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Palazzo Pretorio, Prato
The Palazzo Pretorio is a historical building in Prato, Tuscany, Italy. It was the old city hall, standing in front of the current Palazzo Comunale. It now accommodates the Civic Museum of Prato, which was reopened in September 2013. History The main structure in its present form was assembled during the late 13th century and early 14th century from the merger of three separate buildings, fused to house the local podestà, the judiciary and Prison. The different building materials, evident from the facade, still reveal the outlines of the earlier structures. The oldest part is the tower-house still discernible on the right (13th century), which had belonged to the family of Pipini, with a portico on the ground floor with pilasters of limestone then buffered but still visible. It was purchased in 1284 from the capitano del popolo Fresco Frescobaldi to house the municipal government. During the 16th century, the building, including the belltower, collapsed. The restoration added a new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prato
Prato ( , ) is a city and ''comune'' in Tuscany, Italy, the capital of the Province of Prato. The city lies in the north east of Tuscany, at the foot of Monte Retaia, elevation , the last peak in the Calvana chain. With more than 200,000 inhabitants, Prato is Tuscany's second largest city (after Florence) and the third largest in Central Italy (after Rome and Florence). Historically, Prato's economy has been based on the textile industry and its district is the largest in Europe. The textile district of Prato is made up of about 7000 fashion companies, obtaining around 2 billion euros from exports. The renowned Datini archives are a significant collection of late medieval documents concerning economic and trade history, produced between 1363 and 1410. The city boasts important historical and artistic attractions, with a cultural span that started with the Etruscans and then expanded in the Middle Ages and reached its peak with the Renaissance, when artists such as Donatell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Bartolini
Lorenzo Bartolini (Prato, 7 January 1777 Florence, 20 January 1850) was an Italian sculptor who infused his neoclassicism with a strain of sentimental piety and naturalistic detail, while he drew inspiration from the sculpture of the Florentine Renaissance rather than the overpowering influence of Antonio Canova that circumscribed his Florentine contemporaries. Biography Bartolini was born in Savignano di Prato, near Prato, Tuscany. After studying at the Florentine Academy of Fine Arts, honing his skills and reputation as a modeller in alabaster, he went in 1797 to Paris, where he studied painting under Jean-Baptiste Frédéric Desmarais, and afterwards sculpture under François-Frédéric Lemot. The bas-relief ''Cleobis and Biton'', with which he gained the second prize of the Academy in 1803, at once established his fame as a sculptor and gained for him a number of influential patrons. His bas-relief of the ''Battle of Austerlitz'' was among those executed for the column ere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benedetto Buglioni
Benedetto Buglioni (1459/1460–1521) was an Italian Renaissance sculptor. Buglioni was born in Florence, son of another sculptor Giovanni di Bernardo. In the early 1480s Buglioni and his brother opened their own studio, and jointly worked on a number of commissions for various churches in the area. This includes works for the Church of Ognissanti, the church of San Pietro in Radicofani, and the Church of Santa Lucia a Settimello in Calenzano. Buglioni specialized in glazed terracotta works. Some of his other works reside at the Cleveland Museum of Art. Buglioni died in Florence in 1521. See also * Santi Buglioni Santi Buglioni, byname of Santi di Michele (1494 - 27 November 1576) was an Italian sculptor, the nephew and collaborator of Benedetto Buglioni. After Luca della Robbia had moved to France to escape the plague, the Buglioni family inherited from ..., nephew and collaborator of Benedetto Buglioni References External linksEuropean sculpture and metalwork a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Di Giusto Manzini
Andrea is a given name which is common worldwide for both males and females, cognate to Andreas, Andrej and Andrew. Origin of the name The name derives from the Greek word ἀνήρ (''anēr''), genitive ἀνδρός (''andrós''), that refers to man as opposed to woman (whereas ''man'' in the sense of ''human being'' is ἄνθρωπος, ''ánthropos''). The original male Greek name, ''Andréas'', represents the hypocoristic, with endearment functions, of male Greek names composed with the ''andr-'' prefix, like Androgeos (''man of the earth''), Androcles (''man of glory''), Andronikos (''man of victory''). In the year 2006, it was the third most popular name in Italy with 3.1% of newborns. It is one of the Italian male names ending in ''a'', with others being Elia ( Elias), Enea ( Aeneas), Luca (Lucas), Mattia (Matthias), Nicola (Nicholas), Tobia ( Tobias). In recent and past times it has also been used on occasion as a female name in Italy and in Spain, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Monaco
Lorenzo Monaco (1370 – 1425) was an Italian painter of the late Gothic to early Renaissance age. He was born Piero di Giovanni in Siena, Italy. Little is known about his youth, apart from the fact that he was apprenticed in Florence. He was influenced by Giotto and that artist's followers Spinello Aretino and Agnolo Gaddi. Life In 1390, Piero di Giovanni joined the Camaldolese monastery of Santa Maria degli Angeli. He was thenceforth generally known as ''Lorenzo Monaco'' ('Lawrence the Monk'). Starting from around 1404, his works show the influence of the International Gothic, of Lorenzo Ghiberti's earliest works and of Gherardo Starnina. From this period is the ''Pietà'' in the Galleria dell'Accademia in Florence. His works, often over a gilded background, showed in general a spiritual value, and usually did not feature profane elements. In 1414, he painted the ''Coronation of the Virgin'' (now at the Uffizi), characterized by a great number of saints and brilliant colou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Di Miniato
Pietro di Miniato or Pietro di San Miniato (c. 1366 - 1430–46) was an Italian painter, active in Florence and Prato, in a Gothic style. He collaborated with a relative Antonio di Miniato di Piero, likely his son, active circa 1430 in and around Prato. Among the works attributed to him are a painted crucifix in the St Louis Museum of Art The Saint Louis Art Museum (SLAM) is one of the principal U.S. art museums, with paintings, sculptures, cultural objects, and ancient masterpieces from all corners of the world. Its three-story building stands in Forest Park in St. Louis ..., a polyptych in the Museo Civico of Prato, a painted mural in the church of San Niccolò in Prato, and a mural in the Chapel of San Stefano of the Duomo di Prato, depicting the Virgin and child flanked by saints. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Da Milano
Giovanni da Milano (Giovanni di Jacopo di Guido da Caversaccio) was an Italian Painting, painter, known to be active in Florence and Rome between 1346 and 1369. His style is, like many Florentine painters of the time, considered to be derivative of Giotto di Bondone, Giotto's. Vasari misidentified him as a student of Taddeo Gaddi, a noted Giotto protég Hailing from Lombardy, the earliest documentation shows Giovanni in Florence on October 17, 1346, under the name Johannes Jacobi de Commo, listed amongst the foreign painters living in Tuscan Amongst Giovanni's most significant works: * A polyptych with Madonna and Saints (c. 1355), the oldest known signed work by Giovanni da Milano, painted for the Prato Spedale della Misericordia * A polyptych made for the Church of Ognissanti, Florence, Ognissanti of Florence (c. 1363), now dismembered and scattered, depicting saints and scenes of the Bible, biblical creation myth * ''Man of Sorrows'' panel (c. 1365, Accademia dell'Arte del Dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stories Of The Holy Girdle
Story or stories may refer to: Common uses * Story, a narrative (an account of imaginary or real people and events) ** Short story, a piece of prose fiction that typically can be read in one sitting * Story (American English), or storey (British English), a floor or level of a building * News story, an event or topic reported by a news organization Social media * Stories (social media), a collection of messages, images or videos, often ephemeral ** Facebook Stories, short user-generated photo or video collections that can be uploaded to the user's Facebook ** Instagram Stories, a feature in Instagram that let the user post vertical images that will disappear in 24 hours ** Snapchat Stories, a feature in Snapchat which allows users to compile snaps into chronological storylines, accessible to all of their friends Film, television and radio * Story Television, an American digital broadcast television network * Story TV, a South Korean television drama production company * ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Daddi
Bernardo Daddi ( 1280 – 1348) was an early Italian Renaissance painter and the leading painter of Florence of his generation. He was one of the artists who contributed to the revolutionary art of the Renaissance, which broke away from the conventions of the preceding generation of Gothic artists, by creating compositions which aimed to achieve a more realistic representation of reality.Biography and analysis of artist's style at the J. Paul Getty Museum He was particularly successful with his small-scale works and contributed to the development of the portable altarpiece, a format that subsequently gained great popularity. Life and work Daddi's birth date remains unknown. He is first mentioned in 1312. He may have been a pupil of |
Madonna Della Cintola
The Girdle of Thomas, Virgin's Girdle, Holy Belt, or Sacra Cintola in modern Italian, is a Christian relic in the form of a "girdle" or knotted textile cord used as a belt, that according to a medieval legend was dropped by the Virgin Mary from the sky to Saint Thomas the Apostle at or around the time of the Assumption of Mary to heaven. The supposed original girdle is a relic belonging to Prato Cathedral in Tuscany, Italy and its veneration has been regarded as especially helpful for pregnant women. The story was frequently depicted in the art of Florence and the whole of Tuscany, and the keeping and display of the relic at Prato generated commissions for several important artists of the early Italian Renaissance. The Prato relic has outlasted several rivals in Catholic hands, and is the Catholic equivalent of the various relics held by Eastern Christianity: the Cincture of the Theotokos of the Eastern Orthodox Church and the Holy Girdle of the Syriac Orthodox Church. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
