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Palazzo Arese
Palazzo Arese (also known as Palazzo Arese Lucini and Palazzo Arese Pallavicini) was a 16th century baroque palace and seat of a branch of the House of Arese in Milan, Italy. It was located adjacent to Casa Fontana Silvestri near the Porta Orientale (today Corso Venezia n°8). The palazzo was demolished in 1943 following damage sustained during the bombing of Milan in World War II. Between 1565 and 1571 the Serbelloni family bought and demolished several houses on the site and originally built the palace in the baroque style. On 13 October 1679, Marco Arese (1637-1695), senator, supreme regent of the Council of Italy, and president of the ordinary magistrate, bought the property from Carlo Francesco Serbelloni, exchanging it in part with a palace and other buildings once belonging to Bartolomeo III Arese. From 1679 the home hosted the governor of the State of Milan, Paolo Spinola, marquis de los Balbases, count of Melgar. The facade was remodelled in the neoclassical style betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casa Fontana-Silvestri
Casa Fontana-Silvestri is one of the few Renaissance buildings surviving in Milan, Italy. The main structure dates back to the 12th century, but its current form is due to a thorough modification that were made at the end of the 14th century, in a style that mixes Renaissance and Gothic architecture, Gothic elements. The facade was originally decorated with frescos that scholars credit to Bramante or Bramantino; most of these painting have disappeared, with just a few remnants now visible under the cornice. It has also been suggested that Bramante may have designed the cotto (material), cotto decorations, also on the facade. See also * Casa dei Grifi (Milano) References * A. Lanza, M. Somarè, ''Milano e suoi palazzi - Porta Orientale, Romana e Ticinese'', Libreria Milanese, pp. 28–30 Palaces in Milan Renaissance architecture in Milan {{milan-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palaces In Milan
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barlassina
Barlassina is a ''comune'' (municipality) in the Province of Monza and Brianza in the Italian region Lombardy, located about north of Milan and south of Como Como (, ; lmo, Còmm, label=Comasco dialect, Comasco , or ; lat, Novum Comum; rm, Com; french: Côme) is a city and ''comune'' in Lombardy, Italy. It is the administrative capital of the Province of Como. Its proximity to Lake Como and ... . References External links Official website Cities and towns in Lombardy Populated places on Brianza {{Lombardy-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ugo Foscolo
Ugo Foscolo (; 6 February 177810 September 1827), born Niccolò Foscolo, was an Italian writer, revolutionary and a poet. He is especially remembered for his 1807 long poem ''Dei Sepolcri''. Early life Foscolo was born in Zakynthos in the Ionian Islands. His father Andrea Foscolo was an impoverished Venetian nobleman, and his mother Diamantina Spathis was Greek. In 1788, upon the death of his father, who worked as a physician in Spalato (present-day Split, Croatia), the family moved to Venice, and Foscolo completed the studies he began at the Dalmatian grammar school at the University of Padua. Amongst his Paduan teachers was the Abbé Melchiore Cesarotti, whose version of '' Ossian'' was very popular in Italy, and who influenced Foscolo's literary tastes; he knew both modern and Ancient Greek. His literary ambition revealed itself in the appearance in 1797 of his tragedy ''Tieste''—a production that enjoyed a certain degree of success. Politics and poetry Foscolo, who, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonietta Fagnani Arese
Antonietta Fagnani Arese (Milan, 19 November 1778 – Genoa, 11 December 1847) was an Milanese noble woman, translator of Johann Wolfgang von Goethe, Goethe, and correspondent of Ugo Foscolo. Biography Antonia Barbara Giulia Faustina Angiola Lucia Fagnani was the last child of Giacomo Fagnani (1740-1785) and Costanza Brusati Settala (1747-1805), sister of Maria Emilia Fagnani, later Marquess of Hertford, Marchioness of Hertford and Countess of Pembroke. She married Marco Arese Lucini, sixth count of Barlassina of the House of Arese, Arese family, son of Benedetto Arese Lucini and Margherita Lucini of the Marquis of Besate, on 20 February 1798 at Santa Maria alla Porta, Milan, Santa Maria alla Porta church in Milan. They had five children, three of whom survived: Margherita (1798-1828), Costanza (1803–1822) and Francesco Benedetto Arese Lucini, Francesco (1805-1881). Antonietta was one of the most notable figures of Milanese society in the Kingdom of Italy (Napoleonic), Napole ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène De Beauharnais
Eugène Rose de Beauharnais, Duke of Leuchtenberg (; 3 September 1781 – 21 February 1824) was a French nobleman, statesman, and military commander who served during the French Revolutionary Wars and the Napoleonic Wars. Through the second marriage of his mother, Joséphine de Beauharnais, he was the stepson of Napoleon Bonaparte. Under the French Empire, he also became Napoleon's adopted son (but not the heir to the imperial throne). He commanded the Army of Italy during the Napoleonic Wars and was Viceroy of the Kingdom of Italy under his stepfather. Historians consider him one of Napoleon's most able relatives. Biography Eugène Rose de Beauharnais was born in Paris on 3 September 1781 to the noble Beauharnais family. He was the son of Viscount Alexandre de Beauharnais and Joséphine Tascher de la Pagerie, both born in the French colony of Martinique. Alexandre was executed by guillotine in 1794, a few days before the end of the revolutionary Reign of Terror. Eugène bega ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Moroni
Giovanni Battista Moroni ( – 5 February 1579) was an Italian painter of the Late Renaissance period. He also is called Giambattista Moroni. Best known for his elegantly realistic portraits of the local nobility and clergy, he is considered one of the great portrait painters of sixteenth century Italy. Biography Moroni was the son of architect Andrea Moroni. He trained under Alessandro Bonvicino "Il Moretto" in Brescia, where he was the main studio assistant during the 1540s, and worked in Trento, Bergamo and his home town of Albino, near Bergamo, where he was born and died. His two short periods in Trento coincided with the first two sessions of the Council of Trent, 1546–48 and 1551–53. On both occasions Moroni painted a number of religious works (including the altarpiece of the ''Doctors of the Church'' for the church of Santa Maria Maggiore, Bergamo) as well as the series of portraits for which he is remembered. During his stay in Trento he also made contact wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes ''Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous ''Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, ''Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures always a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jusepe De Ribera
Jusepe de Ribera (1591 – 1652) was a painter and printmaker, who along with Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was not longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century."Pérez-Sánchez, Alfonso E., and Nicola Spinosa. 1992. Jusepe de Ribera 1519–1652'. The Metropolitan Museum of Art/Harry N. Abrams, Inc. New York. 290 pp, Jusepe de Ribera () has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto ("the Little Spaniard") by his contemporaries, early historians, and biographers. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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