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Parallel-a-Stitt
''Parallel-a-Stitt'' (subtitled ''Sonny Stitt on the Varitone'') is an album by saxophonist Sonny Stitt recorded in 1967 and released on the Roulette Records, Roulette label. The album represents Stitt's third featuring the varitone, an electronic amplification device which altered the saxophone's sound.Myers, MSonny Stitt: Varitone Redux ''All About Jazz'', December 20, 2011 Reception Allmusic awarded the album 3 stars.Allmusic Review accessed January 8, 2012 Track listing ''All compositions by Sonny Stitt except as indicated'' # "Hello George" - 3:25 # "Don't Get Around Much Anymore" (Duke Ellington) - 5:02 # "Bye Bye Blackbird" (Ray Henderson, Mort Dixon) - 4:27 # "Because It's Love" - 2:35 # "Satin Doll" (Ellington, Billy Strayhorn, Johnny Mercer) - 4:40 # "The Shadow of Your ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Stitt
Edward Hammond Boatner Jr. (February 2, 1924 – July 22, 1982), known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz yet rarely worked with the same musicians for long. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone. Early life Edward Hammond Boatner, Jr. was born in Boston, Massachusetts, and grew up in Saginaw, Michigan. He had a musical background: his father, Edward Boatner, was a baritone singer, composer, and college music professor; his brother was a classically trained pianist, and his mother was a pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Made For Each Other (Sonny Stitt Album)
''Made for Each Other'' is an album by saxophonist Sonny Stitt recorded in 1968 but not released by the Delmark label until 1972. The album represents Stitt's fourth recording featuring the varitone, an electronic amplification device which altered the saxophone's sound. Reception Allmusic reviewer Scott Yanow stated "Sonny Stitt's regular group of the period plays a wide variety of material ... Unfortunately the set is from the period when Stitt often used a Varitone electronic attachment on his alto and tenor which gave him a much more generic sound, lowering the quality of this music despite some strong improvisations. It is an okay set that could have been better". In JazzTimes Patricia Myers wrote "Alto and tenor giant Sonny Stitt always could burn a bebop riff like his idol, Charlie Parker. In this 1968 studio session, Stitt is in perfect sync with ever-grooving organist Don Patterson and tasty drummer Billy James".Myers, PJazzTimes Reviewaccessed October 16, 2019 Track li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Richardson
Jerome Richardson (November 15, 1920 – June 23, 2000) was an American jazz musician, tenor saxophonist, and flute player, who also played soprano sax, alto sax, baritone sax, clarinet, bass clarinet, alto flute and piccolo. He played with Charles Mingus, Lionel Hampton, Billy Eckstine, The Thad Jones/Mel Lewis Orchestra, Kenny Burrell, and later with Earl Hines' small band. Richardson was born in Oakland, California, and died in Englewood, New Jersey, of heart failure at the age of 79. Discography As leader * '' Midnight Oil'' (New Jazz, 1959) * '' Roamin' with Richardson'' (New Jazz, 1959) * ''Going to the Movies'' (United Artists, 1962) * '' Groove Merchant'' (Verve, 1967) * ''Jazz Station Runaway'' (TCB, 1997) As sideman * 1955: Oscar Pettiford: '' Another One'' (Bethlehem) * 1955: Kenny Clarke: ''Bohemia After Dark'' (Savoy) * 1955: Ernie Wilkins: '' Flutes & Reeds'' (Savoy) with Frank Wess * 1955: Nat Adderley: '' That's Nat'' (Savoy) * 1955: Sarah Vaughan: '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Patterson (organist)
Don Patterson (July 22, 1936 – February 10, 1988) was an American jazz organist. Early life Patterson played piano from childhood and was heavily influenced by Erroll Garner in his youth. In 1956, he switched to organ after hearing Jimmy Smith play the instrument. Career In the early-1960s, he began playing regularly with Sonny Stitt, and he began releasing material as a leader on Prestige Records from 1964 (with Pat Martino and Billy James as sidemen). His most commercially successful album was 1964's ''Holiday Soul'', which reached #85 on the ''Billboard'' 200 in 1967. Personal life Patterson's troubles with drug addiction hobbled his career in the 1970s, during which he occasionally recorded for Muse Records and lived in Gary, Indiana.Steve Huey, Don Pattersonat Allmusic In the 1980s, he moved to Philadelphia and made a small comeback, but his health deteriorated over the course of the decade, and he died there in 1988. Discography As leader * ''Goin' Down Hom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deuces Wild (Sonny Stitt Album)
''Deuces Wild'' is an album by saxophonist Sonny Stitt recorded in 1966 and released on the Atlantic label. accessed January 10, 2013 The album featured 's recording debut. The 4 Stitt organ trio tracks can be found as bonus tracks to the My Mother's Eye's CD Reception In his review for , Jim Todd stated "The performances are concise, blues-based blowing numbers. What they lack in compositional refinement they make up for in energetic execution".Todd, J[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roulette Records
Roulette Records was an American record company and label founded in 1957 by George Goldner, Joe Kolsky, Morris Levy and Phil Kahl, with creative control given to producers and songwriters Hugo Peretti and Luigi Creatore. Levy was appointed director. The label had known ties to New York City mobsters. Levy ran the label with an iron fist. In 1958 Roost Records was purchased. Goldner subsequently bowed out of his partnership interest in Roulette and, to cover his gambling debts, sold his record labels Tico, Rama, Gee and—years later—End and Gone to Levy, who grouped them into Roulette. Peretti and Creatore later left Roulette and worked as freelance producers for RCA Records throughout the 1960s. They co-founded Avco Records in 1969. In 1971 Roulette took over the catalog of Jubilee Records. History During the late 1950s, Roulette scored hits by Buddy Knox, Jimmy Bowen, The Playmates, Jimmie Rodgers, Ronnie Hawkins and The Delicates as well as releasing albums by Pearl Bailey, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Francis Webster
Paul Francis Webster (December 20, 1907 – March 18, 1984) was an American lyricist who won three Academy Awards for Best Original Song, and was nominated sixteen times for the award. Life and career Webster was born in New York City, United States, the son of Myron Lawrence Webster and Blanche Pauline Stonehill Webster. His family was Jewish. His father was born in Augustów, Poland. He attended the Horace Mann School ( Riverdale, Bronx, New York), graduating in 1926, and then went to Cornell University from 1927 to 1928 and New York University from 1928 to 1930, leaving without receiving a degree. He worked on ships throughout Asia and then became a dance instructor at an Arthur Murray studio in New York City. By 1931, however, he turned his career direction to writing song lyrics. His first professional lyric was "Masquerade" (music by John Jacob Loeb) which became a hit in 1932, performed by Paul Whiteman. In 1935, Twentieth Century Fox signed him to a contract to write lyr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Flute
The alto flute is an instrument in the Western concert flute family, the second-highest member below the standard C flute after the uncommon flûte d'amour. It is the third most common member of its family after the standard C flute and the piccolo. It is characterized by its rich, mellow tone in the lower portion of its range. Unlike the flute and piccolo, it is a transposing instrument in G (a perfect fourth below written C), although it uses the same fingerings as the C flute. The bore of the alto flute is considerably larger in diameter and longer than a C flute and requires more breath from the player. This gives it a greater dynamic presence in the bottom octave and a half of its range. It was the favourite flute variety of Theobald Boehm, who perfected its design, and is pitched in the key of G (sounding a perfect fourth lower than written). Its range is from G3 (the G below middle C) to G6 (4 ledger lines above the treble clef staff) plus an altissimo register str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Raksin
David Raksin (August 4, 1912 – August 9, 2004) was an American composer who was noted for his work in film and television. With more than 100 film scores and 300 television scores to his credit, he became known as the "Grandfather of Film Music." Biography David Raksin was born in Philadelphia, Pennsylvania, United States, to Jewish parents (of Russian heritage). His father was an orchestra conductor. Raksin played professionally in dance bands while attending Central High School of Philadelphia. He went on to study composition with Harl McDonald at the University of Pennsylvania, and later with Isadore Freed in New York and Arnold Schoenberg in Los Angeles. In New York, Raksin worked as an arranger for Harms/Chappell. One of his earliest film assignments was as assistant to Charlie Chaplin in the composition of the score to '' Modern Times'' (1936). He is perhaps best remembered for his score for the film '' Laura'' (1944). The theme music for the film, " Laura", with the ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
