Parque Hundido
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Parque Hundido
Parque Hundido (official name is Parque Luis G. Urbina) is an urban park located in Benito Juárez, Mexico City. Background Its site was occupied by the brick-making company Ladrillera Nochebuena from the mid 19th century until the beginning of Porfiriato, when the brick company moved away and the site became an empty depression. By 1910, several species of trees were planted, creating the Nochebuena forest (''Bosque de la Nochebuena''). The area has been populated since late 18th century. However, the area was a collection of small towns and was, at that time, far away from Mexico City itself. In the late 1930s, having paved and widened Avenida de los Insurgentes, the city government decided to use the beautiful setting of the forest to create a new park. Its layout comprised gardens, walkways, a dual jai-alai/ fronton court, and fountains for visitors to enjoy. In the late 1940s, when modern urbanization began around the park, it became known as the "Chinese Park", since its ...
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Reloj Del Parque Hundido
"Reloj" () is a song recorded by Puerto Rican singer Rauw Alejandro and Puerto Rican rapper Anuel AA for Alejandro's debut studio album, '' Afrodisíaco'' (2020). It was written by Alejandro, Yampi, Luis Guillermo Marval Camerom, Nesty, Anuel AA, Caleb Calloway, Kenobi, Colla, and Eric Duars, while the production was handled by Calloway and Nesty. The song was released for digital download and streaming by Sony Music Latin and Duars Entertainment on October 22, 2020, as the fourth single from the album. A Spanish language melodic reggaeton song with urban rhythms, it is about the sexual desire the singers feel towards a girl, describing everything they would do to her if the clock had more hours. "Reloj" received positive reviews from music critics, who complimented its rhythms. The track was nominated for Viral Anthem at the 2021 MTV Millennial Awards. It was commercially successful, reaching the top 10 in several Latin American countries, including Colombia and Mexico, and o ...
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Dolores Del Río
María de los Dolores Asúnsolo y López Negrete (3 August 1904 – 11 April 1983), known professionally as Dolores del Río (), was a Mexican actress. With a career spanning more than 50 years, she is regarded as the first major female Latin American crossover star in Hollywood. Along with a notable career in American cinema during the 1920s and 1930s, she was also considered one of the most important female figures in the Golden Age of Mexican cinema, and one of the most beautiful actresses of her era. After being discovered in Mexico, she began her film career in Hollywood in 1925. She had roles on a string of successful films, including ''Resurrection'' (1927), ''Ramona'' (1928) and ''Evangeline'' (1929). Del Río came to be considered a sort of feminine version of Rudolph Valentino, a "female Latin Lover", in her years during the American " silent" era. With the advent of sound, she acted in a range of film genres, from contemporary crime melodramas to musical comedies and ...
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Vicente Guerrero
Vicente Ramón Guerrero (; baptized August 10, 1782 – February 14, 1831) was one of the leading revolutionary generals of the Mexican War of Independence. He fought against Spain for independence in the early 19th century, and later served as the second president of Mexico. He abolished slavery on a national level during his brief term as president. Guerrero was deposed in a rebellion under Vice-President Anastasio Bustamante. Early life UR Guerrero was born in Tixtla, a town 100 kilometers inland from the port of Acapulco, in the Sierra Madre del Sur; his parents were María Guadalupe Rodríguez Saldaña, and Juan Pedro Guerrero. His father's family included landlords, wealthy farmers, and traders with broad business connections in the south, members of the Spanish militia, and gun and cannon makers. In his youth, he worked for his father's freight business that used mules for transport, a prosperous business during this time. His travels took him to different parts of Mexico ...
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Mexico City Metrobús
The Mexico City Metrobús (former official name Sistema de Corredores de Transporte Público de Pasajeros del Distrito Federal), simply known as Metrobús, is a bus rapid transit (BRT) system that has served Mexico City since line 1 opened on 19 June 2005. As of February 2018, it consists of seven lines that cross the city and connects with other forms of transit, such as the Mexico City Metro. The most recent line to open was line 7, running for the first time double-decker buses along the city's iconic boulevard, Paseo de la Reforma. In 2016, Metrobús carried on average 1,152,603 passengers on weekdays. Impact Line 1 replaced 372 standard buses and microbuses that served Avenida de los Insurgentes with 212 articulated buses that run at an average speed of , doing as maximum. Doing so, travel times along the corridor were reduced up to 50%. Besides addressing the bus service problem, the BRT Metrobús project emerged in the context of the city's efforts to reduce air po ...
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Film Society
A film society is a membership-based club where people can watch screenings of films which would otherwise not be shown in mainstream cinemas. In Spain, Ireland and Italy, they are known as "cineclubs", and in Germany they are known as "filmclubs". They usually have an educational aim, introducing new audiences to different audiovisual works through an organized and prepared program of screenings. Editorial output reinforces the work of these organisations, as they produce hand-programmes, brochures, schedules, information sheets, and even essays, supporting the significance of their exhibitions. A common feature that may characterize a film society screening is that they begin with an introduction of the film to the audience, and end with the promotion of a discussion about the film, where assistants, organizers and sometimes the filmmakers themselves, exchange their views. There are networks in many different countries, and these are organized into federations, councils, collect ...
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Golden Age Of Mexican Cinema
The Golden Age of Mexican cinema ( es, Época de Oro del Cine Mexicano) is a period in the history of the Cinema of Mexico between 1930 and 1969 when the Mexican film industry reached high levels of production, quality and economic success of its films, besides having gained recognition internationally. It began with the film ''Allá en el Rancho Grande'' (1936), directed by Fernando de Fuentes. In 1939, during World War II, the film industry in the US and Europe declined, because the materials previously destined for film production now were for the new arms industry. Many countries began to focus on making films about war, leaving an opportunity for Mexico to produce commercial films for the Mexican and Latin American markets. This cultural environment favored the emergence of a new generation of directors and actors considered to date, icons in Mexico and in Hispanic countries and Spanish-speaking audiences. Mexican cinema of the Golden Age is also credited with propelling Mex ...
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Cinema Of The United States
The cinema of the United States, consisting mainly of major film studios (also known as Hollywood) along with some independent film, has had a large effect on the global film industry since the early 20th century. The dominant style of American cinema is classical Hollywood cinema, which developed from 1913 to 1969 and is still typical of most films made there to this day. While Frenchmen Auguste and Louis Lumière are generally credited with the birth of modern cinema, American cinema soon came to be a dominant force in the emerging industry. , it produced the third-largest number of films of any national cinema, after India and China, with more than 600 English-language films released on average every year. While the national cinemas of the United Kingdom, Canada, Australia, and New Zealand also produce films in the same language, they are not part of the Hollywood system. That said, Hollywood has also been considered a transnational cinema, and has produced multiple lan ...
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Relojes Centenario
Relojes Centenario (or Centenario Clocks) is the first manufacturer of monumental clocks in Latin America. It was founded by Alberto Olvera Hernández in the municipality of Zacatlán, Puebla, Mexico as a workshop on the family farm when he was a teenager. His first clock was for the family farm but the next one went to the main church in Chignahuapan, which still functions to this day. The name Centenario was adopted in 1921 to mark the centennial of the end of the Mexican War of Independence. To date, the company has built over 2,000 monumental clocks for churches, government buildings and more as well as repaired Mexican and European built clocks. There are Centenario clocks in most part of Mexico and the company sells abroad as well. In 1993, the company opened a Clock Museum in the upper level of the factory, with both the museum and factory open to the public free of charge. Alberto Olvera Hernández Alberto Olvera Hernández was born on March 2, 1892, at the Coyotepec farm ...
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Benito Juárez, Mexico City
Benito Juárez (), is a borough (''demarcación territorial'') in Mexico City. It is a largely residential area, located to the south of historic center of Mexico City, although there are pressures for areas to convert to commercial use. It was named after Benito Juárez, president in the 19th century. The borough has the highest socioeconomic index in the country as it is primarily populated by the middle and upper middle classes. The borough is home to a number of landmarks such as the World Trade Center Mexico City, the Estadio Azul, the Plaza México and the Polyforum Cultural Siqueiros. The borough The borough is in the north center of the Mexico City, just south of the oldest section of the city. It borders the boroughs of Miguel Hidalgo, Cuauhtémoc, Coyoacán, Iztapalapa, Iztacalco and Álvaro Obregón. The borders are formed by two rivers, the La Piedad and the Churubusco, as well as the following streets: Presidente Adolfo López Mateos (Anillo Periférico), 11 de Abril ...
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Fronton (court)
A fronton ( es, frontón; eu, frontoi or ; french: fronton) is a two-walled or single-walled court used as a playing area for Basque pelota. History The front wall of the first frontons in villages was usually the wall of a church. Because the games being played close by, several priests would play pelota along with the villagers and got to be well-known players and often served as referees in provincial or town competitions but were out of the picture when it turned into a commercialized sport. Because of the increasing popularity of the game, many churches put up signs forbidding pelota games on their porches. The games were also played in town halls, but when the game turned into a highly popular entertainment in the region, towns started to build special frontons in open-air or closed courts. Characteristics There are two main types of frontons, the first one being the single-wall fronton, prevalent on the eastern Basque Country, while two-wall frontons are typically loca ...
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