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Panamericana Suite
''Panamericana Suite'' is a live album by Cuban jazz performer Paquito D'Rivera. It was released by MCG Jazz on November 2, 2010. The album was produced by Jay and Marty Ashby, and features eight songs performed with several guest performers such as Brenda Feliciano, Dave Samuels and Diego Urcola, among others. Recorded live at the Manchester Craftsmen's Guild in Pittsburgh, Pennsylvania, in April 2008, the album earned the Latin Grammy Award for Best Latin Jazz Album. Background and content Paquito D'Rivera recorded the track "Panamericana" in 2000, and was first performed at the Jazz at Lincoln Center. The same year was included in the soundtrack album for the film ''Calle 54'', directed by Fernando Trueba; the album received Grammy Award and Latin Grammy Award nominations. ''Panamericana Suite'' takes its name after the song and was recorded live at the Manchester Craftsmen's Guild in Pittsburgh, Pennsylvania in April 2008. About its content, D'Rivera stated: "I am an eclectic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CD Universe
CD Universe.com is an e-commerce site that sells music CDs, mp3 downloads, movies, and video games worldwide. CD Universe also offers a wide selection of miscellaneous items such as stuffed animals, jigsaw puzzles, board games, etc. History CD Universe was created in 1996 by founder and CEO Charles Beilman in Wallingford, Connecticut, United States, where it is still maintained and operated. CD Universe lists over 940,000 physical products and over 6 million downloadable songs. In 1999, CD Universe was sold by Charles Beilman to eUniverse. Charles Beilman bought CD Universe back from eUniverse in October, 2000 after eUniverse decided they wanted to focus on their entertainment business (they eventually owned MySpace). In 2009, CD Universe began selling digital music in the DRM-free mp3 format, through their relationship with Neurotic Media. Mr. Beilman retired in January 2020. Charity work In September 2014, CD Universe began an effort to help raise money for the well known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bossa Nova
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell (guitarist), Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cha-cha-cha (music)
Cha cha cha may refer to: * ''Cha-cha-chá'' (music), a style of Cuban dance music * Cha-cha-cha (dance), a Latin American dance accompanying the music Film and television * ''Cha Cha Cha'' (film), a 2013 Italian crime film * ''Cha Cha Cha'' (1964 film), a 1964 Indian film * ''Cha Cha Cha'' (TV series), a TV show from Argentina * Cha Cha Cha Films, a film production company Music * ''Cha Cha Cha'' (album), a 1995 album by EMF * ''Cha Cha Cha'', 1955 album by Monchito and the Mambo Royals * ''Cha Cha Cha'', 1982 album by Anne Linnet Band * ''Cha Cha Cha'', 1977 album by Irwin Goodman * ''Cha Cha Cha'', 2014 album by Abelardo Barroso * "Cha Cha Cha" (song), a 1989 song by hip hop artist MC Lyte * "The Bear Cha Cha Cha", a song from Bear in the Big Blue House * "The Cha-Cha-Cha", a 1962 song by Bobby Rydell * "Cha Cha Cha", by The Little Ones, 2006 * "Cha Cha Cha", a 1985 song by Finzy Kontini Other * Cha Cha Cha Township, a shopping centre in rural Zimbabwe * ChaChaCha, a te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Caribbean Membranophones
This is a list of membranophones used in the Caribbean music music area, area, including the islands of the Caribbean Sea, as well as the musics of Guyana, Suriname, French Guiana, Belize, Garifuna music, and Bermuda. It only includes membranophones that are indigenous to the local music area or are a vital and long-standing part of local culture. It does not include membranophones that are, for example, a part of Western style orchestras, nor does it include trap sets and other common membranophones used in popular music recordings of many genres across the world. Almost all membranophones are drums and percussion instruments. The Hornbostel-Sachs number is given after each instrument. References * * Notes {{DEFAULTSORT: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danzón
Danzón is the official musical genre and dance of Cuba.Urfé, Odilio 1965. ''El danzón''. La Habana. It is also an active musical form in Mexico and Puerto Rico. Written in time, the danzón is a slow, formal partner dance, requiring set footwork around syncopated beats, and incorporating elegant pauses while the couples stand listening to virtuoso instrumental passages, as characteristically played by a charanga or típica ensemble. The danzón evolved from the Cuban contradanza, or habanera ('Havana-dance'). The contradanza, which had English and French roots in the country dance and contredanse, was probably introduced to Cuba by the Spanish, who ruled the island for almost four centuries (1511–1898), contributing many thousands of immigrants. It may also have been partially seeded during the short-lived British occupation of Havana in 1762, and Haitian refugees fleeing the island's revolution of 1791–1804 brought the French-Haitian kontradans, contributing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milonga (music)
Precursor to tango, milonga is a musical genre that originated in the Río de la Plata areas of Argentina, Uruguay and the Brazilian state of Rio Grande do Sul. "Milonga is an excited habanera." The original habanera divided into four pulses, in a standard two-four where every note was stressed. In becoming milonga, though, all four notes turned strong, as tempo was doubled. The strength of the first beat weakened the fourth giving an almost waltz-like feel to milonga: one-two-three (four), one-two-three (four). Habanera is a slower, more explicit sounding ''one'', two, ''three''-four. At least one modern tango pianist believes the polka influenced the speeding up of the milonga. Over time, dance steps and other musical influences were added, eventually contributing to the creation of tango. Artists Artists known for their milonga compositions and interpretations include Roberto Firpo, Angel D'Agostino, Pedro Maffia, Pedro Laurenz, Ángel Villoldo, Francisco Canaro, Rodolfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Generoso Jiménez
Generoso Jiménez García (July 17, 1917 – September 15, 2007), commonly known as Tojo, was a Cuban trombonist, bandleader and arranger. He was a member of Beny Moré's Banda Gigante and a frequent collaborator of musicians in the descarga scene such as Cachao. Producer Nat Chediak described Tojo as "the father of the creole trombone". In 1939, together with flautist Efraín Loyola and violinist Gilberto La Rosa, he founded the Orquesta Rítmica. He stayed in Cuba after Fidel Castro took over the government in 1959, and recorded in 1965 ''El trombón majadero'', considered a classic in Cuban music. He later fell out of favor with the Cuban government, stopped playing the trombone, and became a roaming street vendor. In 2001, he composed, arranged and directed a new album ''Generoso qué bueno toca usted'', featuring a lineup with 27 musicians including Paquito D'Rivera and Arturo Sandoval. In 2003, he was allowed to attend the Grammy ceremony in New York City following the nom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Candombe
''Candombe'' is a style of music and dance that originated in Uruguay among the descendants of liberated African slaves. In 2009, the United Nations Educational, Scientific and Cultural Organization (UNESCO) inscribed ''candombe'' in its Representative List of the Intangible Cultural Heritage of Humanity. To a lesser extent, ''candombe'' is practiced in Argentina, Paraguay, and Brazil. In Argentina, it can be found in Buenos Aires, Santa Fe, Paraná, and Corrientes. In Paraguay, this tradition continues in Camba Cuá and in Fernando de la Mora near Asunción. In Brazil, ''candombe'' retains its religious character and can be found in the state of Minas Gerais. This Uruguayan music style is based on three different drums: chico, repique, and piano drums. It is usually played in February during carnival in Montevideo at dance parades called ''llamadas'' and ''desfile inaugural del carnaval''. Origins Common origins According to George Reid Andrews, a historian of blac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandoneón
The bandoneon (or bandonion, es, bandoneón) is a type of concertina particularly popular in Argentina and Uruguay. It is a typical instrument in most tango ensembles. As with other members of the concertina family, the bandoneon is held between the hands, and by pulling and pushing actions force air through bellows and then routing air through particular reeds as by pressing the instrument's buttons. Bandoneons have a different sound from accordions, because bandoneons do not usually have the register switches that are common on accordions. Nevertheless, the tone of the bandoneon can be changed a great deal using varied bellows pressure and overblowing, thus creating potential for expressive playing and diverse timbres. History The Bandonion, so named by the German instrument dealer Heinrich Band (1821–1860), was originally intended as an instrument for religious and popular music of the day, in contrast to its predecessor, German concertina (), which had predominantly be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tango (music)
Tango is a style of music in or time that originated among European and African immigrant populations of Argentina and Uruguay (collectively, the " Rioplatenses"). It is traditionally played on a solo guitar, guitar duo, or an ensemble, known as the ''orquesta típica'', which includes at least two violins, flute, piano, double bass, and at least two bandoneóns. Sometimes guitars and a clarinet join the ensemble. Tango may be purely instrumental or may include a vocalist. Tango music and dance have become popular throughout the world. Origins Even though present forms of tango developed in Argentina and Uruguay from the mid-19th century, there are records of 19th and early 20th-century tango styles in Cuba and Spain,José Luis Ortiz Nuevo ''El origen del tango americano'' Madrid and La Habana 1849 while there is a flamenco tango dance that may share a common ancestor in a minuet-style European dance. All sources stress the influence of African communities and their rhyt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festejo
''Festejo'' (from Spanish 'fiesta') is a festive form of Afro-Peruvian music. The dance is a staple in the Black coastal populations and it celebrates the emancipation of slaves. Festejo is recognized for its high energy and the improvisation carried out by the dancers. Some believe that its origins trace back to competitive dance circles performed by individuals playing cajóns. Despite its African origins, people of all different backgrounds participate in the dance that many regards as one of the greatest representations of Peruvian culture. It is currently performed, in its most traditional form, in San Luis de Cañete and El Carmen District, Chincha (Chincha). History There are theories that describe the Festejo as a dance that began in Lima in the mid-17th century, but they do not provide evidence to support these hypotheses. No musical example has yet been established to show that this musical form existed before 1800. However, some Festejos dating from the 19th centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
