Painter Of Berlin A 34
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Painter Of Berlin A 34
The Painter of Berlin A 34 was a vase painter during the pioneering period of Attic black-figure pottery. His real name is unknown, his conventional name derived from his name vase in the Antikensammlung Berlin. He is the first individual vase painter of the style in Athens recognised by scholarship. His works are dated to ''circa'' 630 BC. Two of his vases were discovered in Aegina. Since the 19th century, those pieces were on display in Berlin, but they disappeared or were destroyed during the Second World War. The artist is considered one of the best representatives of Protoattic vase painting. Following ancient tradition, he executed the faces of his figures as silhouette drawings. Their clothing, as well as decorative rosettes were applied in red and white paint. He used orientalising zigzag patterns and rosettes. On some of his vases, instead of using the conventional silhouette technique, he applied white paint directly onto a black slip base. His ornamentation is uniform ...
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Comparable With The Painter Of Berlin A 34 - ABV 1 Bottom - Four Swans - Spiral Hooks - Athens NM 993 - 01
Comparable may refer to: * Comparability, in mathematics * Comparative In general linguistics, the comparative is a syntactic construction that serves to express a comparison between two (or more) entities or groups of entities in quality or degree - see also comparison (grammar) for an overview of comparison, as wel ..., in grammar, a word that denotes the degree by which an entity has a property greater or less in extent than another See also * Incomparable (other) {{disambig ...
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Slip (ceramics)
A slip is a clay slurry used to produce pottery and other ceramic wares. Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining leather-hard (semi-hardened) clay body (pieces of pottery) together by slipcasting with mould, glazing or decorating the pottery by painting or dipping the pottery with slip.What is slip in pottery
thepotterywheel.com, accessed 10 July 2021.
Pottery on which slip has been applied either for glazing or decoration is called the . Engobe, from the French word for slip, is an

John Boardman (art Historian)
Sir John Boardman, (; born 20 August 1927) is a classical archaeologist and art historian. He has been described as "Britain's most distinguished historian of ancient Greek art." Biography John Boardman was educated at Chigwell School (1938–1945); then Magdalene College, Cambridge, where he read Classics beginning in 1945. After completing two years' national service in the Intelligence Corps he spent three years in Greece, from 1952 to 1955, as the Assistant Director of the British School at Athens. He married Sheila Stanford in 1952 (d. 2005), and has two children, Julia and Mark. On his return to England in 1955, Boardman took up the post of Assistant Keeper at the Ashmolean Museum in Oxford, thus beginning his lifelong affiliation with it. In 1959 he was appointed Reader in Classical Archaeology in the University of Oxford, and in 1963 was appointed a Fellow of Merton College. Here he remained until his appointment as Lincoln Professor of Classical Art and Arch ...
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John D
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope Jo ...
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Red-figure Vase Painting
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens an ...
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Women Painter
A woman is an adult female human. Prior to adulthood, a female human is referred to as a girl (a female child or adolescent). The plural ''women'' is sometimes used in certain phrases such as "women's rights" to denote female humans regardless of age. Typically, women inherit a pair of X chromosomes, one from each parent, and are capable of pregnancy and giving birth from puberty until menopause. More generally, sex differentiation of the female fetus is governed by the lack of a present, or functioning, SRY-gene on either one of the respective sex chromosomes. Female anatomy is distinguished from male anatomy by the female reproductive system, which includes the ovaries, fallopian tubes, uterus, vagina, and vulva. A fully developed woman generally has a wider pelvis, broader hips, and larger breasts than an adult man. Women have significantly less facial and other body hair, have a higher body fat composition, and are on average shorter and less muscular than men. Througho ...
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Ancient Corinth
Corinth (American English: ) (British English: ) ; grc-gre, Κόρινθος ; grc, label=Doric Greek, Ϙόρινθος; la, label=Latin, Corinthus) was a city-state (''polis'') on the Isthmus of Corinth, the narrow stretch of land that joins the Peloponnese to the mainland of Greece, roughly halfway between Athens and Sparta. The modern city of Corinth is located approximately northeast of the ancient ruins. Since 1896, systematic archaeological investigations of the Corinth Excavations by the American School of Classical Studies at Athens have revealed large parts of the ancient city, and recent excavations conducted by the Greek Ministry of Culture have brought to light important new facets of antiquity. For Christians, Corinth is well known from the two letters of Saint Paul in the New Testament, First and Second Corinthians. Corinth is also mentioned in the Acts of the Apostles as part of Paul the Apostle's missionary travels. In addition, the second book of Pausania ...
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Geometric Period
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages, . Its center was in Athens, and from there the style spread among the trading cities of the Aegean. The Greek Dark Ages lasted from and include two periods, the Protogeometric period and the Geometric period (or Geometric art), in reference to the characteristic pottery style. The vases had various uses or purposes within Greek society, including, but not limited to, funerary vases and symposium vases. Funerary context Funerary vases not only depicted funerary scenes, but they also had practical purposes, either holding the ashes or being used as grave markers. Relatives of the deceased conducted burial rituals that included three parts: the ''prothesis'' ''(''laying out of the body), the ''ekphora'' (funeral procession), and the interment of the body or cremated remains of the body. To the Greeks, an omission of a prope ...
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Corinthian Vase Painting
Corinthian or Corinthians may refer to: *Several Pauline epistles, books of the New Testament of the Bible: **First Epistle to the Corinthians **Second Epistle to the Corinthians **Third Epistle to the Corinthians (Orthodox) *A demonym relating to the port of Corinth or the regional unit of Corinthia in Greece *Corinthian order, a classical order of ancient Greek and Roman architecture *Residents or people from the town of Corinth (town), New York *The League of Corinth, a federation of ancient Greek states *Corinthian Colleges, a post secondary education company in North America currently under criminal investigation in the US. *Corinthian (comics), a character in ''The Sandman'' comics *The Corinthian (novel), novel by Georgette Heyer *The Corinthian (New York), a skyscraper in New York City *The Corinthian helmet, a style of helmet worn by hoplites in classical Greece *Corinthian leather, a marketing term used by Chrysler *Corinthian (horse), American racehorse, a 2007 Breeders' ...
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Greek Vase Painting
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multit ...
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