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Paintings In The Staircase Of The Kunsthistorisches Museum
The staircase of the Kunsthistorisches Museum in Vienna is equipped with spandrel and intercolumniation paintings by Gustav Klimt, Ernst Klimt and Franz Matsch, lunette pictures by Hans Makart and a ceiling painting by Mihály Munkácsy. History In the middle of 1881 the committee in charge of building in Vienna commissioned Hans Makart with the overall equipment of the large staircase. However, since Makart died in 1884, only the lunette pictures had been completed by then and could be affixed to the walls of the museum. The committee had to look for other artists for the missing spandrel and intercolumniation paintings. In 1885 Hans Canon was initially entrusted with the ceiling painting, but he also died a few months later. Finally, Mihály Munkácsy was commissioned to paint the ceiling with ''Apotheosis of the Renaissance'', which was completed in the middle of 1890. The ''Maler-Compagnie'', in which the brothers Gustav and Ernst Klimt as well as Franz Matsch had merged, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loggia
In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room."Definition of Loggia" Lexic.us. Retrieved on 2014-10-24. An overhanging loggia may be supported by a baldresca. From the early , nearly every Italian |
Klimt - Griechische Antike Und Aegypten, 1891 (2)
Gustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. Amongst his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods. Early in his career, he was a successful painter of architectural decorations in a conventional manner. As he began to develop a more personal style, his work was the subject of controversy that culminated when the paintings he completed around 1900 for the ceiling of the Great Hall of the University of Vienna were criticized as pornographic. He subsequently accepted no more public commissions, but achieved a new success with the paintings of his "golden phase", m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klimt - Römisches Und Venezianisches Quattrocento, 1891 (3)
Gustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. Amongst his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods. Early in his career, he was a successful painter of architectural decorations in a conventional manner. As he began to develop a more personal style, his work was the subject of controversy that culminated when the paintings he completed around 1900 for the ceiling of the Great Hall of the University of Vienna were criticized as pornographic. He subsequently accepted no more public commissions, but achieved a new success with the paintings of his "golden phase", m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
