|
Palazzo Giusti, Venice
The Palazzo Giusti, also known as the Palazzo Miani Coletti Giusti, is a Neoclassic-style palace located on the Canal Grande of Venice, between Ca' d'Oro and Palazzo Fontana Rezzonico in the Sestiere of Cannaregio, Venice, Italy. History The palace was built in 1766, and soon became property of the Miani family, who sold it to the Coletti, then the Giusti. Along with the adjacent Ca' d'Oro, it houses portions of the Galleria Giorgio Franchetti alla Ca' d'Oro. The architect Antonio Visentini designed the four story palace with three ground floor niches displaying statues, flanked by doric pilasters. Architecture The principal façade of Palazzo Giusti is greenish and was designed by Antonio Visentini with various style remainders to the Palladian architecture, such as: a high number of monofora openings instead of the polifora, which normally distinguish the noble (living) floors, the three water doors which are delimited by Doric order The Doric order was one of the th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Giusti (Venice)
The Giusti Palace and Garden ( it, Palazzo e giardino Giusti) are located in the east of Verona, Italy, a short distance from Piazza Isolo and near the city centre. The palace was built in the sixteenth century. The garden is considered one of the finest examples of an Italian garden. The palace is a 16th-century Mannerist structure with a tower added in 1701. The Italian Renaissance gardens were planted in 1580 and are regarded as some of the most beautiful Renaissance gardens in Europe, a splendid park of terraces climbing upon the hill. They include a parterre and hedge maze, and expansive vistas of the surrounding landscape from the terrace gardens. First, only two square parterres right and left hand of the cypress way were designed, and a maze behind the right one, as figured in ''Nürnbergische Hesperides'' in 1714. Some years later, four additional flower parterres were laid out left hand, as to be seen at a map in the Verona State Archives. The booklet, ''Il paradi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palladian Architecture
Palladian architecture is a European architectural style derived from the work of the Venetian architect Andrea Palladio (1508–1580). What is today recognised as Palladian architecture evolved from his concepts of symmetry, perspective and the principles of formal classical architecture from ancient Greek and Roman traditions. In the 17th and 18th centuries, Palladio's interpretation of this classical architecture developed into the style known as Palladianism. Palladianism emerged in England in the early 17th century, led by Inigo Jones, whose Queen's House at Greenwich has been described as the first English Palladian building. Its development faltered at the onset of the English Civil War. After the Stuart Restoration, the architectural landscape was dominated by the more flamboyant English Baroque. Palladianism returned to fashion after a reaction against the Baroque in the early 18th century, fuelled by the publication of a number of architectural books, including Pall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palaces In Sestiere Cannaregio
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niche (architecture)
A niche (CanE, or ) in Classical architecture is an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. Nero's Domus Aurea (AD 64–69) was the first semi-private dwelling that possessed rooms that were given richly varied floor plans, shaped with niches and exedrae; sheathed in dazzling polished white marble, such curved surfaces concentrated or dispersed the daylight. A is a very shallow niche, usually too shallow to contain statues, and may resemble a blind window (a window without openings) or sealed door. (Compare: blind arcade) The word derives from the Latin (), via the French . The Italian '' nicchio'' () may also be involved,OED, "Niche" as the traditional decoration for the top of a niche is a scallop shell, as in the illustration, hence also the alternative term of "conch" for a semi-dome, usually reserved for larger exedra. In Gothic architecture, a niche may be set within a tabernacle framing, like a richly de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doric Order
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polifora
Polifora is a type of the multi-light window. It appears in towers and belfries on top floors, where it is necessary to lighten the structure with wider openings. The term ''polifora'' usually refers to the window with at least five parts. Overview The polifora is a multiple-part window, divided by small columns or pilasters. Each part has a small arch, which can be round or, more often, pointed. Central parts may sometimes be taller than side openings. The space among the arches is often decorated or perforated. The polifora is typical for Gothic architecture and widely used to decorate large cathedrals in the Northern Europe—particularly in Belgium and the Netherlands where the polifora became a true feature of distinction and personalization of the French Gothic style. The polifora is also widely used in Venetian Gothic architecture to decorate the main halls of Venetian palaces. Such windows can sometimes take specific names that indicate the exact number of openings: pentaf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monofora
Monofora is a type of the single-light window, usually narrow, crowned by an arch, and decorated by small columns or pilasters. Overview The term usually refers to a certain type of window designed during the Romanesque, Gothic, and Renaissance periods, and also during the nineteenth-century Eclecticism in architecture. In other cases, the term may mean an arched window with a single opening. Gallery File:DetalleVentanaSantaLucia LaRebolleda 002.JPG, Windows detail in the shrine of Saint Lucia in La Rebolleda (Burgos, Spain). File:Francesco Brescia retro3.JPG, Chiesa di San Francesco d'Assisi a Brescia. File:Sjogestakyrka window1.jpg, Sjögestads kyrka File:IMG 5224 - Milano - P.zza Missori - S. Giovanni in Conca - Monofora - Foto Giovanni Dall'Orto - 17-Feb-2007.jpg, Monofora window in Piazza Missori in Milan See also * Lancet window *Bifora *Trifora *Quadrifora *Polifora Polifora is a type of the multi-light window. It appears in towers and belfries on top floors, where i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Visentini
View of Piazza San Marco in Venice, by Antonio Visentini (1742). Antonio Visentini (21 November 1688 – 26 June 1782) was an Italian architectural designer, painter and engraver, known for his architectural fantasies and ''capricci'', the author of treatises on perspective and a professor at the Venetian Academy. Life and works Born in Venice, Visentini was a pupil of the widely travelled Baroque painter Giovanni Antonio Pellegrini, who had painted some decors in English country houses at the beginning of the 18th century. Visentini is best known today as the engraver for Canaletto's first great series of Venetian ''vedute'' published under the title ''Urbis Venetiarum Prospectus Celebriores ex Antonii Canal'', organised by British resident Joseph (Consul) Smith (1682–1770). The series was begun around 1728 and by the time it was completed in 1735, thirty-eight etchings and engravings had been printed. On the Grand Canal, Visentini was commissioned to redesign t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galleria Giorgio Franchetti Alla Ca' D'Oro
The Galleria Giorgio Franchetti alla Ca' d'Oro is an art museum located in the Ca' d'Oro on the Grand Canal in Venice, Italy. History The Baron Giorgio Franchetti (1865–1927), was born to a prominent family of Turin. Initially trained in a military school, he preferred the study of music and collecting art. He married in 1890 the Baroness Maria Hornstein Hohenstoffeln. However, by 1891 he had moved to Venice, and there soon purchased the then dilapidated Ca' d'Oro and set upon restoring the building, as possible, to its 15th-century layout. Franchetti also traveled widely to purchase objects for the palace, including in Paris the palace's original well head (1427) by Bartolomeo Bon. He supervised much of the restoration, added the mosaic floor collections, and constructed a chapel to house his Mantegna ''St Sebastian''. The inner courtyard mosaic was designed by the Baron himself. His grandson helped further his wish, stated in 1916, to make the house and his collection a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Palazzo Giusti, Venice")
_-_facade_on_Piazza_dei_signori.jpg "Click for more on -> Neoclassical Architecture")