Parthenon Mosque
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Parthenon Mosque
The Parthenon mosque refers to one of two places of Islamic worship created successively within the Parthenon during the Ottoman occupation of Greece. The first was the mosque adapted from the Church of Our Lady of Athens, which was destroyed by a Venetian bombardment in 1687. The second was a free-standing building erected in the open space of what was the naos of the now ruined Parthenon; this was dismantled in 1843. __NOTOC__ History At what point the Parthenon first became a congregational mosque is undocumented. However, Mehmed II is known to have visited Athens in 1458 after the surrender of the Acropolis to the Ottoman Empire and again in 1460, and it is speculated that the act of conversion could have taken place then or shortly thereafter since the prominent churches of conquered territories were typically converted. The structural changes to the building were slight. A Frankish tower in the south-west corner of the pronaos, which might have served as a bell tower, ...
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Vue De L'Acropole D'Athènes En 1670 Dessin D'après La Lithographie De M Felix Périn - Omont Henri Auguste - 1898
Vue or VUE may refer to: Places * Vue, Loire-Atlantique, a commune in France * The Vue, a skyscraper in Charlotte, North Carolina Arts, entertainment and media * Vue (band), a rock and roll band from San Francisco, California * Vue Cinemas, a cinema company in the United Kingdom * ''Vue Weekly'', an alternative newspaper in Edmonton, Canada * PlayStation Vue, a former American streaming service from Sony Television stations * KVUE (Texas), KVUE, the ABC TV affiliate for Austin, Texas, US * WVUE (Wilmington, Delaware), a defunct TV station in Wilmington, Delaware, US * WVUE-DT, the Fox TV affiliate for New Orleans, Louisiana, US Brands and enterprises * Pearson VUE, an electronic testing company * Saturn Vue, a sport utility vehicle * Vue International, a multinational cinema holding company based in the UK * Vue Pack, single-serve coffee system by Keurig *Vue.ai, A Madstreetden brand based in the USA Science and technology * Villitis of unknown etiology, a placental injury Soft ...
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Minaret
A minaret (; ar, منارة, translit=manāra, or ar, مِئْذَنة, translit=miʾḏana, links=no; tr, minare; fa, گل‌دسته, translit=goldaste) is a type of tower typically built into or adjacent to mosques. Minarets are generally used to project the Muslim call to prayer ('' adhan''), but they also served as landmarks and symbols of Islam's presence. They can have a variety of forms, from thick, squat towers to soaring, pencil-thin spires. Etymology Two Arabic words are used to denote the minaret tower: ''manāra'' and ''manār''. The English word "minaret" originates from the former, via the Turkish version (). The Arabic word ''manāra'' (plural: ''manārāt'') originally meant a "lamp stand", a cognate of Hebrew '' menorah''. It is assumed to be a derivation of an older reconstructed form, ''manwara''. The other word, ''manār'' (plural: ''manā'ir'' or ''manāyir''), means "a place of light". Both words derive from the Arabic root ''n-w-r'', which has a ...
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Daguerreotype
Daguerreotype (; french: daguerréotype) was the first publicly available photographic process; it was widely used during the 1840s and 1850s. "Daguerreotype" also refers to an image created through this process. Invented by Louis Daguerre and introduced worldwide in 1839, the daguerreotype was almost completely superseded by 1860 with new, less expensive processes, such as ambrotype ( collodion process), that yield more readily viewable images. There has been a revival of the daguerreotype since the late 20th century by a small number of photographers interested in making artistic use of early photographic processes. To make the image, a daguerreotypist polished a sheet of silver-plated copper to a mirror finish; treated it with fumes that made its surface light-sensitive; exposed it in a camera for as long as was judged to be necessary, which could be as little as a few seconds for brightly sunlit subjects or much longer with less intense lighting; made the resulting lat ...
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Pierre-Gustave Joly De Lotbinière
Pierre-Gustave-Gaspard Joly de Lotbinière (February 5, 1798 - June 8, 1865) was a French businessman and amateur daguerreotypist, born citizen of the Republic of Geneva, and married to a Canadian seigneuress. Famous for being the first to photograph the Acropolis of Athens and some ancient Egyptian monuments, he is also the father of Sir Henri-Gustave Joly de Lotbinière, premier of Quebec from 1878 to 1879. Biography Early life Pierre-Gustave Joly was the son of Antoine Joly de Marval, merchant, and of Ursula Fehr de Brunner. Early in the 1800s, his family settled in Épernay in Champagne, where they specialized in wine trading. While the father and the eldest son, Moïse-Salomon, remained in Épernay, Pierre-Gustave travelled far and wide to find new buyers, first concentrating on Europe, including Germany, Poland, Russia and Sweden, eventually even crossing the Atlantic Ocean to visit the United States and Canada. While there, he met and on December 17, 1828, married in Montr ...
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George Wheler (travel Writer)
Sir George Wheler (20 January 1651 – 15 January 1724 ) was an English clergyman and travel writer. Life The son of Charles Wheler of Charing, Kent, colonel in the Life Guards, by his wife Anne, daughter of John Hutchin of Egerton, Kent, he was born on 20 January 1651 New Style date at Breda in the Netherlands, where his Royalist parents were in exile. He was educated at a school in Wye, Kent and Lincoln College, Oxford, matriculating on 31 January 1667. He was created M.A. on 26 March 1683, and D.D. by diploma on 18 May 1702. In 1671 he became a student at the Middle Temple. In October 1673 he set out for a tour in France, Switzerland, and Italy, and was at first accompanied by George Hickes, his tutor at Lincoln College. While in Italy he received some instruction in antiquities from Jean-Foy Vaillant; and at Venice, in June 1675, met Jacob Spon, with whom he travelled in Greece and the Levant in 1675 and 1676. Spon published a separate account of the journey in 1678 W ...
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Francis Vernon
Francis Vernon (1637?–1677) was an English traveller and author. Early life Born about 1637, near Charing Cross, he was the son of Francis Vernon of London and brother of James Vernon. He was admitted in 1649 to Westminster School. He matriculated on 10 November 1654 at Christ Church, Oxford. He graduated B.A. on 28 January 1658, and M.A. on 17 July 1660. Vernon began to travel before he had taken his master's degree. During one of his voyages, he was taken by pirates and sold. After his release, he seems to have returned to Oxford. In 1668, he was chosen because of his experience to accompany Charles Howard, 1st Earl of Carlisle, ambassador-extraordinary to Sweden, and the king wrote to Christ Church requesting a leave of absence for him. In Paris Vernon was next appointed to go with Ralph Montagu to Paris as secretary to the embassy. His letters fell below the required standard, but he remained there till the end of 1671. He was, in fact, considered frivolous for filling co ...
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Jacob Spon
Jacob Spon (or Jacques; in English dictionaries given as James) (1647 in Lyon – 25 December 1685, in Vevey, Switzerland) was a French doctor and archaeologist, was a pioneer in the exploration of the monuments of Greece, and a scholar of international reputation in the developing "Republic of Letters". Biography His father was Charles Spon, a doctor and Hellenist, of a wealthy and cultured Calvinist banking family from Ulm that had been established since 1551 at Lyon, where they were members of the bourgeois élite. Following medical studies at Strasbourg, the younger Spon first met the son of a friend of his father, Charles Patin, who introduced him to antiquarian interests and the study of numismatics, then as now a window into the world of Classical Antiquity. In Paris, Jacob Spon lodged with Patin's father, Guy Patin. At Montpellier he received his doctorate in medicine (1668) and subsequently practiced in Lyon to a wealthy clientele. There his first publication app ...
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Museo Civico Di Bassano
The Museo Civico di Bassano del Grappa is the town art and architecture museum located on Piazza Garibaldi #34 in Bassano del Grappa, in the Vicenza province of the region of the Veneto, in northern Italy. It is housed in a former Franciscan convent. History In the first half of the 19th century, artworks from a variety of suppressed religious institutions became property of the commune. In 1831, a first series of painters were displayed for the public in rooms surrounding the cloister of the Monastery of San Francesco. In 1840, these were joined by paintings from the City Hall's sala del Consiglio, as well as collections of Natural History specimens and books donated by the amateur naturalist Giovanni Battista Brocchi. The museum in 1978 received a donation of an archeologic collection of the professor Virgilio Chini. The collection includes ceramic vases from the Italian and Greco-Roman towns from the peninsula and abroad. The Pinacoteca or picture gallery now displays over 500 ...
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Jacques Carrey
Jacques Carrey (12 January 1649 – 18 February 1726) was a French painter and draughtsman, now remembered almost exclusively for the series of drawings he made of the Parthenon, Athens, in 1674. Born in Troyes, Carrey was a pupil in the atelier of Charles Le Brun. Carrey was recommended by his master to be included in the entourage of the embassy of de Nointel to Constantinople in August 1670 as a draughtsman. Part of de Nointel's commission was to purchase manuscripts, medallions and sculptures while abroad. As a result of this, between 1670 and 1679 Carrey executed over 500 drawings of towns, antiquities, ceremonies and examples of local fetes and customs in Asia Minor, Greece and Palestine. De Nointel's group visited Athens in November 1674. Here, in a two-week period, Carrey produced about fifty-five drawings of the sculptures on the Parthenon. Thirty-five of these, showing details of the pediments, metopes and frieze, now survive in the Paris Bibliotheque Nationale. Since ...
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Seyahatnâme
''Seyahatname'' ( ota, سياحتنامه, Seyāḥatnāme, book of travels) is the name of a literary form and tradition whose examples can be found throughout centuries in the Middle Ages around the Islamic world, starting with the Arab travellers of the Umayyad period. In a more specific sense, the name refers to the travel notes by the Ottoman Turkish traveller Evliya Çelebi (1611–1682). The ''Seyahâtnâme'' of Evliya Çelebi is an outstanding example of this tradition. The author's personal name is Derviş Mehmed Zilli, and “Evliya” is his pen name, which he adopted in honor of his teacher, Evliya Mehmed Efendi. Evliya Çelebi's father was the chief jeweller to the courts, and thanks to the talent of his father Evliya was allowed to enjoy the favor of the court. Because of his gift in reciting the Quran, Evliya was presented to Sultan Murad IV and admitted to the palace, where he received extensive training in calligraphy, music, Arabic grammar, and tajwid. Shortly ...
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Evliya Çelebi
Derviş Mehmed Zillî (25 March 1611 – 1682), known as Evliya Çelebi ( ota, اوليا چلبى), was an Ottoman explorer who travelled through the territory of the Ottoman Empire and neighboring lands over a period of forty years, recording his commentary in a travelogue called the '' Seyâhatnâme'' ("Book of Travel"). The name Çelebi is an honorific title meaning "gentleman" or "man of God" (see pre-1934 Turkish naming conventions). Life Evliya Çelebi was born in Constantinople in 1611 to a wealthy family from Kütahya. Both his parents were attached to the Ottoman court, his father, Derviş Mehmed Zilli, as a jeweller, and his mother as an Abkhazian relation of the grand vizier Melek Ahmed Pasha. In his book, Evliya Çelebi traces his paternal genealogy back to Ahmad Yasawi, an early Sufi mystic. Evliya Çelebi received a court education from the Imperial ''ulama'' (scholars). He may have joined the Gulshani Sufi order, as he shows an intimate knowledge of their ...
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Mihrab
Mihrab ( ar, محراب, ', pl. ') is a niche in the wall of a mosque that indicates the ''qibla'', the direction of the Kaaba in Mecca towards which Muslims should face when praying. The wall in which a ''mihrab'' appears is thus the "qibla wall". The ''minbar'', which is the raised platform from which an imam (leader of prayer) addresses the congregation, is located to the right of the mihrab. Etymology The origin of the word ''miḥrāb'' is complicated and multiple explanations have been proposed by different sources and scholars. It may come from Old South Arabian (possibly Sabaic) ''mḥrb'' meaning a certain part of a palace, as well as "part of a temple where ''tḥrb'' (a certain type of visions) is obtained," from the root word ''ḥrb'' "to perform a certain religious ritual (which is compared to combat or fighting and described as an overnight retreat) in the ''mḥrb'' of the temple." It may also possibly be related to Ethiopic ''məkʷrab'' "temple, sanctua ...
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