Parisina D'Este
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Parisina D'Este
''Parisina'' (also known as ''Parisina d'Este'') is an opera (''tragedia lirica''), in three acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Byron's 1816 poem '' Parisina''. The characters of Parisina and Duke Azzo in both Byron's poem and Donizetti's opera are very loosely based on the historical figures of Parisina Malatesta (the daughter of Andrea Malatesta) and Niccolò III d'Este. ''Parisina'' premiered on 17 March 1833 at the Teatro della Pergola in Florence. A performance at the Teatro Argentina in Rome is the setting for a key scene in chapter 34 of the 1844 novel ''The Count of Monte Cristo'' by Alexandre Dumas. Roles Synopsis :Place: Ferrara :Time: the 15th century''This synopsis is translated froParisina d'Este(version of 30 December 2008), on the Italian Wikipedia Act 1 In Duke Azzo's palace, Ernesto and other nobles await his arrival (''È desto il duca?''). Azzo appears and tells Ernesto about his fear that his wife, Pa ...
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Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ...
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Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ...
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