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Parsi Theatre
Parsi theatre is a generic term for an influential theatre tradition, staged by Parsis, and theatre companies largely-owned by the Parsi business community, which flourished between 1850 and 1930s. Plays were primarily in the Hindustani language (especially the Urdu dialect), as well as Gujarati to an extent. After its beginning in Bombay, it soon developed into various travelling theatre companies, which toured across India, especially north and western India (now Gujarat and Maharashtra), popularizing proscenium-style theatre in regional languages. Entertainment-driven and incorporating musical theatre and folk theatre, in early 1900s, some Parsi theatre producers switched to new media like bioscope and subsequently many became film producers. The theatre diminished in popularity, with arrival of talkies era in Hindi cinema in 1930s. Post-independence, it experienced a revival in the 1950s, much like theatre in the rest of the India. History The British community in Bombay had b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsi
Parsis () or Parsees are an ethnoreligious group of the Indian subcontinent adhering to Zoroastrianism. They are descended from Persians who migrated to Medieval India during and after the Arab conquest of Iran (part of the early Muslim conquests) in order to preserve their Zoroastrian identity. The Parsi people comprise the older of the Indian subcontinent's two Zoroastrian communities vis-à-vis the Iranis, whose ancestors migrated to British-ruled India from Qajar-era Iran. According to a 16th-century Parsi epic, ''Qissa-i Sanjan'', Zoroastrian Persians continued to migrate to the Indian subcontinent from Greater Iran in between the 8th and 10th centuries, and ultimately settled in present-day Gujarat after being granted refuge by a local Hindu king. Prior to the 7th-century fall of the Sassanid Empire to the Rashidun Caliphate, the Iranian mainland (historically known as 'Persia') had a Zoroastrian majority, and Zoroastrianism had served as the Iranian state religion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persianate
A Persianate society is a society that is based on or strongly influenced by the Persian language, culture, literature, art and/or identity. The term "Persianate" is a neologism credited to Marshall Hodgson. In his 1974 book, ''The Venture of Islam: The expansion of Islam in the Middle Periods'', he defined it thus: "The rise of Persian had more than purely literary consequences: it served to carry a new overall cultural orientation within Islamdom.... Most of the more local languages of high culture that later emerged among Muslims... depended upon Persian wholly or in part for their prime literary inspiration. We may call all these cultural traditions, carried in Persian or reflecting Persian inspiration, 'Persianate' by extension."Hodgson says, "It could even be said that Islamicate civilization, historically, is divisible in the more central areas into an earlier 'caliphal' and a later 'Persianate' phase; with variants in the outlying regions—Maghrib, Sudanic lands, Southern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Javed Akhtar
Javed Akhtar (born 17 January 1945) is an Indian poet, lyricist, screenwriter and political activist. Known for his work in Hindi cinema, he has won five National Film Awards, and received the Padma Shri in 1999 and the Padma Bhushan in 2007, two of India's highest civilian honours. Akhtar came to recognition in the duo Salim–Javed, and earned his breakthrough as a screenwriter with 1973's ''Zanjeer''. He went on to write the films ''Deewar'' and ''Sholay'', both released in 1975; they earned a cult following, and had a significant impact in popular culture. He later earned praise for his work as a lyricist, winning the National Film Award for Best Lyrics five times and the Filmfare Award for Best Lyricist eight times. Akhtar notably campaigned for the Communist Party of India (CPI) and their candidate in the 2019 Indian general election, and was a member of parliament in Rajya Sabha. For his work, he received the Richard Dawkins Award in 2020. Early life Javed Akh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Bollywood
Hindi film songs, more formally known as Hindi Geet or filmi songs and informally known as Bollywood music, are songs featured in Hindi films. Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context. Hindi film songs form a predominant component of Indian pop music, and derive their inspiration from both classical and modern sources. Hindi film songs are now firmly embedded in North India's popular culture and routinely encountered in North India in marketplaces, shops, during bus and train journeys and numerous other situations. Though Hindi films routinely contain many songs and some dance routines, they are not musicals in the Western theatrical sense; the music-song-dance aspect is an integral feature of the genre akin to plot, dialogue and other parameters. The first song recorded in India by Gauhar Jaan in 1902 and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Cinema
The Cinema of India consists of motion pictures produced in India, which had a large effect on world cinema since the late 20th century. Major centers of film production across the country include Mumbai, Chennai, Hyderabad, Visakhapatnam, Kochi, Kolkata, Bangalore, Bhubaneswar-Cuttack and Guwahati. For a number of years the Indian film industry has ranked first in the world in terms of annual film output. In terms of box office it ranked third in 2019, with total gross of around (US$2.7 billion). Indian cinema is composed of multilingual and multi-ethnic film art. In 2019, Hindi cinema represented 44% of box office revenue, followed by Telugu and Tamil film industries, each representing 13%, Malayalam and Kannada film industries, each representing 5%.Other prominent languages in the Indian film industry include Bengali, Marathi, Odia, Punjabi, Gujarati and Bhojpuri. As of 2020, the combined revenue of all other language film industries has surpassed that of the Mumbai-base ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masala Film
Masala films of Indian cinema mix multiple genres into one work. Masala films emerged in the 1970s and are still created as of the 2020s. Typically these films freely mix action, comedy, romance, and drama or melodrama. They also tend to be musicals that include songs, often filmed in picturesque locations. The genre is named after the masala, a mixture of spices in Indian cuisine. According to ''The Hindu'', masala is the most popular genre of Indian cinema. Masala films have origins in the 1970s, and are common in every major film industry in India. Production of these films are still active in early 2020s. History According to a number of critics and scholars, the masala film was pioneered in the early 1970s by filmmaker Nasir Hussain, along with screenwriter duo Salim–Javed, consisting of Salim Khan and Javed Akhtar. ''Yaadon Ki Baaraat'' (1973), directed by Hussain and written by Salim-Javed, has been identified by many as the first masala film.Kaushik BhaumikAn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindi Theatre
Hindi theatre is theatre performed in the Hindi language, including dialects such as Braj Bhasha, Khari Boli and Hindustani. Hindi theatre is produced mainly in North India, and some parts of West India and Central India, which include Mumbai and Bhopal. Hindi theatre has its roots in the traditional folk theatre of North India, like Ram lila and Raslila, and also influenced by distant Sanskrit drama. Starting with Bhartendu Harishchandra in the late 19th century and subsequent playwrights like Jaishankar Prasad, Mohan Rakesh, Hindi theatre came of age in the 1940s and 50s, when Indian People's Theatre Association, IPTA movement created a new brand of theatre practitioners in Hindi speaking areas, especially with Indian People's Theatre Association, IPTA Mumbai, Prithvi Theatres of thespian Prithviraj Kapoor, and theatre artiste Habib Tanvir, paving way for next generation of artists who came out once National School of Drama, Delhi started functioning in 1959. History Early hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marathi Theatre
Marathi theatre is theatre in the Marathi language, mostly originating or based in the state of Maharashtra in India, and elsewhere with Marathi diaspora. Starting in the middle of the 19th century, it flourished in the 1950s and 1960s. Today, it continues to have a marked presence in the State of Maharashtra with a loyal audience base, when most theatre in other parts of India have had tough time facing the onslaught of cinema and television. Its repertoire ranges from humorous social plays, farces, historical plays, musical, to experimental plays and serious drama of the 1970s onwards, by Vijay Tendulkar, P. L. Deshpande, Mahesh Elkunchwar and Satish Alekar, which have influenced theatre throughout India. In the post- independence era, Bengali theatre, and Marathi theatre have been at the forefront of innovations and significant dramaturgy in Indian theatre. History Ancient and medieval period The region of Maharashtra, has had long theatrical tradition, one of the early refe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gujarati Theatre
Gujarati theatre refers to theatre performed in the Gujarati language, including its dialects. Gujarati theatre is produced mainly in Gujarat and Maharashtra, in cities like Mumbai, Ahmedabad and Baroda, Surat and else where Gujarati diaspora exists, especially North America. ''Rustam Sohrab'', performed by ''Parsee Natak Mandali'' on 29 October 1853 in Mumbai, marked the beginning of Gujarati theatre. History Pre-British Raj The region of Gujarat has a long tradition of folk-theatre, Bhavai, which originated in the 14th-century. Thereafter, in early 16th century, a new element was introduced by Portuguese missionaries, who performed ''Yesu Mashiha Ka Tamasha'', based on the life of Jesus Christ, using the Tamasha folk tradition of Maharashtra, which they imbibed during their work in Goa or Maharashtra. Sanskrit drama was performed in royal courts and temples of Gujarat, it did not influence the local theatre tradition for the masses. European Influence During British Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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