Parwana Fayyaz
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Parwana Fayyaz
Parwana may refer to: *Parwana (title), Seljuk court title *Mu'in al-Din Parwana Mu'in al-Din Suleiman Parwana ( fa, معین الدین سلیمان پروانه), better known as Parwana ( fa, پروانه) was a Persian statesman, who was for a time (especially between 1261–1277) a key player in Anatolian politics involvi ..., 13th-century Seljuk statesman in Anatolia * ''Parwana'' (1947 film), a 1947 Hindi drama film * ''Parwana'' (1971 film), a 1971 Bollywood thriller film directed by Jyoti Swaroop * ''Parwana'' (2003 film), a 2003 Bollywood drama film directed by Deepak Bahry {{disambiguation ...
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Parwana (title)
''Parwāna'' or ''pervāne'' ( fa, پروانه, 'butterfly') was a court title of the Seljuk Sultanate of Rum (1077–1308). The title may be a poetic abbreviation of the title '' parwānačī'', known from the Ilkhanate (1256–1335). It denoted the messenger who conveyed the sultan's personal messages. It may have originally denoted the messages themselves before coming to apply to the messenger.Claude Cahen (trans. J. Jones-Williams), ''Pre-Ottoman Turkey: A General Survey of the Material and Spiritual Culture and History, c. 1071–1330'' (Taplinger, 1968), pp. 221–222. The sources show ''parwāna''s issuing ''farmān''s in relation to the business of the '' dīvān'' (council), of which they were members, and issuing grants of '' iqṭāʿ''s. They headed the chancery and also bore the title ''ṭughrāʾī'' (secretary). A. C. S. Peacock and Sara Nur Yıldız, "Introduction", in ''The Seljuks of Anatolia: Court and Society in the Medieval Middle East'' (I. B. Tauris, 2013), ...
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Mu'in Al-Din Parwana
Mu'in al-Din Suleiman Parwana ( fa, معین الدین سلیمان پروانه), better known as Parwana ( fa, پروانه) was a Persian statesman, who was for a time (especially between 1261–1277) a key player in Anatolian politics involving the Seljuk Sultanate of Rûm, the Mongol Ilkhanate and the Mamluks under Baybars. Biography Mu‘in al-Din Suleiman was the son of Muhadhdhab al-Din Ali al-Daylami, a Persian from Kashan, who served as the vizier to the Seljuq Sultan Kaykhusraw II in 1243 at the time of the Battle of Köse Dağ. Raised in a time of trouble after the Battle of Köse Dağ and having received a good education, Suleiman Parwana become commander of Tokat, and later Erzincan. He was appointed, by Mongol commander Bayju's recommendation, as chamberlain to the Konya palace of Seljuks sultan of Rûm, then vassals of the Mongols. He married Kaykhusraw's widow Gurju Khatun and became the undisputed master of the declining state, making a name as a great intri ...
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Parwana (1947 Film)
''Parwana'' () is a 1947 Indian Hindi-language drama film. It was produced by R. B. Haldia and Pratap A. Rana, and directed by J. K. Nanda. The songs were composed by Khurshid Anwar and became popular. The lyrics were written by D. N. Madhok and Naqshab. The film starred K. L. Saigal, Suraiya, Najma, K. N. Singh, Baby Khurshid and Azurie. It was K. L. Saigal's last film and was released in February 1947, one month after his death in January 1947. Suraiya, who had stated in an interview that she was a big fan of Saigal's, and had already acted in two films with him. The first two were ''Tadbir'' (1945) and '' Omar Khaiyyam'' (1946). ''Parwana'' was their third film together and the most famous. The story is about Inder, played by K. L. Saigal, who is from a well-to-do family and considerate towards the poor and needy. This causes jealousy and misunderstandings in his life. Story Inder (K. L. Saigal) goes to the market-place and buys bananas along with the basket from a bli ...
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Parwana (1971 Film)
''Parwana'' ( ''Moth'') is a 1971 Indian Hindi-language psychological thriller film directed by Jyoti Swaroop. It stars Amitabh Bachchan, Navin Nischol, Yogeeta Bali, Om Prakash in lead roles and Shatrughan Sinha in a special appearance. In this film, Amitabh Bachchan plays his first negative role as an infatuated lover-turned-murderer. Plot Kumar ( Amitabh Bachchan), an artist by profession is in love with Asha (Yogeeta Bali). Asha wins a trip to Ooty in a dance competition, and falls in love with a wealthy tea plantation owner, Rajeshwar (Navin Nischol). When Kumar finds out, he goes to Asha's uncle, Ashok Verma (Om Prakash) and demands Asha's hand in marriage. When he refuses, Kumar plots to kill him. The manner in which Kumar plans and executes the murder is regarded as an immensely brilliant and engaging sequence. Kumar boards and exits various modes of transportation to avoid any possibilities of suspicion by creating an alibi. He finally kills Ashok Verma and frames Raj ...
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