|
Pancratiuskerk
The Pancratiuskerk ( St. Pancras Church) is a Roman Catholic church in Heerlen in the Netherlands. History Although no written sources about the origin of the church are known, a comparative study (including among others Onze-Lieve-Vrouwebasiliek in Maastricht) concludes that building started in the first half of the 12th century. website However, since this study the age of both Onze-Lieve-Vrouwebasiliek and the church of Rolduc have been pushed back two centuries. It is suggested that the building of the Pancratiuskerk also started earlier, the 11th and possibly 10th century are most likely. It is believed that the building was commissioned by the counts of Ahr-Hochstaden in the Rhineland, then the lords of Heerlen. The current bell tower was built in 1394, and for the size of the church at that time was of a relatively heavy construction. The tower served as part of the defense mechanism for the Landsfort Herle. From 1632 till 1836 the Pancratiuskerk served as a share ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pancratiuskerk2
The Pancratiuskerk (Pancras of Rome, St. Pancras Church) is a Roman Catholic church in Heerlen in the Netherlands. History Although no written sources about the origin of the church are known, a comparative study (including among others Basilica of Our Lady, Maastricht, Onze-Lieve-Vrouwebasiliek in Maastricht) concludes that building started in the first half of the 12th century. website However, since this study the age of both Onze-Lieve-Vrouwebasiliek and the church of Rolduc have been pushed back two centuries. It is suggested that the building of the Pancratiuskerk also started earlier, the 11th and possibly 10th century are most likely. It is believed that the building was commissioned by the counts of Ahr-Hochstaden in the Rhineland, then the lords of Heerlen. The current bell tower was built in 1394, and for the size of the church at that time was of a relatively heavy construction. The tower served as part of the defense mechanism for the Landsfort Herle. From 1632 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landsfort Herle
Landsfort Herle was a fortification with a moat in the centre of Heerlen, Netherlands (roughly the current Pancratiusplein). It was probably built by the counts of Ahr-Hochstaden (also referred to as Heren van Are)Heerlen.nl The name Landsfort (‘fort of the land’) was introduced in the 19th century, based on the fact that the fortification falls under the responsibility of the land. The fort can more accurately be classified as a so called fortress church (German language, German: ''Kirchenburg''); a (fortified) church surrounded by a curtain wall. Landsfort Herle appears to be the only ''Kirchenburg'' in the Netherlands (not to be confused with ''Wehrkirchen'' or fortified churches, which are more numerous, but lack the curtain wall). In the 13th century Heerlen and landsfort Herle, came into the possession of the Dukes of Brabant. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heerlen
Heerlen (; li, Heële ) is a city and a municipality in the southeast of the Netherlands. It is the third largest settlement proper in the province of Limburg. Measured as municipality, it is the fourth municipality in the province of Limburg. Heerlen forms part of the city-region of Parkstad Limburg, an agglomeration with about 250,000 inhabitants and encompassing 8 municipalities. It is to the east of Maastricht and north of the German city of Aachen. After its early Roman beginnings and a modest medieval period, Heerlen became a centre for the coal mining industry in the Netherlands in the late 19th century. In the 20th century, architect Frits Peutz played a major role in shaping the city as we know it today. His most famous design, and a distinctive building in the city centre, is the so-called Glaspaleis (''Glass Palace''), listed as one of the world's thousand most architecturally important buildings of the 20th century. History A habitation from the Michelsberg culture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frits Peutz
F.P.J. Peutz (7 April 1896 – 24 October 1974) was a Dutch (Limburgian) architecture, architect. Biography Peutz was born in a Catholic family in Uithuizen in Groningen (province), Groningen, a mostly Protestant province in the north of the Netherlands. In 1910 he was sent to the Rolduc boarding school in Kerkrade in the Catholic province of Limburg for his higher education. In 1914 he graduated at the HBS, an old type of Dutch high school. After that he studied civil engineering in Delft. In 1916 he changed to architecture. In 1920, while still not graduated, he returned to Limburg to settle as an independent architect in the town of Heerlen, where the booming coal mining industry provided him with many assignments. Peutz played a major role in transforming Heerlen in a true, modern city. In 1925 he received his degree in architecture. Around 1926 his first son, Victor Peutz was born, who became audiologist and acoustician. Peutz and his wife Isabelle Tissen had thirteen children ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glaspaleis
The Glaspaleis (in English: ''Glass Palace'') is a modernist building in Heerlen, Netherlands, built in 1935. Formerly a fashion house and department store, Schunck, it is now the cultural centre of the city. The original name was ''Modehuis Schunck'' (Schunck Fashion House), but it was soon nicknamed ''Glaspaleis'', which is now the official name. The architectural style is largely according to what is in the Netherlands known as ''het Nieuwe Bouwen'', which corresponds roughly to Modernism, Bauhaus and International style. The visually most distinguishing aspect is the free-standing glass that covers three sides, which makes it even more transparent than the famous Bauhaus building in Dessau and is part of the natural climate control. *In 1995, it was declared a National Monument for the purpose of historic preservation *In 1999, it was put on the list of the ''1000 most important buildings of the 20th century'' by the International Union of Architects during their World Cong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War Damage
War is an intense armed conflict between State (polity), states, governments, Society, societies, or paramilitary groups such as Mercenary, mercenaries, Insurgency, insurgents, and militias. It is generally characterized by extreme violence, destruction, and mortality, using Regular army, regular or Irregular military, irregular Military, military forces. Warfare refers to the common activities and characteristics of types of war, or of wars in general. Total war is warfare that is not restricted to purely legitimate military targets, and can result in massive civilian casualties, civilian or other non-combatant suffering and Casualty (person), casualties. While some war studies scholars consider war a universal and ancestral aspect of human nature, others argue it is a result of specific socio-cultural, economic or ecological circumstances. Etymology The English word ''war'' derives from the 11th-century Old English words ''wyrre'' and ''werre'', from Old French ''werre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-romanesque
Romanesque Revival (or Neo-Romanesque) is a style of building employed beginning in the mid-19th century inspired by the 11th- and 12th-century Romanesque architecture. Unlike the historic Romanesque style, Romanesque Revival buildings tended to feature more simplified arches and windows than their historic counterparts. An early variety of Romanesque Revival style known as Rundbogenstil ("Round-arched style") was popular in German lands and in the German diaspora beginning in the 1830s. By far the most prominent and influential American architect working in a free "Romanesque" manner was Henry Hobson Richardson. In the United States, the style derived from examples set by him are termed Richardsonian Romanesque, of which not all are Romanesque Revival. Romanesque Revival is also sometimes referred to as the " Norman style" or " Lombard style", particularly in works published during the 19th century after variations of historic Romanesque that were developed by the Normans in Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marl
Marl is an earthy material rich in carbonate minerals, clays, and silt. When hardened into rock, this becomes marlstone. It is formed in marine or freshwater environments, often through the activities of algae. Marl makes up the lower part of the cliffs of Dover, and the Channel Tunnel follows these marl layers between France and the United Kingdom. Marl is also a common sediment in post-glacial lakes, such as the marl ponds of the northeastern United States. Marl has been used as a soil conditioner and neutralizing agent for acid soil and in the manufacture of cement. Description Marl or marlstone is a carbonate-rich mud or mudstone which contains variable amounts of clays and silt. The term was originally loosely applied to a variety of materials, most of which occur as loose, earthy deposits consisting chiefly of an intimate mixture of clay and calcium carbonate, formed under freshwater conditions. These typically contain 35–65% clay and 65–35% carbonate. The te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacristy
A sacristy, also known as a vestry or preparation room, is a room in Christian churches for the keeping of vestments (such as the alb and chasuble) and other church furnishings, sacred vessels, and parish records. The sacristy is usually located inside the church, but in some cases it is an annex or separate building (as in some monasteries). In most older churches, a sacristy is near a side altar, or more usually behind or on a side of the main altar. In newer churches the sacristy is often in another location, such as near the entrances to the church. Some churches have more than one sacristy, each of which will have a specific function. Often additional sacristies are used for maintaining the church and its items, such as candles and other materials. Description The sacristy is also where the priest and attendants vest and prepare before the service. They will return there at the end of the service to remove their vestments and put away any of the vessels used during the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crossing Tower
A crossing, in ecclesiastical architecture, is the junction of the four arms of a cruciform (cross-shaped) church. In a typically oriented church (especially of Romanesque and Gothic styles), the crossing gives access to the nave on the west, the transept arms on the north and south, and the choir, as the first part of the chancel, on the east. The crossing is sometimes surmounted by a tower or dome. A large crossing tower is particularly common on English Gothic cathedrals. With the Renaissance, building a dome above the crossing became popular. Because the crossing is open on four sides, the weight of the tower or dome rests heavily on the corners; a stable construction thus required great skill on the part of the builders. In centuries past, it was not uncommon for overambitious crossing towers to collapse. Sacrist Alan of Walsingham's octagon, built between 1322 and 1328 after the collapse of Ely's nave crossing on 22 February 1322, is the "... greatest individual a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Cuypers
Petrus Josephus Hubertus "Pierre" Cuypers (16 May 1827 – 3 March 1921) was a Dutch architect. His name is most frequently associated with the Amsterdam Central Station (1881–1889) and the Rijksmuseum (1876–1885), both in Amsterdam. More representative for his oeuvre, however, are numerous churches, of which he designed more than 100. Moreover, he restored many monuments. Biography Cuypers was born in Roermond, the son of a church painter, and grew up in surroundings in which interest for art was encouraged. After he studied at the urban college in Roermond, he moved to Antwerp in 1844 to study architecture at the Royal art academy. He was taught by Frans-Andries Durlet, Frans Stoop and Ferdinand Berckmans, all pioneers of the neo-Gothic architecture in Belgium. Cuypers was a good student; in 1849, he gained the ''Prix d'Excellence'' of the academy. After a tour in the German Rhineland, he returned to Roermond, where he was appointed a town architect in 1851. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Neo-romanesque")
