Park Theatre (Manhattan, New York)
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Park Theatre (Manhattan, New York)
The Park Theatre, originally known as the New Theatre, was a playhouse in New York City, located at 21–25 Park Row in the present Civic Center neighborhood of Manhattan, about east of Ann Street and backing Theatre Alley. The location, at the north end of the city, overlooked the park that would soon house City Hall. French architect Marc Isambard Brunel collaborated with fellow émigré Joseph-François Mangin and his brother Charles on the design of the building in the 1790s. Construction costs mounted to precipitous levels, and changes were made in the design; the resulting theatre had a rather plain exterior. The doors opened in January 1798. In its early years, the Park enjoyed little to no competition in New York City. Nevertheless, it rarely made a profit for its owners or managers, prompting them to sell it in 1805. Under the management of Stephen Price and Edmund Simpson in the 1810s and 1820s, the Park enjoyed its most successful period. Price and Simpson initi ...
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Joseph-François Mangin
Joseph-François Mangin was born on June 10, 1758 in Dompaire, in the Vosges region of France. He was a French-American architect who is noted for designing New York City Hall and St. Patrick's Old Cathedral in New York City. He died in 1818 in Madrid, St Lawrence County, New York. Early life Joseph François Mangin was born in 1758 in the Vosges region of France, the son of Jean-Baptiste François Mangin (1724-1772), the king's surgeon, and Marie Anne Milot (1731-1804), both from Dompaire. He left Dompaire around 1773 to study at a high school in Nancy, where he graduated in 1777. He then studied law at the University of Nancy, where he graduated in 1781. After spending a few years near Nancy as a lawyer, he decided to move to St Domingue (today Haiti) to make a fortune. He left France from Nantes on Oct, 25th 1784 and arrived in St Domingue on Dec, 7th 1784. Joseph François Mangin and his brother Charles had to flee Saint Domingue in 1793 as a consequence of the slave rev ...
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Upper Class
Upper class in modern societies is the social class composed of people who hold the highest social status, usually are the wealthiest members of class society, and wield the greatest political power. According to this view, the upper class is generally distinguished by immense wealth which is passed on from generation to generation. Prior to the 20th century, the emphasis was on ''aristocracy'', which emphasized generations of inherited noble status, not just recent wealth. Because the upper classes of a society may no longer rule the society in which they are living, they are often referred to as the old upper classes, and they are often culturally distinct from the newly rich middle classes that tend to dominate public life in modern social democracies. According to the latter view held by the traditional upper classes, no amount of individual wealth or fame would make a person from an undistinguished background into a member of the upper class as one must be born into a famil ...
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Poorhouse
A poorhouse or workhouse is a government-run (usually by a county or municipality) facility to support and provide housing for the dependent or needy. Workhouses In England, Wales and Ireland (but not in Scotland), ‘workhouse’ has been the more common term. Before the introduction of the Poor Laws, each parish would maintain its own workhouse; often these would be simple farms with the occupants dividing their time between working the farm and being employed on maintaining local roads and other parish works. An example of one such is Strand House in East Sussex. In the early Victorian era (see Poor Law), poverty was seen as a dishonourable state. As depicted by Charles Dickens, a workhouse could resemble a reformatory, often housing whole families, or a penal labour regime giving manual work to the indigent and subjecting them to physical punishment. At many workhouses, men and women were split up with no communication between them. Furthermore, these workhouse systems w ...
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Tent City
A tent city is a temporary housing facility made using tents or other temporary structures. State governments or military organizations set up tent cities to house evacuees, refugees, or soldiers. UNICEF's Supply Division supplies expandable tents for millions of displaced people. Informal tent cities may be set up without authorization by homeless people or protesters. Tent cities set up by homeless people may be similar to shanty towns, which are informal settlements in which the buildings are made from scrap building materials. Shoddy and lower-condition tent cities may be considered skid rows or a facet of them. Military In the military, the term "tent city" usually refers to temporary living quarters erected on deployed military bases, such as those found in Bosnia and Herzegovina or Iraq. Depending on the branch of service and the length of time the tent city has been in place, the living space may be equipped with most modern amenities. For sanitary reasons, military ...
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Bridewell (New York City Jail)
The Bridewell was a municipal prison built in 1768 on the site now occupied by City Hall Park in the Civic Center neighborhood of Manhattan, New York City. History According to the Oxford English Dictionary, Bridewell is a common English noun referred both to a gaol in which prisoners were held, or a workhouse to which they were confined. The term was used for a number of jails in the Thirteen Colonies. Construction on the New York City Bridewell began in 1768, although the building was not completed until after the end of the American Revolutionary War. Even though it was incomplete, the British used the jail to house prisoners of war during the Revolutionary War. Prior to British control of New York, the jail in 1776 housed Thomas Hickey prior to his execution in the plot to assassinate George Washington. It stood until it was replaced by The Tombs ''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied ...
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Box (theatre)
In a theatre, a box, loge, or opera box is a small, separated seating area in the auditorium or audience for a limited number of people for private viewing of a performance or event. Boxes are typically placed immediately to the front, side and above the level of the stage. They are separate rooms with an open viewing area which typically seat five people or fewer. Usually all the seats in a box are taken by members of a single group of people. A state box or royal box is sometimes provided for dignitaries. In theatres without box seating the loge can refer to a separate section at the front of the balcony. Sports venues such as stadiums and racetracks also have royal boxes or enclosures, for example at the All England Club and Ascot Racecourse, where access is limited to royal families or other distinguished personalities. In other countries, sports venues have luxury boxes aka skyboxes, where access is open to anyone who can afford tickets, sometimes bought by companies. Se ...
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Auditorium
An auditorium is a room built to enable an audience to hear and watch performances. For movie theatres, the number of auditoria (or auditoriums) is expressed as the number of screens. Auditoria can be found in entertainment venues, community halls, and theaters, and may be used for rehearsal, presentation, performing arts productions, or as a learning space. Etymology The term is taken from Latin (from ''audītōrium'', from ''audītōrius'' ("pertaining to hearing")); the concept is taken from the Greek auditorium, which had a series of semi-circular seating shelves in the theatre, divided by broad 'belts', called ''diazomata'', with eleven rows of seats between each. Auditorium structure The audience in a modern theatre are usually separated from the performers by the proscenium arch, although other types of stage are common. The price charged for seats in each part of the auditorium (known in the industry as the house) usually varies according to the quality o ...
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Reign Of Terror
The Reign of Terror (french: link=no, la Terreur) was a period of the French Revolution when, following the creation of the First Republic, a series of massacres and numerous public executions took place in response to revolutionary fervour, anticlerical sentiment, and accusations of treason by the Committee of Public Safety. There is disagreement among historians over when exactly "the Terror" began. Some consider it to have begun only in 1793, giving the date as either 5 September, June or March, when the Revolutionary Tribunal came into existence. Others, however, cite the earlier time of the September Massacres in 1792, or even July 1789, when the first killing of the revolution occurred. The term "Terror" being used to describe the period was introduced by the Thermidorian Reaction who took power after the fall of Maximilien Robespierre in July 1794, to discredit Robespierre and justify their actions. Today there is consensus amongst historians that the exceptional revo ...
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John Street Theatre (Manhattan)
John Street Theatre, situated at 15–21 John Street, sometimes called "The Birthplace of American Theatre", was the first permanent theatre in the Financial District of Manhattan, New York.''The Oxford Companion to the Theatre'' (Fourth Edition) It opened on December 7, 1767, and was operated for several decades by the American Company. It closed on January 13, 1798. History Construction and opening The theatre was built by David Douglass (c. 1720 – 1786), an English actor who had emigrated to Jamaica in about 1750. There he met Lewis Hallam, leader of a touring theatrical company, and, after Hallam's death, married his widow. The newly married pair formed the American Company from Hallam's old company and toured the United States performing and, if it was necessary, erecting theatres, across America. Douglass had built two temporary theatres in New York - on Cruger's Wharf and on Beekman Street - but his third New York theatre, the John Street Theatre, was the city's fir ...
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Park Theatre Concept Design
A park is an area of natural, semi-natural or planted space set aside for human enjoyment and recreation or for the protection of wildlife or natural habitats. Urban parks are urban green space, green spaces set aside for recreation inside towns and cities. National parks and country parks are green spaces used for recreation in the countryside. State parks and provincial parks are administered by sub-national government states and agencies. Parks may consist of grassy areas, rocks, soil and trees, but may also contain buildings and other artifacts such as monuments, fountains or playground structures. Many parks have fields for playing sports such as baseball and football, and paved areas for games such as basketball. Many parks have trails for walking, biking and other activities. Some parks are built adjacent to bodies of water or watercourses and may comprise a beach or boat dock area. Urban parks often have benches for sitting and may contain picnic tables and barbecue gr ...
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Italian Opera
Italian opera is both the art of opera in Italy and opera in the Italian language. Opera was born in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until the present day. Many famous operas in Italian were written by foreign composers, including Handel, Gluck and Mozart. Works by native Italian composers of the 19th and early 20th centuries, such as Rossini, Bellini, Donizetti, Verdi and Puccini, are amongst the most famous operas ever written and today are performed in opera houses across the world. Origins ''Dafne'' by Jacopo Peri was the earliest composition considered opera, as understood today. Peri's works, however, did not arise out of a creative vacuum in the area of sung drama. An underlying prerequisite for the creation of opera proper was the practice of monody. Monody is the solo singing/setting of a dramatically conceived melody, designed to express the emotional content of the text it carries, whic ...
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Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ...
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