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Papa-Oom-Mow-Mow
"Papa-Oom-Mow-Mow" is a novelty nonsensical doo-wop song by the Rivingtons in 1962. It peaked at number 48 on the ''Billboard'' Hot 100, and number 35 on the '' Cashbox'' charts. The band released two similar follow-up songs over the next several months, "Mama-Oom-Mow-Mow (The Bird)" and "The Bird's the Word". "Surfin' Bird" Together with the Rivingtons' 1963 novelty song "The Bird's the Word", "Papa-Oom-Mow-Mow" was the basis for the song "Surfin' Bird", a number four hit in 1963 by The Trashmen. The combination of the songs, played at a much livelier pace than the original doo-wop songs, was ad-libbed at an early live performance by the band and later released as a single. Initially, the single did not credit the original songwriters, but after the Rivingtons asked for their copyright to be respected, the songwriting credits were amended. The Trashmen's follow-up single "Bird Dance Beat" referenced "Surfin' Bird" in the lyrics and featured several sections of the "Papa-Oom-Mow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rivingtons
The Rivingtons were a 1960s doo-wop band, known for their 1962 novelty hit " Papa-Oom-Mow-Mow". The members were lead vocalist Carl White (June 21, 1932 - January 7, 1980), tenor Al Frazier (d. November 13, 2005), baritone Sonny Harris, and bassist Turner "Rocky" Wilson, Jr. Frazier was replaced by Madero White for a period in the late 1970s. History The Rivingtons had originally been known as The Sharps and had had success in the charts with Thurston Harris's " Little Bitty Pretty One" in 1957. They then appeared on Duane Eddy's 1958 hit "Rebel Rouser", providing handclaps and rebel yells. They also recorded on Warner Brothers Records as The Crenshaws in 1961. Their first hit as the Rivingtons was " Papa-Oom-Mow-Mow" (Liberty #55427, 1962). Like many such songs, it began with the bass chanting nonsense syllables (in this case the title), followed by the tenor singing over repetitions of it. "Mama-Oom-Mow-Mow", an even more baroque rewrite of the theme, failed to sell, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rivingtons
The Rivingtons were a 1960s doo-wop band, known for their 1962 novelty hit " Papa-Oom-Mow-Mow". The members were lead vocalist Carl White (June 21, 1932 - January 7, 1980), tenor Al Frazier (d. November 13, 2005), baritone Sonny Harris, and bassist Turner "Rocky" Wilson, Jr. Frazier was replaced by Madero White for a period in the late 1970s. History The Rivingtons had originally been known as The Sharps and had had success in the charts with Thurston Harris's " Little Bitty Pretty One" in 1957. They then appeared on Duane Eddy's 1958 hit "Rebel Rouser", providing handclaps and rebel yells. They also recorded on Warner Brothers Records as The Crenshaws in 1961. Their first hit as the Rivingtons was " Papa-Oom-Mow-Mow" (Liberty #55427, 1962). Like many such songs, it began with the bass chanting nonsense syllables (in this case the title), followed by the tenor singing over repetitions of it. "Mama-Oom-Mow-Mow", an even more baroque rewrite of the theme, failed to sell, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surfin' Bird
"Surfin' Bird" is a song performed by American surf rock band The Trashmen, containing the repetitive lyric "the bird is the word". It has been covered many times. It is a combination of two R&B hits by The Rivingtons: " Papa-Oom-Mow-Mow" and "The Bird's the Word". The song was released as a single in 1963 and reached No. 4 on the ''Billboard'' Hot 100. The Trashmen also recorded an album named after the track, released two months later. History The Rivingtons followed up their 1963 ''Billboard'' Hot 100 hit " Papa-Oom-Mow-Mow" with the similar "The Bird's the Word" in 1963. The Trashmen had not heard this version but saw a band called the Sorensen Brothers playing it. They decided to play the song that night at their own gig. During this first performance, drummer and vocalist Steve Wahrer stopped playing and ad-libbed the "Surfin' Bird" middle section. Despite not knowing "The Bird's the Word" was a Rivingtons song, the similarity to "Papa-Oom-Mow-Mow" was obvious and the Tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hi-Jacks
The Hi-Jacks were a Filipino rock band that formed in the early 1960s. The group was established during a period when rock bands, also known locally as "combos", rose in popularity in the Philippines among young people. Many of their songs consist of covers of pop music from the United States and the United Kingdom, such as " Pa Pa Ou Mau Mau" and " Hey Jude". In 1969, the Hi-Jacks won the first Awit Award for Vocal Group of the Year (English, Local Division). Later that year, they signed a contract to perform in Tokyo, Japan for six months. By 1972, they had become a regular act at a club in Manila called D'Flame when the group was acquired by the music label Sunshine, a division of Vicor Music. Towards the late 1980s, the group, which had since become composed of seven members, was the regular act at the Cabaret of the Playboy Club in Manila. In November 1987, the group performed at an Elvis Presley tribute concert held at the Manila Hotel to benefit the Foundation for the Bli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beach Boys Concert
''Beach Boys Concert'' is the first live album by American rock band the Beach Boys, released on October 19, 1964. It is their seventh album in all, and their third alone in the same year. It was their first of two chart-topping albums in the US (the other was their 1974 greatest hit compilation, '' Endless Summer''), as well as the first live album to top pop music record charts, maintaining its position for four weeks during a sixty-two-week chart stay, and becoming another gold seller. The album was recorded live at the Memorial Auditorium in Sacramento, California, though it received heavy post-production treatment. Because Brian Wilson was about to vacate his position in the live group, and would only perform sporadically with them over the course of the next three decades, it is one of the few live documents of the original line up of the Beach Boys in officially released LP form. In 2014, ''Live in Sacramento 1964'' was released, containing additional performances fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beach Boys' Party!
''Beach Boys' Party!'' is the tenth studio album by American rock band the Beach Boys, and their third in 1965, consisting mostly of cover songs played with acoustic instruments. It reached No. 6 in the US and No. 3 in the UK. The album spawned one single, a cover of the Regents' "Barbara Ann", which reached No. 2 in the US and No. 3 in the UK, and was their highest-charting British single to that point. ''Party!'' was recorded in a music studio and presented as an impromptu live recording of a party, with informal chatter by friends and family overdubbed later. The record company, Capitol, wanted an album for the holiday season, but as there was no new material ready, several options were considered, including a greatest hits album and a live album, before the band decided on the party theme. The Beach Boys covered songs by the Beatles, several doo-wop groups, Bob Dylan, and the Everly Brothers, as well as two of their own earlier hits performed in a tongue-in-cheek style. Whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Glitter
Paul Francis Gadd (born 8 May 1944), best known by his stage name Gary Glitter, is an English former singer, songwriter, and record producer. He achieved success during the glam rock era of the 1970s and 1980s, and his career ended after he was imprisoned for downloading child pornography in 1999. He was also convicted of child sexual abuse in 2006 and attempted rape in 2015. After performing under the name Paul Raven in the 1960s, Gadd changed his stage name to Gary Glitter in the early 1970s and had a sustained solo UK chart run of hits including " Rock and Roll (Parts 1 and 2)", "Do You Wanna Touch Me", "I Love You Love Me Love", "I'm the Leader of the Gang (I Am)", and " Hello, Hello, I'm Back Again". He became known for his energetic live performances and extremely glam rock image of glitter suits, make-up, and platform boots. He sold over 20 million records and had 26 hit singles which spent a total of 180 weeks in the UK Singles Chart, with 12 reaching the top 10 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Trashmen
The Trashmen were an American rock band formed in Minneapolis, Minnesota, United States, in 1962. The original line-up of the group featured guitarists Tony Andreason and Dal Winslow, bassist Bob Reed, and drummer Steve Wahrer. Along with Colorado-based contemporaries the Astronauts, the Trashmen have been described as "the premier landlocked Midwestern surf group of the '60s." The band took their name from "Trashman's Blues", a song written and recorded in 1961 by Minneapolis musician Kai Ray (Richard Caire, 1935–2017), who later wrote songs for the band. History Pre-Trashmen Tony Andreason and Mike Jann were friends who learned and played guitar together, starting in 1955. They primarily played country. In 1957, at the Crystal Coliseum, Tony and Mike met Steve Wahrer, a drummer, Dallas "Dal" Winslow, a guitar player, and a saxophone player. Tony, Steve, Dal, and the saxophone player played as The String Kings for a brief time period. Mike wasn't part of the gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disposable (album)
''Disposable'' is a 1968 album by the UK underground group the Deviants. Critical reception ''Trouser Press'' called the album "goodnaturedly weird." Track listing #"Somewhere to Go" (Mick Farren, Duncan Sanderson) #"Sparrows and Wires" (Sid Bishop, Stephen Sparkes) #"Jamie's Song" (Mick Farren, Russ Hunter) #"You've Got to Hold On" (Mick Farren, Russ Hunter, Sid Bishop) #"Fire in the City" (Mick Farren, Duncan Sanderson) #"Let's Loot the Supermarket" (Mick Farren) #" Pappa Oo Mao Mao" (Al Frazier, Carl White, Sonny Harris, Turner Wilson Jr.) #"Slum Lord" (Mick Farren, Sid Bishop) #"Blind Joe McTurk's Last Session" (Mick Farren) #"Normality Jam" (Dennis Hughes, Duncan Sanderson, M.J. McDonnell, Russ Hunter) #"Guaranteed to Bleed" (Duncan Sanderson, Tony Ferguson) #"Sidney B. Goode" (Sid Bishop) #"Last Man" (Mick Farren) Personnel *Mick Farren – vocals (tracks 1, 3, 4, 7-9, 13), 12-string guitar (track 9), organ (track 13) *Sid Bishop – guitar (tracks 1-5, 7, 8, 10, 12), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nonsense
Nonsense is a communication, via speech, writing, or any other symbolic system, that lacks any coherent meaning. Sometimes in ordinary usage, nonsense is synonymous with absurdity or the ridiculous. Many poets, novelists and songwriters have used nonsense in their works, often creating entire works using it for reasons ranging from pure comic amusement or satire, to illustrating a point about language or reasoning. In the philosophy of language and philosophy of science, nonsense is distinguished from sense or meaningfulness, and attempts have been made to come up with a coherent and consistent method of distinguishing sense from nonsense. It is also an important field of study in cryptography regarding separating a signal from noise. Literary The phrase " Colorless green ideas sleep furiously" was coined by Noam Chomsky as an example of nonsense. However, this can easily be confused with poetic symbolism. The individual ''words'' make sense and are arranged according to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Chart
A record chart, in the music industry, also called a music chart, is a ranking of recorded music according to certain criteria during a given period. Many different criteria are used in worldwide charts, often in combination. These include record sales, the amount of radio airplay, the number of downloads, and the amount of streaming activity. Some charts are specific to a particular musical genre and most to a particular geographical location. The most common period covered by a chart is one week with the chart being printed or broadcast at the end of this time. Summary charts for years and decades are then calculated from their component weekly charts. Component charts have become an increasingly important way to measure the commercial success of individual songs. A common format of radio and television programmes is to run down a music chart. Chart hit A ''chart hit'' is a recording, identified by its inclusion in a chart that uses sales or other criteria to rank popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meet The Raisins!
''Meet the Raisins!'' is a 1988 claymation television special directed by Barry Bruce, featuring the advertising characters The California Raisins. The show was broadcast November 4, 1988, on the U.S. television network CBS during primetime. It was the Raisins' second appearance in a primetime special and their first dedicated feature. ''Meet the Raisins!'' was followed by a sequel in 1990, ''Raisins: Sold Out!'' This special premiered after one of the ''This Is America, Charlie Brown'' specials. For the first time, the California Raisins were given individual names and characterizations: A.C. Arborman (vocals), his younger brother Beebop Arborman (drums), their cousin Red Raisin (guitar/piano), and their friend Stamford "Stretch" Thompson (bass). The 24-minute special shortly followed its similarly titled soundtrack album released on August 8, 1988 on Atlantic Records. Aired during the characters' peak in popularity, ''Meet the Raisins!'' is presented in a mockumentary style de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
