Palazzo Delle Poste, Palermo
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Palazzo Delle Poste, Palermo
The Palazzo delle Poste or Palazzo Postale is a monumental government building, executed in the stripped classicism architectural style of the 1920s, originally intended as the mail and telegraph center, located on Via Roma #320, in the quarter of Castellamare in Palermo, region of Sicily, Italy. The modern building is bordered on the north by the church of the Sant'Ignazio all'Olivella and the adjacent Regional Archeologic Museum, while Piazza San Domenico is a few blocks to the south. History The building was designed by the rationalist, and later fascist, government architect Angiolo Mazzoni in the early 1920s. Construction was begun on the structure in 1929 and the building was inaugurated in 1934 with the Italian government's communications minister Umberto Puppini in attendance. The Palermo flood occurred from February 21–23, 1931 while the building was being constructed and during that time a large crane which was being used to erect the post office collapsed onto ...
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Palermo - Panoramio (29)
Palermo ( , ; scn, Palermu , locally also or ) is a city in southern Italy, the capital of both the autonomous region of Sicily and the Metropolitan City of Palermo, the city's surrounding metropolitan province. The city is noted for its history, culture, architecture and gastronomy, playing an important role throughout much of its existence; it is over 2,700 years old. Palermo is in the northwest of the island of Sicily, by the Gulf of Palermo in the Tyrrhenian Sea. The city was founded in 734 BC by the Phoenicians as ("flower"). Palermo then became a possession of Carthage. Two Greek colonies were established, known collectively as ; the Carthaginians used this name on their coins after the 5th centuryBC. As , the town became part of the Roman Republic and Empire for over a thousand years. From 831 to 1072 the city was under Arab rule in the Emirate of Sicily when the city became the capital of Sicily for the first time. During this time the city was known as ...
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Great Continental Railway Journeys
''Great Continental Railway Journeys'' is a British television documentary series presented by Michael Portillo. In the early series, Portillo explores the railway networks of continental Europe, but in later series he also ventured further afield. He refers to a 1913 copy of '' Bradshaw's Continental Railway Guide'', as he describes how the places he visits have changed since Edwardian times. The first series was originally broadcast on BBC Two in 2012, and the seventh series was first aired in 2020. Series 8 was filmed in Spring and Summer 2022 Series overview Episodes Series 1 (2012) The first series was originally broadcast on BBC Two in 2012. Portillo made five separate journeys across France, Germany, the Low Countries, Switzerland, and the countries whose land made up the former Austro-Hungarian Empire. Series 2 (2013) Production of a second series included filming in Spain and Gibraltar in May and June 2013, following the Ronda– Algeciras railway line, bu ...
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Buildings And Structures In Palermo
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Fascist Architecture
Fascist architecture encompasses various stylistic trends in architecture developed by architects of fascist states, primarily in the early 20th century. Fascist architectural styles gained popularity in the late 1920s with the rise of modernism along with the ultranationalism associated with fascist governments in western Europe. Fascist styles often resemble that of ancient Rome, but can extend to modern aesthetics as well. Fascist-era buildings are frequently constructed with particular concern given to symmetry and simplicity. Both Benito Mussolini and Adolf Hitler utilised new styles of architecture (variations of Rationalism, and Stripped Classicism respectively) as one of many attempts to unify the citizens of their states, mark a new era of nationalist culture, and exhibit the absolute rule of the state. History The fascist styles of architecture reflect the values of Fascism as a political ideology that developed in the early 20th century after World War I. The philos ...
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Pompeii
Pompeii (, ) was an ancient city located in what is now the ''comune'' of Pompei near Naples in the Campania region of Italy. Pompeii, along with Herculaneum and many villas in the surrounding area (e.g. at Boscoreale, Stabiae), was buried under of volcanic ash and pumice in the Eruption of Mount Vesuvius in 79 AD. Largely preserved under the ash, the excavated city offered a unique snapshot of Roman life, frozen at the moment it was buried, although much of the detailed evidence of the everyday life of its inhabitants was lost in the excavations. It was a wealthy town, with a population of ca. 11,000 in AD 79, enjoying many fine public buildings and luxurious private houses with lavish decorations, furnishings and works of art which were the main attractions for the early excavators. Organic remains, including wooden objects and human bodies, were interred in the ash. Over time, they decayed, leaving voids that archaeologists found could be used as moulds to make plaste ...
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Encaustic Painting
Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other materials are sometimes used. The simplest encaustic medium could be made by adding pigments to wax, though recipes most commonly consist of beeswax and damar resin, potentially with other ingredients. For pigmentation, dried powdered pigments can be used, though some artists use pigmented wax, inks, oil paints or other forms of pigmentation. Metal tools and special brushes can be used to shape the medium as it cools. Also, heated metal tools, including spatulas, knives and scrapers, can be used to manipulate the medium after it has cooled onto the surface. Additionally, heat lamps, torches, heat guns, and other methods of applying heat are used by encaustic artists to fuse and bind the medium. Because encaustic medium is thermally malleab ...
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Benedetta Cappa
Benedetta Cappa (14 August 1897 – 15 May 1977) was an Italian futurist artist who has had retrospectives at the Walker Art Center and the Solomon R. Guggenheim Museum. Her work fits within the second phase of Italian Futurism. Biography Benedetta was born in Rome, the second of five children. Her mother, Amalia Cappa, was a numerologist and believed in the properties of alphabetic letters and gave her four sons names that begin with the letter A and her only daughter, Benedetta, a name that began with B. Her mother was a cultured woman and a Protestant. Her parents were rigid, but affectionate in her upbringing. Cappa’s father, Innocenzo Cappa, was an official of the Ministry of Railways and later an officer in the Italian army. He died after returning from World War I, a tragic event that impacted her so deeply that she described her emotional and psychological state as a “broken core”. Her brothers Alberto and Arturo, a historian and a journalist, also had ties to th ...
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Futurism
Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting '' Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurists would later go on to found groups of their o ...
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Colonnade
In classical architecture, a colonnade is a long sequence of columns joined by their entablature, often free-standing, or part of a building. Paired or multiple pairs of columns are normally employed in a colonnade which can be straight or curved. The space enclosed may be covered or open. In St. Peter's Square in Rome, Bernini's great colonnade encloses a vast open elliptical space. When in front of a building, screening the door (Latin ''porta''), it is called a portico. When enclosing an open court, a peristyle. A portico may be more than one rank of columns deep, as at the Pantheon in Rome or the stoae of Ancient Greece. When the intercolumniation is alternately wide and narrow, a colonnade may be termed "araeosystyle" (Gr. αραιος, "widely spaced", and συστυλος, "with columns set close together"), as in the case of the western porch of St Paul's Cathedral and the east front of the Louvre. History Colonnades have been built since ancient times and inter ...
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Courtyards
A courtyard or court is a circumscribed area, often surrounded by a building or complex, that is open to the sky. Courtyards are common elements in both Western and Eastern building patterns and have been used by both ancient and contemporary architects as a typical and traditional building feature. Such spaces in inns and public buildings were often the primary meeting places for some purposes, leading to the other meanings of court. Both of the words ''court'' and ''yard'' derive from the same root, meaning an enclosed space. See yard and garden for the relation of this set of words. In universities courtyards are often known as quadrangles. Historic use Courtyards—private open spaces surrounded by walls or buildings—have been in use in residential architecture for almost as long as people have lived in constructed dwellings. The courtyard house makes its first appearance ca. 6400–6000 BC (calibrated), in the Neolithic Yarmukian site at Sha'ar HaGolan, i ...
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Michael Portillo
Michael Denzil Xavier Portillo (; born 26 May 1953) is a British journalist, broadcaster and former politician. His broadcast series include railway documentaries such as ''Great British Railway Journeys'' and '' Great Continental Railway Journeys''. A former member of the Conservative Party, he was Member of Parliament (MP) for Enfield Southgate from 1984 to 1997 and Kensington and Chelsea from 1999 to 2005. First elected to the House of Commons in a 1984 by-election, Portillo served as a junior minister under both Margaret Thatcher and John Major, before entering the Cabinet in 1992 as Chief Secretary to the Treasury and promoted to Secretary of State for Employment in 1994. A Thatcherite and a Eurosceptic, he was considered a "darling of the right" and was seen as a likely challenger to Major during the 1995 Conservative leadership election, but did not run, and was subsequently promoted to Secretary of State for Defence. As Defence Secretary, he pressed for a course of ...
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Umberto Puppini
Umberto Puppini (16 August 1884, Bologna – 21 May 1946, Bologna) was a minister of the Italian government in the 1930s and a professor of hydraulic engineering. Puppini grew up as an orphan in poverty, but thanks to financial support from the city of Bologna he was able to study engineering and received his ''laurea'' in 1908 from the University of Bologna. There he became in the school of hydraulic engineering an assistant in 1908 and a ''libero docente'' in 1912. During WW I he was an officer in the artillery corps. After the war, he returned to the University of Bologna and became in hydraulic engineering a professor extraordinarius in 1920 and a professor ordinarius in 1923. From 1927 to 1932 he was director of the school of engineering (''Scuola di Applicazione''). After the fascist rise to power he was elected as a pro-fascist mayor of Bologna, before the fascist law of 4 February 1926 replaced the elected office of mayor with a fascist-appointed office of mayor. Replacin ...
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