Pagode (music)
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Pagode (music)
Pagode is a type of Brazilian country-folk traditional style of music. It is also known as Cipó Preto (black liana), Pagode caipira (rural pagode) or Pagode sertanejo (folk pagode). Sertanejo means anything that comes from the back-country, outback or simply the countryside. This style of music was pioneered by musicians Tião Carreiro and Lourival dos Santos in the late 1950s, when they fused the "Coco" and "Calango de roda" rhythms. Although other instruments can be added, it is much characterized by its simple, acoustic approach, with the use of just one or two viola guitars, often accompanied by an acoustic guitar and, at times, a light percussion section. A structural feature commonly used in this genre is the alternation of verses sung with the accompaniment of a classical guitar, with solos of viola caipira. Pieces can be entirely instrumental or have one or two singers, usually: when there are two lead vocals (that can be men, women or a combination), they sing together on a ...
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Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ...
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Viola Caipira
The ''viola caipira'', often simply ''viola'', (Portuguese for ''country guitar'') is a Brazilian ten-string guitar with five courses of strings arranged in pairs. It was introduced in the state of São Paulo, where it is widely played as the basis for the música caipira, a type of folk-country music originating in the caipira country of south-central Brazil. Origins The origins of the viola caipira are uncertain, but evidence suggests it evolved from the vihuela/viola de mano that Spanish and Portuguese settlers took to the new world. It has also similarities with the 5 course baroque guitar, that elsewhere evolved into the modern guitar. It is likely a descendant of one of the many folk guitars that have traditionally been played in Portugal. The viola braguesa and viola amarantina, for instance, are two types of ten-string guitars from the north of Portugal, which are closely related to the viola caipira. Some have described the viola caipira as Brazil's national instrument ...
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Roundel
A roundel is a circular disc used as a symbol. The term is used in heraldry, but also commonly used to refer to a type of national insignia used on military aircraft, generally circular in shape and usually comprising concentric rings of different colours. Other symbols also often use round shapes. Heraldry In heraldry, a ''roundel'' is a circular charge. ''Roundels'' are among the oldest charges used in coats of arms, dating from at least the twelfth century. Roundels in British heraldry have different names depending on their tincture. Thus, while a roundel may be blazoned by its tincture, e.g., ''a roundel vert'' (literally "a roundel green"), it is more often described by a single word, in this case ''pomme'' (literally "apple", from the French) or, from the same origins, ''pomeis''—as in "Vert; on a cross Or five pomeis". One special example of a named roundel is the fountain, depicted as ''a roundel barry wavy argent and azure'', that is, containing alternating horizo ...
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Viola Guitar
The ''viola caipira'', often simply ''viola'', (Portuguese for ''country guitar'') is a Brazilian ten-string guitar with five courses of strings arranged in pairs. It was introduced in the state of São Paulo, where it is widely played as the basis for the música caipira, a type of folk-country music originating in the caipira country of south-central Brazil. Origins The origins of the viola caipira are uncertain, but evidence suggests it evolved from the vihuela/viola de mano that Spanish and Portuguese settlers took to the new world. It has also similarities with the 5 course baroque guitar, that elsewhere evolved into the modern guitar. It is likely a descendant of one of the many folk guitars that have traditionally been played in Portugal. The viola braguesa and viola amarantina, for instance, are two types of ten-string guitars from the north of Portugal, which are closely related to the viola caipira. Some have described the viola caipira as Brazil's national instrument ...
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