Palazzo Spannocchi
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Palazzo Spannocchi
The Palazzo Spannocchi is a Renaissance style urban palace located on the Piazza Salimbeni, just off Via Banchi di Sopra in the Terzo di Camollia of the city of Siena, region of Tuscany, Italy. The building was associated with an ancient mercantile family of Siena. History It was built in 1473 by Ambrogio Spannocchi, adjacent to the Gothic Palazzo Salimbeni and faces the Mannerist Renaissance Palazzo Tantucci. Spannocchi had been named Treasurer to Pope Pius II of the Sienese Piccolomini Family. The design and construction was entrusted to the Florentine Giuliano da Maiano. The facade closely parallels the Palazzo Medici Riccardi of Florence built a few decades prior. The sober facade, of smooth stone, has three stories, with mullioned windows with round arches on the second floor. Unlike earlier Gothic palaces, which often afforded transient wooden scaffolds for either balconies or awnings, this palace has a solid protruding ceiling cornice near the roofline with classical bu ...
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Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ...
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Gothic Architecture
Gothic architecture (or pointed architecture) is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as ''opus Francigenum'' (lit. French work); the term ''Gothic'' was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity. The defining design element of Gothic architecture is the pointed or ogival arch. The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows. At the Abbey of Saint-Denis, near Paris, the choir was reconstructed between 1140 and 1144, draw ...
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Palaces In Siena
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas ...
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Santa Maria Delle Nevi, Siena
Santa Maria delle Nevi is a small Renaissance style Roman Catholic church or oratory located on Via Banchi di Sopra in the Terzo di Camollia of the city of Siena, region of Tuscany, Italy. History Construction of the church was commissioned in 1471 by the Bishop of Pienza, Giovanni Cinughi de' Pazzi. The Cinughi were a prominent Sienese family. The design is attributed to either Francesco di Giorgio Martini or Antonio Federighi. It has a classic simplicity to the facade. Two pilasters with Corinthian capitals flank the facade with a tympanum with a circular window featuring two flanking marble heraldic shields of the Cinughi family. The interior is notable for the main altarpiece depicting an ''Enthroned Madonna and Child with Saints Peter, Lawrence, Catherine of Sienna and John the Evangelist'' (1477) by Matteo di Giovanni. The Virgin is surrounded by angels with chalices of snow, recalling the miracle that led to the veneration at the church of Santa Maria Maggiore The B ...
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Palazzo Tolomei, Siena
The Palazzo Tolomei is an imposing, Gothic style urban palace, located on Via Banchi di Sopra in the present contrada of Civetta, Terzo di Camollia of the city of Siena, region of Tuscany, Italy. History The building is one of the oldest palaces in the city and was erected between 1270 and 1275 by the Tolomei family. It served as the first permanent headquarters of the Sienese commune during the early years of the Guelph era, before the construction of the Palazzo Pubblico in the Piazza del Campo, and it also functioned as a bank and private residence. It stands on the west side of the Piazza Tolomei, across from the church of San Cristoforo. The aristocratic Tolomei family for many years was associated with this parish church. On the Via Banchi di Sopra, it is a few houses south and across the street of the Palazzo Bichi Ruspoli, a few blocks north of the Piazza del Campo. The original palace of this Guelf aristocratic family was mostly destroyed by Ghibelline mobs in 1267 but ...
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Palazzo Bichi Ruspoli, Siena
The Palazzo Bichi Ruspoli, or previously Palazzo or Castellare dei Rossi, is an urban palace, located on Via Banchi di Sopra in the present contrada of Civetta, Terzo di Camollia of the city of Siena, region of Tuscany, Italy. History The sober stone palace is just south of the Palazzo Salimbeni and north of the Palazzo Tolomei on the Via Banchi di Sopra. The three story palace with a curved facade was enlarged by Alessandro Bichi in 1520. The palace originally was owned by the Rossi family and housed Charles of Anjou during a stay in Siena. It was built with rusticated limestone blocks in the 14th century around an earlier, 13th century, castle-like block with a tower and peaked ground floor arches. The present rectangular upper windows date to later reconstructions. The present Neoclassic style interiors were commissioned in the 18th century by the Marquis Bichi Ruspoli from the artist and architect Jacopo Franchini. The entrance was designed by Pietro Marchetti. Despite su ...
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Monte Dei Paschi Di Siena
Banca Monte dei Paschi di Siena S.p.A. (), known as BMPS or just MPS, is an Italian bank. Tracing its history to a mount of piety founded in 1472 () and established in its present form in 1624 (), it is the world's oldest or second oldest bank, depending on the definition, and the fifth largest Italian commercial and retail bank. In 1995, the bank (then known as Monte dei Paschi di Siena) was transformed from a statutory corporation to a limited company called Banca Monte dei Paschi di Siena (Banca MPS). The Fondazione Monte dei Paschi di Siena was created to continue the charitable functions of the bank and to be, until the bailout in 2013, its largest single shareholder. According to research by Mediobanca and a press release issued by Banco BPM, Banco BPM overtook BMPS as the third largest commercial banking group in Italy (in terms of total assets) on 31 December 2016, after Banco BPM's formal formation on 1 January 2017. In 2016–17, BMPS was struggling to avoid a collap ...
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Tito Sarrocchi
Tito Sarrocchi (5 January 1824 – 1900) was an Italian sculptor. Biography Sarrocchi was born at Siena to a humble family, as a boy was orphaned of mother. He had to help support his two sisters and his father, who had become nearly blind. At the age of thirteen, he began working under Antonio Manetti in the restoration of the facade of the Duomo of Siena. he also worked as a scenographer for a dance theater company.Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti.
by . Tipe dei Successori Le Monnier, 1889, page 453–455. In 1841 moved to

Sallustio Bandini
Sallustio Bandini (19 April 1677 – 8 June 1760) was an Italian archdeacon, economist, and politician. He was an advocate of free trade, and removal of local feudal tariffs and tolls. He wrote an influential piece on this subject, titled ''Discorso Economico sopra la Maremma di Siena'', published posthumously in 1775. Approximately two years before his death, Bandini donated his private library to the University of Siena, under the agreement that the almost 3000 volumes would be made publicly available. From this donation the ''Biblioteca della Sapienza'' was formed, now known as ''Biblioteca Comunale degli Intronati''. Early life Bandini was born Sallustio Antonio Bandini in Siena to a prominent local family. His father was Patrizio Bandini and his mother was Caterina Piccolomini di Modanella, a member of the influential Piccolomini nobility. He was their third son. Legacy Bandini is memorialised for his enlightened discourse on economics with a statue in the centre of Siena's ...
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Mullion
A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. It is also often used as a division between double doors. When dividing adjacent window units its primary purpose is a rigid support to the glazing of the window. Its secondary purpose is to provide structural support to an arch or lintel above the window opening. Horizontal elements separating the head of a door from a window above are called transoms. History Stone mullions were used in Armenian, Saxon and Islamic architecture prior to the 10th century. They became a common and fashionable architectural feature across Europe in Romanesque architecture, with paired windows divided by a mullion, set beneath a single arch. The same structural form was used for open arcades as well as windows, and is found in galleries and cloisters. In Gothic architecture windows became larger and arrangements of multiple mullions and openings were used, both for structure and ...
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Siena
Siena ( , ; lat, Sena Iulia) is a city in Tuscany, Italy. It is the capital of the province of Siena. The city is historically linked to commercial and banking activities, having been a major banking center until the 13th and 14th centuries. Siena is also home to the oldest bank in the world, the Monte dei Paschi bank, which has been operating continuously since 1472. Several significant Renaissance painters worked and were born in Siena, among them Duccio, Ambrogio Lorenzetti, Simone Martini and Sassetta, and influenced the course of Italian and European art. The University of Siena, originally called ''Studium Senese'', was founded in 1240, making it one of the oldest universities in continuous operation in the world. Siena was one of the most important cities in medieval Europe, and its historic centre is a UNESCO World Heritage Site. From January until the end of September of 2021 it had about 217,000 arrivals, with the largest numbers of foreign visitors coming ...
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Palazzo Medici Riccardi
The Palazzo Medici, also called the Palazzo Medici Riccardi after the later family that acquired and expanded it, is a Renaissance palace located in Florence, Italy. It is the seat of the Metropolitan City of Florence and a museum. Overview The palace was designed by Michelozzo di Bartolomeo for Cosimo de' Medici, head of the Medici banking family, and was built between 1444 and 1484. It was well known for its stone masonry, which includes architectural elements of rustication and ashlar. The tripartite elevation used here expresses the Renaissance spirit of rationality, order, and classicism on human scale. This tripartite division is emphasized by horizontal stringcourses that divide the building into stories of decreasing height. The transition from the rusticated masonry of the ground floor to the more delicately refined stonework of the third floor makes the building seem lighter and taller as the eye moves upward to the massive cornice that caps and clearly defines the ...
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