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Painter Of Acropolis 606
The Painter of Acropolis 606 (sometimes Painter of Athens 606) was a black-figure vase painter, active around 570–560 BC. His name vase is a ''dinos'' discovered on the Athenian Acropolis and now on display in the National Museum at Athens (inventory acr. 606). The vase is representative of the "new seriousness" which was then emerging in Attic painting. On its main frieze, it depicts a battle between warriors and chariots. R.M. Cook says: The subsidiary friezes are of animals, plants and horsemen. On the lower part, there is an eddy of animal figures, resembling the work of Kleitias Kleitias (Greek: Κλειτίας, sometimes rendered as Klitias) was an ancient Athenian vase painter of the black-figure style who flourished c. 570–560 BCE. Kleitias' most celebrated work today is the François Vase (c. 570 BCE), which bears .... His sensitivity for colour and details also resembles that artist. He took a careful interest in the posture of his figures, and expended much eff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black-figure Vase Painting
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Name Vase
In classical archaeology, a name vase is a specific "vase"In the study of ancient Greek pottery a "vase" is a general term covering all pottery shapes. whose painter's name is unknown but whose workshop style has been identified. The painter is conventionally named after the selected "name vase" that embodies his characteristic style, or for one of its distinctive painted subjects, or for other attributes. The allocation of such names is necessary because the majority of ancient Greek and South Italian vase painters did not sign their works. For discussion and analysis of the work and career of individual artists conventional names were needed in order to designate them. The name can refer to a vase's motif (the Meleager Painter), former owner (the Shuvalov Painter), present location (the Baltimore Painter), find location (the Dipylon Master), inscription, habitual potter (the Kleophrades Painter), shape, and so on. For Athenian vases, the majority of such names were introduced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dinos
In the typology of ancient Greek pottery, the ''dinos'' (plural ''dinoi'') is a mixing bowl or cauldron. ''Dinos'' means "drinking cup," but in modern typology is used (wrongly) for the same shape as a ''lebes'', that is, a bowl with a spherical body meant to sit on a stand. It has no handles and no feet. The Dinos Painter, one of the ancient Greek artists known for vase painting Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and por ..., takes his name from the type of vase characteristic of his work.Sparkes, ''Greek Pottery'', p. 115. Dinos were used for mixing water and wine, as it was considered rude to drink straight out of the goblet, at the time. See also * Dinos of the Gorgon Painter * Ancient Greek vase painting * Pottery of ancient Greece References Ancient Greek pot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athenian Acropolis
The Acropolis of Athens is an ancient citadel located on a rocky outcrop above the city of Athens and contains the remains of several ancient buildings of great architectural and historical significance, the most famous being the Parthenon. The word ''acropolis'' is from the Greek words (''akron'', "highest point, extremity") and (''polis'', "city"). The term acropolis is generic and there are many other acropoleis in Greece. During ancient times the Acropolis of Athens was known also more properly as Cecropia, after the legendary serpent-man, Cecrops, the supposed first Athenian king. While there is evidence that the hill was inhabited as far back as the fourth millennium BC, it was Pericles (c. 495–429 BC) in the fifth century BC who coordinated the construction of the buildings whose present remains are the site's most important ones, including the Parthenon, the Propylaea, the Erechtheion and the Temple of Athena Nike. The Parthenon and the other buildings were seriou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Archaeological Museum Of Athens
The National Archaeological Museum ( el, Εθνικό Αρχαιολογικό Μουσείο) in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the greatest museums in the world and contains the richest collection of Greek Antiquity artifacts worldwide. It is situated in the Exarcheia area in central Athens between Epirus Street, Bouboulinas Street and Tositsas Street while its entrance is on the Patission Street adjacent to the historical building of the Athens Polytechnic university. History The first national archaeological museum in Greece was established by the governor of Greece Ioannis Kapodistrias in Aigina in 1829. Subsequently, the archaeological collection was relocated to a number of exhibition places until 1858, when an international architectural competition was announced for the location and the architectural design of the new museum.The Nation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Manuel Cook
Robert Manuel Cook, (4 July 1909 – 10 August 2000) was a classical scholar and classical archaeologist from England with expertise in Greek painted vases. He was Laurence Professor of Classical Archaeology at the University of Cambridge, the author of several academic texts and was elected a Fellow of the British Academy in 1974, having been made a Fellow of the German Archaeological Institute in 1953.https://www.thebritishacademy.ac.uk/documents/368/115p195.pdf Biography Robert Cook was born in Sheffield on 4 July 1909, the son of a clergyman and his wife, the Reverend Charles Robert and Mary Manuel Cook. After a period of home schooling and then boarding school, Cook was educated at Marlborough College (1923-9) and Clare College, Cambridge, where he graduated with a double first in Classics. He was awarded a Walston scholarship in 1932 and spent the next two years undertaking research in the British School at Athens. In 1946, after pre-war lecturing positions at the Unive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kleitias
Kleitias (Greek: Κλειτίας, sometimes rendered as Klitias) was an ancient Athenian vase painter of the black-figure style who flourished c. 570–560 BCE. Kleitias' most celebrated work today is the François Vase (c. 570 BCE), which bears over two hundred figures in its six friezes. Painted inscriptions on four pots and one ceramic stand name Kleitias as their painter and Ergotimos as their potter, showing the craftsmen's close collaboration. A variety of other fragments have been attributed to him on a stylistic basis.See the essential list in J. D. Beazley, Attic Black-Figure Vase-Painters (Oxford 1956) 77-79. Examples found or attributed later include particularly D. von Bothmer, "A New Kleitias Fragment from Egypt", in: ''Antike Kunst'' 24, 1981, 66-67. Signed works * Berlin, Antikensammlung V. I. 4604: Gordion cup from Gordion * Florence, Museo Archeologico 4209 ("François vase" also known as "Klitias krater"): Volute krater * London, British Museum 1948.8-15.1 u. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amphora
An amphora (; grc, ἀμφορεύς, ''amphoreús''; English plural: amphorae or amphoras) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and packages, tied together with rope and delivered by land or sea. The size and shape have been determined from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. They are most often ceramic, but examples in metals and other materials have been found. Versions of the amphorae were one of many shapes used in Ancient Greek vase painting. The amphora complements a vase, the pithos, which makes available capacities between one-half and two and one-half tons. In contrast, the amphora holds under a half-ton, typically less than . The bodies of the two types have similar shapes. Where the pithos may have multiple smal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horsehead Amphora
The Horsehead Amphora is a specific type of amphora, produced in Athens from about 600 BC onwards. They are vessels with a very pronounced belly, decorated with black figure horseheads on both sides. In a single case, one side depicts a woman's head. In contrast to earlier belly amphorae, the painters did not apply a separate frieze on the neck. The decoration was painted within reserved rectangular panels; the remaining vase of the body was painted black. More than 100 such amphorae are known; they were painted by a variety of artists, including ones of mediocre quality. The amphorae appear to have had a specific meaning or purpose, remains elusive to modern scholarship. Some scholars have suggested that they were grave vases, but not a single specimen was found in a grave context. Should that interpretation be correct, the horses may be connected with Hades, or be symbols of Poseidon in an unusual role as god of the underworld. A further possibility is that the vases served as v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Beazley
Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford he became a close friend of the poet James Elroy Flecker. Academic career After graduating, Beazley spent time at the British School at Athens. He then returned to University of Oxford as a student (equivalent to fellow) and tutor in Classics at Christ Church. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Boardman (art Historian)
Sir John Boardman, (; born 20 August 1927) is a classical archaeologist and art historian. He has been described as "Britain's most distinguished historian of ancient Greek art." Biography John Boardman was educated at Chigwell School (1938–1945); then Magdalene College, Cambridge, where he read Classics beginning in 1945. After completing two years' national service in the Intelligence Corps he spent three years in Greece, from 1952 to 1955, as the Assistant Director of the British School at Athens. He married Sheila Stanford in 1952 (d. 2005), and has two children, Julia and Mark. On his return to England in 1955, Boardman took up the post of Assistant Keeper at the Ashmolean Museum in Oxford, thus beginning his lifelong affiliation with it. In 1959 he was appointed Reader in Classical Archaeology in the University of Oxford, and in 1963 was appointed a Fellow of Merton College. Here he remained until his appointment as Lincoln Professor of Classical Art and Arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
