|
Pange Lingua, WAB 33
(Tell, my tongue), WAB 33, is a sacred motet composed by Anton Bruckner in 1868. It is a setting of the Latin hymn Pange lingua for the celebration of Corpus Christi. History Bruckner composed the motet on 31 January 1868 at the end of his stay in Linz.C. van Zwol, p. 705 Bruckner’s original intention was to have it performed at the same time as the first performance of his Mass in E minor for the dedication of the votive chapel in Linz, the first part of the New Cathedral. Bruckner heard his work only twenty years later. The first performance occurred on 18 August 1890 (the emperor's birthday) in the of Steyr. The manuscript of the motet is archived at the Österreichische Nationalbibliothek''. Franz Xaver Witt was a leader of the Cecilian Movement, aiming to restore Catholic church music "to the purity and comparative simplicity of the Palestrinian style".Wayne ReisigAnton Bruckner / Pange lingua et Tantum ergo, motet for chorus in Phrygian mode, WAB 33Allmusic In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecilian Movement
The Cecilian Movement for church music reform began in Germany in the second half of the 1800s as a reaction to the liberalization of the Enlightenment. The Cecilian Movement received great impetus from Regensburg, where Franz Xaver Haberl had a world-renowned school for church musicians. Their theoretical ideas were formulated by Ludwig Tieck, Friedrich and August Wilhelm Schlegel, Johann Michael Sailer, E. T. A. Hoffmann, and Anton Friedrich Justus Thibaut. Institutionalization Although the movement traced its roots back to the 15th-century , which in turn inspired the formation during the 18th century in Munich, Passau, Vienna, and other places of Caecilien-Bündnisse (Cecilian Leagues) with the goal of promoting the a cappella singing of sacred music (in keeping with the edicts of the Council of Trent), the Cecilian movement proper is considered to have been established only in the 19th century. Franz Xaver Witt, a priest trained in Regensburg, published a call for reform of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dan-Olof Stenlund
Dan-Olof Bertil Stenlund (born 25 October 1937 in Skellefteå) is a Swedish university professor and choir conductor. Life and work Dan-Olof Stenlund, was born in 1937 in Skellefteå, the son of the cantor Bertil Stenlund and his wife Esther Vikström. He studied at the Royal Swedish Academy of Music in Stockholm, piano, organ, cello and vocals and graduated as a church musician, accompanist and music educator, followed by studies in conducting with Eric Ericson, Leonard Bernstein and Sergiu Celibidache. Stenlund took the position of professor of choral conducting at the Royal Danish Academy of Music in Copenhagen at the age of 36 years. He is also a teacher of choral conducting at the Music Academy in Malmö, and a member of the Royal Academy of Music. From 1961 to 1974 he was active as a church musician at Engelbrekt Church in Stockholm. As an internationally sought-after conductor and choirmaster taught Dan-Olof Stenlund at the State Academy of Music in Malmö and directs th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NDR Chor
The NDR Chor (North German Radio Choir) is the choir of the German broadcaster Norddeutscher Rundfunk (NDR), based in Hamburg. It was founded in 1946, with Max Thurn as the first director of then 55 singers. The group has participated in premieres of contemporary music, such as the posthumous concert premiere of Schoenberg's opera ''Moses und Aron''. It is also known for a capella music, introduced by Helmut Franz such as a recording of all such works by Johannes Brahms. The current artistic director is Philipp Ahmann, who has held the position from 2008. NDR Chor, now a group of 28 singers, is one of the leading professional chamber choirs in Germany. History The NDR Chor was founded in Hamburg on 1 May 1946, then as choir of the Nordwestdeutscher Rundfunk (NWDR) and took its present name in 1956 when the broadcaster was split in NDR and WDR. Its first director was Max Thurn who accepted 55 singers from more than 2,000 applications by professional singers. During the first years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans-Christoph Rademann
Hans-Christoph Rademann (born 5 August 1965 in Dresden) is a German choral conductor, currently the director of the Dresdner Kammerchor and the Internationale Bachakademie Stuttgart. Career Born in Dresden, Rademann grew up in Schwarzenberg and received his first musical experiences in his father's church choir. As a teenager he was taught the violin and piano. From 1975 to 1983, he was a member of the Dresdner Kreuzchor. After completing school, he studied choral and orchestral conducting at the Musikhochschule Dresden until 1990. He acquired further experience in several classes with Helmuth Rilling and Philippe Herreweghe. Rademann has conducted the chamber choir Dresdner Kammerchor since its founding in 1985. During 1991–1999 he was artistic director of the Academy of Music in Dresden. From 1999 to 2004, Rademann served as choir director of the NDR Chor. With the start of the 2007/2008 season Rademann took over as chief conductor for RIAS Kammerchor; he had already condu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junge Kantorei
Junge Kantorei is a German choir established in 1968 by Joachim Carlos Martini. The choir is noted for its performances of Handel's works. It is based in Frankfurt, Heidelberg, and Marburg Marburg ( or ) is a university town in the German federal state (''Bundesland'') of Hesse, capital of the Marburg-Biedenkopf district (''Landkreis''). The town area spreads along the valley of the river Lahn and has a population of approximate ... and has released a number of recordings. Among them are the first-time recordings of Handel's pasticci oratorios ''Gideon'', ''Nabal'' und ''Tobit.'' Since 2014, Jonathan Hofmann is acting as the conductor of the choir. References {{Authority control 1968 establishments in Germany German choirs Musical groups established in 1968 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joachim Martini
Joachim Carlos Martini (4 May 1931 – 29 November 2015) was a Chilean-born German conductor. He founded the Junge Kantorei and the Frankfurt Baroque Orchestra, both of which are known for their performances of Handel's works. Under his direction, 20 recordings have been published. He also founded an archive dealing with music under Nazism Nazism ( ; german: Nazismus), the common name in English for National Socialism (german: Nationalsozialismus, ), is the far-right totalitarian political ideology and practices associated with Adolf Hitler and the Nazi Party (NSDAP) in Na ... and published a book on the history of Jewish musicians in Frankfurt during the Nazi period. References {{DEFAULTSORT:Martini, Joachim Carlos 1931 births German conductors (music) German male conductors (music) 2015 deaths ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugen Jochum
Eugen Jochum (; 1 November 1902 – 26 March 1987) was a German conductor, best known for his interpretations of the music of Anton Bruckner, Carl Orff, and Johannes Brahms, among others. Biography Jochum was born to a Roman Catholic family in Babenhausen, near Augsburg, Germany; his father was an organist and conductor. Jochum studied the piano and organ in Augsburg, enrolling in its Academy of Music from 1914 to 1922. He then studied at the Munich Conservatory, with his composition teacher being Hermann von Waltershausen; it was there that he changed his focus to conducting, his teacher being Siegmund von Hausegger, who conducted the first performance of the original version of the Ninth Symphony of Anton Bruckner and made the first recording of it. Jochum's first post was as a rehearsal pianist at Mönchen-Gladbach, and then in Kiel. He made his conducting debut with the Munich Philharmonic Orchestra in 1926 in a program which included Bruckner's Seventh Symphony. In the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Chord (music)
A common chord, in the theory of harmony, is a chord that is diatonic to more than one key or, in other words, is ''common'' to (shared by) two keys. A "common chord" may also be defined simply as a triadic chord (e.g., C–E–G), as one of the most commonly used chords in a key (I–IV–V–vi–ii), more narrowly as a triad in which the fifth is perfect (i.e., a major or minor triad), in which sense it is alternatively referred to as a "perfect chord" or, more narrowly still (in American practice), as a major triad only.Don Michael Randel, "Common Chord", ''Harvard Dictionary of Music'', fourth edition, Harvard University Press Reference Library 16 (Cambridge: Harvard University Press 2003): 193. . "Common chord: Major triad." Common chords are frequently used in modulations, in a type of modulation known as common chord modulation or diatonic pivot chord modulation. It moves from the original key to the destination key (usually a closely related key) by way of a chord bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfect Fifth
In music theory, a perfect fifth is the Interval (music), musical interval corresponding to a pair of pitch (music), pitches with a frequency ratio of 3:2, or very nearly so. In classical music from Western culture, a fifth is the interval from the first to the last of five consecutive Musical note, notes in a diatonic scale. The perfect fifth (often abbreviated P5) spans seven semitones, while the Tritone, diminished fifth spans six and the augmented fifth spans eight semitones. For example, the interval from C to G is a perfect fifth, as the note G lies seven semitones above C. The perfect fifth may be derived from the Harmonic series (music), harmonic series as the interval between the second and third harmonics. In a diatonic scale, the dominant (music), dominant note is a perfect fifth above the tonic (music), tonic note. The perfect fifth is more consonance and dissonance, consonant, or stable, than any other interval except the unison and the octave. It occurs above the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Eugen Jochum")
