapolitan language than to the Florentine. A typical example of Romanesco of that period is ''Vita di Cola di Rienzo'' ("Life of Cola di Rienzo"), written by an anonymous Roman during the 14th century. Starting with the 16th century, the Roman dialect underwent a stronger and stronger influence from the Tuscan dialect (from which modern Italian derives) starting with the reigns of the two Medici popes (Leo X and Clement VII) a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. A feature of satire is strong irony or sarcasm —"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question. Satire is found in many a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Mark
Mark the Evangelist ( la, Marcus; grc-gre, Μᾶρκος, Mârkos; arc, ܡܪܩܘܣ, translit=Marqōs; Ge'ez: ማርቆስ; ), also known as Saint Mark, is the person who is traditionally ascribed to be the author of the Gospel of Mark. According to Church tradition, Mark founded the episcopal see of Alexandria, which was one of the five most important sees of early Christianity. His feast day is celebrated on April 25, and his symbol is the winged lion. Mark's identity According to William Lane (1974), an "unbroken tradition" identifies Mark the Evangelist with John Mark, and John Mark as the cousin of Barnabas. However, Hippolytus of Rome in ''On the Seventy Apostles'' distinguishes Mark the Evangelist (2 Tim 4:11), John Mark (Acts 12:12, 25; 13:5, 13; 15:37), and Mark the cousin of Barnabas (Col 4:10; Phlm 1:24). According to Hippolytus, they all belonged to the "Seventy Disciples" who were sent out by Jesus to disseminate the gospel (Luke 10:1ff.) in Judea. According ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epigram
An epigram is a brief, interesting, memorable, and sometimes surprising or satirical statement. The word is derived from the Greek "inscription" from "to write on, to inscribe", and the literary device has been employed for over two millennia. The presence of wit or sarcasm tends to distinguish non-poetic epigrams from aphorisms and adages, which tend to lack those qualities. Ancient Greek The Greek tradition of epigrams began as poems inscribed on votive offerings at sanctuariesincluding statues of athletesand on funerary monuments, for example "Go tell it to the Spartans, passersby...". These original epigrams did the same job as a short prose text might have done, but in verse. Epigram became a literary genre in the Hellenistic period, probably developing out of scholarly collections of inscriptional epigrams. Though modern epigrams are usually thought of as very short, Greek literary epigram was not always as short as later examples, and the divide between "ep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marble
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or Dolomite (mineral), dolomite. Marble is typically not Foliation (geology), foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. Marble is commonly used for Marble sculpture, sculpture and as a building material. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shining stone", perhaps from the verb (), "to flash, sparkle, gleam"; Robert S. P. Beekes, R. S. P. Beekes has suggested that a "Pre-Greek origin is probable". This Stem (linguistics), stem is also the ancestor of the English language, English word "marmoreal," meaning "marble-like." While the English term "marble" resembles the French language, French , most other European languages (with words like "marmoreal") more closely resemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oliviero Carafa
Oliviero Carafa (10 March 1430 – 20 January 1511), in Latin Oliverius Carafa, was an Italian cardinal and diplomat of the Renaissance. Like the majority of his era's prelates, he displayed the lavish and conspicuous standard of living that was expected of a prince of the Church. In his career he set an example of conscientiousness for his contemporaries and mentored his relative, Giovanni Pietro Carafa, who was also "Cardinal Carafa" from 1536 to 1555, when he became Pope Paul IV. Early ecclesiastic career He was born in Naples to an illustrious house, prominent in the military and administrative service of the House of Aragon. His father Francesco was lord of Torre del Greco, Portici and Resina. His mother Maria Origlia, as contemporaries often pointed out, was distantly related to Thomas Aquinas by way of her mother Anna Sanseverino. His uncle Diomede, in turn, was count of Maddaloni and a close ally to both Alfonso I and Ferrante I. Though he was elevated to the Archbisho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
