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Palazzo Capranica
The Teatro Capranica is a theatre situated at 101 Piazza Capranica in the Colonna district of Rome. Originally constructed in 1679 by the Capranica family and housed in the early Renaissance Palazzo Capranica, it was the second public theatre to open in Rome. It was the site of many premieres of Baroque operas including Caldara's ''Tito e Berenice'', Scarlatti's '' Griselda'', and Vivaldi's ''Ercole su'l Termodonte''. The Capranica ceased operating as a full-scale theatre and opera house in 1881 and in 1922 was converted into a cinema. Following the closure of the cinema in 2000, it has functioned on a hire basis as a conference and performance venue. History The palazzo in which the theatre was situated had been originally constructed in 1451 by Cardinal Domenico Capranica, to serve as both his own residence and the future home of the Almo Collegio Capranica, a college for young clerics which he founded in 1457. One of the few remaining examples of Roman residential architecture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colonna - Palazzo Capranica 1150504
The House of Colonna, also known as ''Sciarrillo'' or ''Sciarra'', is an Italian noble family, forming part of the papal nobility. It was powerful in medieval and Renaissance Rome, supplying one pope (Martin V) and many other church and political leaders. The family is notable for its bitter feud with the Orsini family over influence in Rome, until it was stopped by papal bull in 1511. In 1571, the heads of both families married nieces of Pope Sixtus V. Thereafter, historians recorded that "no peace had been concluded between the princes of Christendom, in which they had not been included by name". History Origins According to tradition, the Colonna family is a branch of the Counts of Tusculum — by Peter (1099–1151) son of Gregory III, called Peter "de Columna" from his property the Columna Castle in Colonna, in the Alban Hills. Further back, they trace their lineage past the Counts of Tusculum via Lombard and Italo-Roman nobles, merchants, and clergy through the Early Mid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Fontana
Carlo Fontana (1634 or 1638–1714) was an Italian architect originating from today's Canton Ticino, who was in part responsible for the classicizing direction taken by Late Baroque Roman architecture. Biography There seems to be no proof that he belonged to the family of famous architects of the same name, which included Domenico Fontana. Born in Brusato, near Como (now part of the town of Novazzano in Canton Ticino, Switzerland), Fontana went to Rome before 1655. He became a draughtsman for the architectural plans of Pietro da Cortona, Carlo Rainaldi, and Gian Lorenzo Bernini. Bernini employed him for nearly a decade in diverse projects. His first independent project may be the church of San Biagio in Campitelli, completed by 1665. His façade at San Marcello al Corso (1682–83) is described as one of his most successful works. For his patron, Innocent XII, he erected the immense building of the Istituto Apostolico San Michele at Ripa Grande, organized around its church; the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telemaco (Scarlatti)
''Telemaco, ossia L'isola di Circe'' is a 1718 opera by Alessandro Scarlatti to a libretto by Carlo Sigismondo Capece (sometimes spelled "Capeci"), court poet to Queen Maria Casimira of Poland, living in exile in Rome, for the Teatro Capranica in Rome, where it was premiered during the carnival season. The opera was revived in 2005 by the Schwetzingen Festival and the Deutsche Oper am Rhein. History The libretto was written by Carlo Sigismondo Capece, based on Homer's ''Odyssey'' and François Fénelon's didactic novel '' Les Aventures de Télémaque''. The librettist was regarded as one of the central authors in Rome at the turn to the 18th century. ''Telemaco'' is his last work for the stage. The plot is full of intrigues and complications around Telemachus, the son of Odysseus. Scarlatti composed it, as one of his last operas, for the 1718 carnival season. The composer wrote 114 operas. ''Telemaco'' is known for a richness in melodies, contrasting characters, and a colour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera. Nicknamed by his contemporaries "the Italian Orpheus", he divided his career between Naples and Rome, where he received his training; a significant part of his works was composed for the papal city. He is often considered the founder of the Neapolitan school, although he has only been its most illustrious representative: his contribution, his originality and his influence were essential, as well as lasting, both in Italy and in Europe. Particularly known for his operas, he brought the Italian dramatic tradition to its maximum development, begun by Monteverdi at the beginning of 17th century and continued by Cesti, Cavalli, Carissimi, Legrenzi and Stradella, designing the final form of the ''Da capo aria'', imitated throughout Europe. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Galli Bibiena
Francesco Galli, called Francesco da Bibiena (or da Bibbiena), a member of the theatrical Galli da Bibiena family and younger brother of Ferdinando Galli, was born at Bologna in 1659. He first studied under Lorenzo Pasinelli; but he was afterwards instructed in the school of Carlo Cignani. His knowledge of architecture and perspective was considerable; but he excelled in figures. Francesco worked at Piacenza, Parma, and Rome, and then became ducal architect at Mantua. After a stay in Genoa and Naples he was called to Vienna, where he built a large theatre. He worked successively for the Emperors Leopold I and Joseph I, and was invited to Madrid by Philip V Philip V may refer to: * Philip V of Macedon (221–179 BC) * Philip V of France (1293–1322) * Philip II of Spain, also Philip V, Duke of Burgundy (1526–1598) * Philip V of Spain Philip V ( es, Felipe; 19 December 1683 – 9 July 1746) was ..., who appointed him his principal architect. He died in 1739. Francesco wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Juvarra
Filippo is an Italian male given name, which is the equivalent of the English name Philip, from the Greek ''Philippos'', meaning "amante dei cavalli".''Behind the Name''"Given Name Philip" Retrieved on 23 January 2016. The female variant is Filippa. The name may refer to: *Filippo I Colonna (1611–1639), Italian nobleman * Filippo II Colonna (1663–1714), Italian noblemen *Filippo Abbiati (1640–1715), Italian painter * Filippo Baldinucci (1624–1697), Italian historian *Filippo Brunelleschi (1377–1446), Italian architect *Filippo Carli (1876–1938), Italian sociologist *Filippo Castagna (1765–1830), Maltese politician *Filippo Coarelli (born 1936), Italian archaeologist *Filippo Coletti (1811–1894), Italian singer *Filippo di Piero Strozzi (1541–1582), French general *Filippo Salvatore Gilii (1721–1789), Italian priest and linguist *Filippo Grandi (born 1957), Italian diplomat * Filippo Illuminato (1930-1943), Italian partisan, recipient of the Gold Medal of Milita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Ottoboni (cardinal)
Pietro Ottoboni (2 July 1667 – 28 February 1740) was an Italian cardinal and grandnephew of Pope Alexander VIII, who was also born Pietro Ottoboni. He is remembered especially as a great patron of music and art. Ottoboni was the last person to hold the curial office of Cardinal-nephew, which was abolished by Alexander's successor, Pope Innocent XII, in 1692. Ottoboni '"loved pomp, prodigality, and sensual pleasure, but was in the same time kind, ready to serve and charitable". Overview Pietro was born in Venice to the noble Ottoboni family, whose most prominent member had been his granduncle Pope Alexander VIII (1689–1691). The family bought their way into Venetian nobility in the 17th century. He received the clerical tonsure and minor orders on 20 October 1689 and was created cardinal deacon in the consistory of 7 November 1689, receiving the red hat on 14 November. He was superintendent general of the affairs of the Apostolic See and governor of the cities of Fermo an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Innocent XII
Pope Innocent XII ( la, Innocentius XII; it, Innocenzo XII; 13 March 1615 – 27 September 1700), born Antonio Pignatelli, was head of the Catholic Church and ruler of the Papal States from 12 July 1691 to his death in September 1700. He took a hard stance against nepotism in the Church, continuing the policies of Pope Innocent XI, who started the battle against nepotism but which did not gain traction under Pope Alexander VIII. To that end, he issued a papal bull strictly forbidding it. The pope also used this bull to ensure that no revenue or land could be bestowed on relatives. Biography Early life Antonio Pignatelli was born on 13 March 1615 in SpinazzolaOtt, Michael. "Pope Innocent XII." The Catholic Encyclopedia Vol. 8. New York: Robert Appleton Company, 1910. 4 February 2019 (now i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Juvarra, Courtyard Of A Palace, Project For A Stage
Filippo is an Italian male given name, which is the equivalent of the English name Philip, from the Greek ''Philippos'', meaning "amante dei cavalli".''Behind the Name''"Given Name Philip" Retrieved on 23 January 2016. The female variant is Filippa. The name may refer to: *Filippo I Colonna (1611–1639), Italian nobleman * Filippo II Colonna (1663–1714), Italian noblemen *Filippo Abbiati (1640–1715), Italian painter *Filippo Baldinucci (1624–1697), Italian historian *Filippo Brunelleschi (1377–1446), Italian architect *Filippo Carli (1876–1938), Italian sociologist *Filippo Castagna (1765–1830), Maltese politician *Filippo Coarelli (born 1936), Italian archaeologist *Filippo Coletti (1811–1894), Italian singer *Filippo di Piero Strozzi (1541–1582), French general *Filippo Salvatore Gilii (1721–1789), Italian priest and linguist *Filippo Grandi (born 1957), Italian diplomat * Filippo Illuminato (1930-1943), Italian partisan, recipient of the Gold Medal of Militar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Tor Di Nona
The Tor di Nona is a neighborhood in Rome's ''rione'' '' Ponte''. It lies in the heart of the city's historic center, between the ''Via dei Coronari'' and the Tiber River. Its name commemorates the Torre dell'Annona, a mediaeval tower which once stood there and was later converted into one of the city's most important theatres, the Teatro Tordinona, later called the Teatro Apollo. History Early history The Torre dell'Annona was a medieval stronghold of the Orsini family and from the early 15th century acted as a pontifical prison. Prisoners included Benevenuto Cellini who experienced the dungeon's lightless cells, one of which was known as "the pit", Beatrice Cenci, and Giordano Bruno who was imprisoned here before being burned alive in Campo de' Fiori. In 1659-1660, it was used during the infamous Spana Prosecution.Monson, Craig A.: The Black Widows of the Eternal City: The True Story of Rome’s Most Infamous poisoners' Theatre When the New Prison (''Le Carceri Nuove'') wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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