Palazzo Doria-Pamphili
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Palazzo Doria-Pamphili
The Doria Pamphilj Gallery is a large art collection housed in the Palazzo Doria Pamphilj in Rome, Italy, between Via del Corso and Via della Gatta. The principal entrance is on the Via del Corso (until recently, the entrance to the gallery was from the Piazza del Collegio Romano). The palace façade on Via del Corso is adjacent to a church, Santa Maria in Via Lata. Like the palace, it is still privately owned by the princely Roman family Doria Pamphili. Tours of the state rooms often culminate in concerts of Baroque and Renaissance music, paying tribute to the setting and the masterpieces it contains. Collection The large collection of paintings, furniture and statuary has been assembled since the 16th century by the Doria, Pamphilj, Landi and Aldobrandini families now united through marriage and descent under the simplified surname Doria Pamphilj. The collection includes paintings and furnishings from Innocent X's Palazzo Pamphilj (in Piazza Navona), who bequeathed them to h ...
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Via Del Corso
The Via del Corso is a main street in the historical centre of Rome. It is straight in an area otherwise characterized by narrow meandering alleys and small piazzas. Considered a wide street in ancient times, the Corso is approximately 10 metres wide, and it only has room for two lanes of traffic and two narrow sidewalks. The northern portion of the street is a pedestrian area. The length of the street is roughly 1.5 kilometres. Description The Corso runs in a generally north-south direction. To the north, it links the northern entrance gate to the city, the Porta del Popolo and its piazza, the Piazza del Popolo, to the heart of the city at the Piazza Venezia, at the base of the Capitoline Hill. At the Piazza del Popolo, Via del Corso is framed by two Baroque churches, Santa Maria dei Miracoli and Santa Maria in Montesanto, and along the street are the church of San Carlo al Corso, the church of San Giacomo in Augusta, the church of Gesù e Maria, the Piazza Colonna with the ...
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State Rooms
A state room in a large European mansion is usually one of a suite of very grand rooms which were designed for use when entertaining royalty. The term was most widely used in the 17th and 18th centuries. They were the most lavishly decorated in the house and contained the finest works of art. State rooms were usually only found in the houses of the upper echelons of the aristocracy, those who were likely to entertain a head of state. They were generally to accommodate and entertain distinguished guests, especially a monarch and/or a royal consort, or other high-ranking aristocrats and state officials, hence the name. In their original form a set of state rooms made up a state apartment, which always included a bedroom. British Isles In Great Britain and Ireland in particular, state rooms in country houses were used occasionally, and only rarely all round the year. The occupier of the house and his family actually lived in other apartments in the house. And unlike the main ...
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Despotism
Despotism ( el, Δεσποτισμός, ''despotismós'') is a form of government in which a single entity rules with absolute power. Normally, that entity is an individual, the despot; but (as in an autocracy) societies which limit respect and power to specific groups have also been called despotic. Colloquially, the word ''despot'' applies pejoratively to those who use their power and authority to oppress their populace, subjects, or subordinates. More specifically, the term often applies to a head of state or government. In this sense, it is similar to the pejorative connotations that are associated with the terms ''tyrant'' and ''dictator''. Etymology The root ''despot'' comes from the Greek word ''despotes'', which means "master" or "one with power." The term has been used to describe many rulers and governments throughout history. It connoted the absolute authority and power exercised by the Pharaohs of Ancient Egypt, signified nobility in Byzantine courts, designated ...
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Portrait Of Innocent X
''Portrait of Pope Innocent X'' is an oil on canvas portrait by the Spanish painter Diego Velázquez, executed during a trip to Italy around 1650. Many artists and art critics consider it the finest portrait ever created. It is housed in the Galleria Doria Pamphilj in Rome. A smaller version is held by the Metropolitan Museum of Art in New York, and a study is on display at Apsley House in London. The painting is noted for its realism as an unflinching portrait of a highly intelligent, shrewd, and aging man. He is dressed in linen vestments, and the quality of the work is evident in the rich reds of his upper clothing, head-dress, and the hanging curtains. The pope, born Giovanni Battista Pamphilj, was initially wary of sitting for Velázquez, but relented after he was shown reproductions of portraits by the artist. A contributing factor for this large advancement in the painter's career was that he had already depicted a number of members of Pamphilj's inner court. The pope, how ...
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Diego Velázquez
Diego Rodríguez de Silva y Velázquez (baptized June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period (c.1600–1750). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece '' Las Meninas'' (1656). Velázquez's paintings became a model for 19th-century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí, and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images. Most of his work entered the Spanish royal collection, and by far the best collection is in the Museo del Prado in Madrid, tho ...
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Christine Of Hesse-Rotenburg
german: Christine von Hessen-Rheinfels-Rotenburg , image = Christine Henriette of Hesse-Rotenburg.jpg , caption = Portrait by Maria Giovanna Clementi , title = Princess of Carignano , birth_date = , birth_place = Schloss Rotenburg, Rotenburg , death_date = , death_place = Palazzo Carignano, Turin, Italy , spouse = Louis Victor of Savoy, Prince of Carignano , issue-link = #Issue , place of burial = Basilica of Superga, Turin, Italy , date of burial = 1786 , house = Hesse-Rheinfels-Rotenburg , father = Ernest Leopold, Landgrave of Hesse-Rotenburg , mother = Countess Eleonore of Löwenstein-Rochefort , issue = Princess Christine of Hesse-Rheinfels-Rotenburg (Christine Henriette; 21 November 1717 – 1 September 1778) was a princess of the German dynasty of Hesse-Rheinfels-Rotenburg. She was the Princess of Carignano by marriage and mother of the ''princesse de Lamballe'' and of Victor Amadeus II, Pri ...
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Louis Victor, Prince Of Carignan
Louis Victor of Savoy, 4th Prince of Carignano (25 September 1721 – 16 December 1778) headed a cadet branch of the Italian dynasty which reigned over the Kingdom of Piedmont-Sardinia, being known as the Prince of Carignano from 1741 till his death. Upon extinction of the senior line of the family, his great-grandson succeeded to the royal throne as King Charles Albert of Piedmont-Sardinia, while his great-great-grandson, Victor Emmanuel II, became King of Italy. Biography Louis Victor was born at the Hôtel de Soissons, the Parisian home of his ancestor Marie de Bourbon, Countess of Soissons, to Victor Amadeus I, Prince of Carignano and his wife Maria Vittoria di Savoia. His father was a grandson of Thomas Francis, Prince of Carignano and thus a descendant of Charles Emmanuel I, Duke of Savoy and Infanta Catherine Michelle of Spain. He was doubly descended from the latter pair, as his mother was a legitimated daughter of Victor Amadeus II of Sardinia and his mistress Jeanne Ba ...
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Leopoldina Maria Of Savoy
Princess Leopoldina of Savoy (Leopoldina Maria; 21 December 1744 – 17 April 1807) was a Princess of Savoy and later the Princess of Melfi, as wife of Giovanni ''Andrea'' VI Doria-Pamphilj-Landi, (13) Prince of Melfi. She was the older sister of the ''princesse de Lamballe''. Biography Leopoldina Maria, Princess of Savoy was born at the Palazzo Carignano in Turin, the capital of the Kingdom of Sardinia. She was the third child of ten, she was her parents' second daughter. Her father Louis Victor of Savoy was the Prince of Carignano and head of the cadet branch of the House of Savoy which ruled over Sardinia. Her mother was a daughter of the Landgrave of Hesse-Rotenburg and was a sister of the late Queen Polyxena of Sardinia, wife of Charles Emmanuel III of Sardinia. As such, Charles Emmanuel's children were Leopoldina's first cousins including the future King Victor Amadeus III of Sardinia. She received a good education and was fluent in French, Italian, and German. Her ...
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Princess
Princess is a regal rank and the feminine equivalent of prince (from Latin '' princeps'', meaning principal citizen). Most often, the term has been used for the consort of a prince, or for the daughter of a king or prince. Princess as a substantive title Some princesses are reigning monarchs of principalities. There have been fewer instances of reigning princesses than reigning princes, as most principalities excluded women from inheriting the throne. Examples of princesses regnant have included Constance of Antioch, princess regnant of Antioch in the 12th century. Since the President of France, an office for which women are eligible, is '' ex-officio'' a Co-Prince of Andorra, then Andorra could theoretically be jointly ruled by a princess. Princess as a courtesy title Descendants of monarchs For many centuries, the title "princess" was not regularly used for a monarch's daughter, who, in English, might simply be called "Lady". Old English had no female equivalent of "prin ...
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Byzantine Art
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Byzantine Empire were culturally influenced by it without actually being part of it (the " Byzantine commonwealth"). These included the Rus, as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Kingdom of Sicily, which had close ties to the Byzantine Empir ...
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Medieval
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Easte ...
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Saint
In religious belief, a saint is a person who is recognized as having an exceptional degree of Q-D-Š, holiness, likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and Christian denomination, denomination. In Catholic Church, Catholic, Eastern Orthodox Church, Eastern Orthodox, Anglican Communion, Anglican, Oriental Orthodox, and Lutheranism, Lutheran doctrine, all of their faithful deceased in Heaven are considered to be saints, but some are considered worthy of greater honor or emulation. Official ecclesiastical recognition, and consequently a public cult of veneration, is conferred on some denominational saints through the process of canonization in the Catholic Church or glorification in the Eastern Orthodox Church after their approval. While the English word ''saint'' originated in Christianity, History of religion, historians of religion tend to use the appellation "in a more general way to refer to the state of special holiness t ...
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