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Panchakuta Basadi, Kambadahalli
Panchakuta Basadi (or Panchakoota Basadi) is a temple complex located in the Kambadahalli village of the Mandya district, Karnataka state, in southwestern India. It is one of the finest examples of South Indian Dravidian architecture of the Western Ganga variety, related to the Jain faith and iconography.Sarma (1992), p. 152 Archaeological Survey of India, Bangalore circle, Mandya district History According to the historian K.R. Srinivasan, the temple complex, which was built by the kings of the Western Ganga Dynasty is assignable to the period 900–1000 CE. The historian I. K. Sarma however assigns an earlier date of 8th century, based on traces of early Pallava- Pandya and Chalukya-Pallava influences.Sarma (1992), p. 161 Kambadahalli (whose name in the Kannada language literally translates to "village with pillar") which is located 18 km from the famous Jain heritage town of Shravanabelagola, on the Mandya-Shravanabelagola highway, gets its name from the ''Brahmadeva' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jainism
Jainism ( ), also known as Jain Dharma, is an Indian religions, Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third ''tirthankara'' Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth ''tirthankara'' Mahāvīra, Mahavira, around 600 BCE. Jainism is considered to be an eternal ''dharma'' with the ''tirthankaras'' guiding every time cycle of the Jain cosmology, cosmology. The three main pillars of Jainism are ''Ahimsa in Jainism, ahiṃsā'' (non-violence), ''anekāntavāda'' (non-absolutism), and ''aparigraha'' (asceticism). Jain monks, after positioning themselves in the sublime state of soul consciousness, take five main vows: ''ahiṃsā'' (non-violence), ''satya'' (truth), ''Achourya, asteya'' (not stealing), ''b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Mantapa (hall) In Panchakuta Basadi At Kambadahalli
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jainism In North Karnataka
Jainism in North Karnataka flourished under the Chalukyas, Kadamba, Rashtrakutas, and Vijayanagara empire. Imbued with religious feeling, patronage was extended towards the building of Jain temple and it garnered high repute among the people, particularly the ruling classes and the mercantile community; effectively getting treated as the state religion. Literature The Kannada poet Adikavi Pampa’s wrote Vikramarjuna Vijaya, also known as ''Pampa Bharata'', and also '' Adipurana'' which narrates the story of Shri Rishabhadev, the first Tirthankara. ''Neminatha Purana'' a history of the 22nd Tirthankara, provides a Jain interpretation for the story of Krishna and the Pandavas. Jain architecture Jain architecture can be classified into two categories namely ''basadi'' and ''betta''. ''Basadi'' is a Jain monastery or temple where an image of one of the twenty-four tirthankaras (saints) is installed and worshipped. They were built in the Dravidian style and the oldest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jainism In Karnataka
Karnataka, a state in South India has a long association with Jainism, a religion which enjoyed patronage of major historic kingdoms in the state such as the Rastrakuta Dynasty, Western Ganga, Kadamba and Chalukya dynasties and the Hoysala Empire. Today the state is home to a number of Jain monuments, such as temples, Gommata statues and stambhas. History Historical association of Jainism with Karnataka dates back to the 3rd century BC. Acharya Bhadrabahu predicted a twelve-year-long famine in north India and led the migration of Jain sangha to the south. He was accompanied by his disciple Chandragupta Maurya and the ''Sangha'' halted at Chandragiri Hill. Realising that he was nearing the end of his life, Bhadrabahu instructed his disciples to spread the religion and he undertook sallekhana at Chandragiri. Chandragupta Maurya continued to live on this hill worshipping the foot prints of his teacher and later he too took Sallekhana. There are two monuments on the hill recall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stambha
A stambha (''tower'' in English) is a pillar or column found in India. In the context of Hindu mythology, it is believed to be a cosmic column that functions as a bond, joining heaven (Svarga) and earth (Prithvi). A number of Hindu scriptures, including the ''Atharva Veda'', feature references to Stambhas. In the ''Atharva Veda'', a celestial stambha has been described as an infinite scaffold, which supports the cosmos and material creation. Stambhas are also found in Indian architecture. Different stambhas serve different purposes, including the following: * Dhvaja Stambha (''Flagstaff Towers'') are placed opposite the main shrine, on an axis with the main deity. * Kirti Stambha (''Glorious Tower'') & Vijaya Stambha (''Victory Tower'') are erected to commemorate victories. * The most well-known stambhas of India are the Ashoka Stambha (Pillars of Ashoka) — erected during the reign of Ashoka, spread across the subcontinent, bearing different types of royal edicts. * ''Adi Pur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahma
Brahma ( sa, ब्रह्मा, Brahmā) is a Hindu god, referred to as "the Creator" within the Trimurti, the trinity of supreme divinity that includes Vishnu, and Shiva.Jan Gonda (1969)The Hindu Trinity Anthropos, Bd 63/64, H 1/2, pp. 212–226. He is associated with creation, knowledge, and the ''Vedas''. Brahma is prominently mentioned in creation legends. In some ''Puranas'', he created himself in a golden embryo known as the Hiranyagarbha. Brahma is frequently identified with the Vedic god Prajapati.;David Leeming (2005), The Oxford Companion to World Mythology, Oxford University Press, , page 54, Quote: "Especially in the Vedanta Hindu Philosophy, Brahman is the Absolute. In the Upanishads, Brahman becomes the eternal first cause, present everywhere and nowhere, always and never. Brahman can be incarnated in Brahma, in Vishnu, in Shiva. To put it another way, everything that is, owes its existence to Brahman. In this sense, Hinduism is ultimately monotheistic or m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yakshi
''Yakshinis'' or ''yakshis'' (यक्षिणी sa, yakṣiṇī or ''yakṣī''; pi, yakkhiṇī or ''yakkhī'') are a class of female nature spirits in Hindu, Buddhist, and Jain religious mythologies that are different from devas and asuras (classes of power-seeking beings), and gandharvas or apsaras (celestial nymphs). Yakshinis and their male counterparts, the yakshas, are one of the many paranormal beings associated with the centuries-old sacred groves of India. Yakshis are also found in the traditional legends of Northeastern Indian tribes, ancient legends of Kerala, and in the folktales of Kashmiri Muslims. Sikhism also mentions yakshas in its sacred texts. The well behaved and benign ones are worshipped as tutelaries, they are the attendees of Kubera, the treasurer of the gods, and also the Hindu god of wealth who ruled Himalayan kingdom of Alaka. There are also malign and mischievous yakshinis with poltergeist-like behaviours, that can haunt and curse humans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yaksha
The yakshas ( sa, यक्ष ; pi, yakkha, i=yes) are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is or ''yakshini'' ( sa, यक्षिणी ; Pali:Yakkhini). In Hindu, Jain and Buddhist texts, the has a dual personality. On the one hand, a may be an inoffensive nature- fairy, associated with woods and mountains; but there is also a darker version of the , which is a kind of ghost ( bhuta) that haunts the wilderness and waylays and devours travellers, similar to the . Early yakshas Several monumental yakshas are known from the time of the Maurya Empire period. They are variously dated from around the 3rd century BCE to the 1st century BCE. These statues are monumental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tirthankara
In Jainism, a ''Tirthankara'' (Sanskrit: '; English: literally a 'ford-maker') is a saviour and spiritual teacher of the ''dharma'' (righteous path). The word ''tirthankara'' signifies the founder of a '' tirtha'', which is a fordable passage across the sea of interminable births and deaths, the '' saṃsāra''. According to Jains, a ''Tirthankara'' is an individual who has conquered the ''saṃsāra'', the cycle of death and rebirth, on their own, and made a path for others to follow. After understanding the true nature of the self or soul, the ''Tīrthaṅkara'' attains '' Kevala Jnana'' (omniscience). Tirthankara provides a bridge for others to follow the new teacher from ''saṃsāra'' to ''moksha'' (liberation). In Jain cosmology, the wheel of time is divided in two halves, Utsarpiṇī' or ascending time cycle and ''avasarpiṇī'', the descending time cycle (said to be current now). In each half of the cosmic time cycle, exactly twenty-four ''tirthankaras'' grace thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guardians Of The Directions
The Guardians of the Directions (Sanskrit: दिक्पाल, Dikpāla) are the deities who rule the specific directions of space according to Hinduism, Jainism and '' '' Buddhism—especially . As a group of eight deities, they are called (अष्ट-दिक्पाल), literally meaning guardians of eight directions. They are often augmented with two extra deities for the ten directions (the two extra directions being zenith and nadir), when they are known as the . In Hinduism it is traditional to represent their images on the walls and ceilings of Hindu temples. They are also often portrayed in Jain temples, with the exception that Nāga usually takes the place of Vishnu in the nadir. Ancient Java and Bali Hinduism recognize , literally meaning guardians of nine directions, that consist of eight directions with one addition in the center. The nine guardian gods of directions is called ''Dewata Nawa Sanga'' (Nine guardian devata). The diagram of these guardian gods of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantapa
A mandapa or mantapa () is a pillared hall or pavilion for public rituals in Indian architecture, especially featured in Hindu temple architecture. Mandapas are described as "open" or "closed" depending on whether they have walls. In temples, one or more mandapas very often lie between the sanctuary and the temple entrance, on the same axis. In a large temple other mandapas may be placed to the sides, or detached within the temple compound. Temple architecture In the Hindu temple the ''mandapa'' is a porch-like structure through the (''gopuram'') (ornate gateway) and leading to the temple. It is used for religious dancing and music and is part of the basic temple compound. The prayer hall was generally built in front of the temple's ''sanctum sanctorum'' (''garbhagriha''). A large temple would have many ''mandapa''. If a temple has more than one ''mandapa'', each one is allocated for a different function and given a name to reflect its use. For example, a ''mandapa'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vestibule (architecture)
A vestibule (also anteroom, antechamber, or foyer) is a small room leading into a larger space such as a lobby, entrance hall or passage, for the purpose of waiting, withholding the larger space view, reducing heat loss, providing storage space for outdoor clothing, etc. The term applies to structures in both modern and classical architecture since ancient times. In modern architecture, a vestibule is typically a small room next to the outer door and connecting it with the interior of the building. In ancient Roman architecture, a vestibule ( la, vestibulum) was a partially enclosed area between the interior of the house and the street. Ancient usage Ancient Greece Vestibules were common in ancient Greek temples. Due to the construction techniques available at the time, it was not possible to build large spans. Consequently, many entranceways had two rows of columns that supported the roof and created a distinct space around the entrance. In ancient Greek houses, the prothyru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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