Pagliacci (other)
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Pagliacci (other)
''Pagliacci'' (English: ''Clowns'') is an opera written and composed by Ruggero Leoncavallo, that premiered in 1892. Pagliacci or ''I Pagliacci'' (English: ''The Clowns'') may also refer to: * Adaptations of Leoncavallo's opera: ** ''I Pagliacci'' (1915 film), a silent Italian film based on the opera ** ''I Pagliacci'' (1923 film), a silent British film based on the opera ** ''Pagliacci'' (1931 film), an American-made Italian-language film based on the opera ** ''Pagliacci'' (1936 film), a 1936 British-Italian film based on the opera ** ''Pagliacci'' (1948 film), a 1948 Italian film based on the opera ** ''Pagliacci'' (1982 film), a 1982 Italian film based on the opera * Pagliacci, a long-standing joke that exemplifies the Sad clown paradox * Pagliacci Pizza Pagliacci Pizza is a Seattle-based restaurant chain. The first Pagliacci Pizza location opened on February 19, 1979, at 4529 University Ave NE in Seattle's University District. Over the years, this location underwent m ...
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Pagliacci
''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the composer's only opera that is still widely performed. ''Pagliacci'' is often staged with ''Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav and Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Mascagni's ''Cavalleria ...
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I Pagliacci (1915 Film)
''I Pagliacci'' is a 1915 Italian silent drama film directed by Francesco Bertolini. It is based on the 1892 opera ''Pagliacci'' by Ruggero Leoncavallo.Goble p.900 Cast * Bianca Virginia Camagni * Paolo Colaci * Giulia Costa * Annibale Ninchi Annibale Ninchi (20 November 1887 - 15 January 1967) was an Italian actor, playwright and drama teacher. He was the progenitor of a well-known family of actors. Life and career Born in Bologna, the son of an army colonel, Ninchi trained at th ... * Achille Vitti * Umberto Zanuccoli References Bibliography * Goble, Alan. ''The Complete Index to Literary Sources in Film''. Walter de Gruyter, 1999. External links * 1915 films 1910s Italian-language films Films directed by Francesco Bertolini Italian silent feature films Films based on operas Italian black-and-white films Italian drama films 1915 drama films Silent drama films {{Italy-silent-film-stub ...
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I Pagliacci (1923 Film)
''I Pagliacci'' is a 1923 British silent historical drama film directed by G. B. Samuelson and S. W. Smith and starring Adelqui Migliar, Lillian Hall-Davis and Campbell Gullan. The film was shot at Isleworth Studios. It is based on the 1892 opera '' Pagliacci'' by Ruggero Leoncavallo.Goble p.900 Cast * Adelqui Migliar as Canio, the Clown * Lillian Hall-Davis as Nedda * Campbell Gullan as Tonio * Frank Dane as Silvio * Alexander Butler * G. Longoborde See also * List of early color feature films This is a list of early feature-length color films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major-studio f ... References Bibliography * Goble, Alan. ''The Complete Index to Literary Sources in Film''. Walter de Gruyter, 1999. External links * 1923 films 1920s historical drama films 1920s color films British historical dra ...
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Pagliacci (1931 Film)
''Pagliacci'' is a 1931 American musical film directed by Joe W. Coffman and starring Fernando Bertini, Alba Novella and Mario Valle. It is a filmed version of a stage performance of the opera ''Pagliacci'' by Ruggero Leoncavallo Ruggero (or Ruggiero) Leoncavallo ( , , ; 23 April 18579 August 1919) was an Italian opera composer and librettist. Although he produced numerous operas and other songs throughout his career it is his opera '' Pagliacci'' (1892) that remained hi ....Goble p.900 Cast * Fernando Bertini as Canio / Pagliaccio * Alba Novella as Nedda / Columbina * Mario Valle as Tonio / Taddeo * Francesco Curci as Beppe / Arlecchino * Giuseppe Inter rants as Silvio * The San Carlo Grand Opera Company as Ensemble * The San Carlo Symphony Orchestra as Orchestra References Bibliography * Goble, Alan. ''The Complete Index to Literary Sources in Film''. Walter de Gruyter, 1999. External links * 1931 films 1931 musical films American musical films ...
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Pagliacci (1936 Film)
''Pagliacci'' is a 1936 British musical film directed by Karl Grune and starring Richard Tauber, Steffi Duna and Diana Napier. It is an adaptation in English of the 1892 opera ''Pagliacci'' by Ruggiero Leoncavallo. Production The film is shot partially in colour (using the UFAcolor process) and partially in black-and-white. The film's art direction was by Oscar Friedrich Werndorff. The film was made by the independent Trafalgar Films at Elstree Studios. The film was a very expensive production, with Tauber himself receiving £60,000 for appearing, which turned into a costly flop on its release. Caught up in the technical procedures of the colour sequences, Grune asked Wendy Toye to direct the actors for him.
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Pagliacci (1948 Film)
''Love of a Clown'', or '' Pagliacci'', is a 1948 Italian film based on Ruggero Leoncavallo's opera ''Pagliacci'', directed by Mario Costa. The film stars Tito Gobbi and Gina Lollobrigida. It recounts the tragedy of Canio, the lead clown (or ''pagliaccio'' in Italian) in a commedia dell'arte troupe, his wife Nedda, and her lover, Silvio. When Nedda spurns the advances of Tonio, another player in the troupe, he tells Canio about Nedda's betrayal. In a jealous rage Canio murders both Nedda and Silvio. The only actor in the cast who also sang his role was the celebrated Italian baritone, Tito Gobbi, but the film is largely very faithful to its source material, presenting the opera nearly complete. The film premiered on 16 April 1950 in the USA. It is notable for having been filmed largely in outdoor settings, much like a big-budgeted film version of a Broadway musical. Plot Cast *Tito Gobbi as Tonio, the hunchback / Silvio *Gina Lollobrigida as Nedda, wife of Canio * Onelia Fines ...
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Pagliacci (1982 Film)
''Pagliacci'' is a 1982 Italian film of Ruggero Leoncavallo's opera ''Pagliacci'', directed by Franco Zeffirelli. All the actors, including Plácido Domingo and Teresa Stratas in the starring roles, were opera singers who sang their own parts. ''Pagliacci'' was shot at Milan's La Scala opera house and on a movie sound stage. Georges Prêtre conducted the Orchestra and Choir of La Scala. The film was screened out of competition at the 1987 Cannes Film Festival. It was also shown on Italian and U.S. television and brought Zeffirelli an Emmy Award for Best Director in the category of Classical Music Programming. In 2003, ''Pagliacci'' was re-released on DVD by Deutsche Grammophon (having earlier been released by Philips/Decca on DVD), paired with ''Cavalleria rusticana'' (also starring Plácido Domingo). Plot The story is set in southern Italy and recounts the tragedy of Canio, the lead clown (or ''pagliaccio'' in Italian) in a commedia dell'arte troupe, his wife Nedda, and her lov ...
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Sad Clown Paradox
Sad clown paradox is the contradictory association between comedy and mental disorders such as depression and anxiety. These comedic performers are characterised by feelings of deprivation and isolation in their early lives, where comedy evolves as a release for tension, removing feelings of suppressed physical rage through a verbal outlet. A series of psychological experiments first published in 1981 by psychologist Seymour Fisher indicated certain behavioural traits exclusive to comedians and not matched in regular actors. Later work conducted by Kaufman and Kozbelt re-interpreted these results, drawing the understanding that whilst comedy serves as a coping mechanism to hide trauma, it may also motivate a comedian to use humour as a way of forming relations and gaining acceptance. Humour has been shown to develop from a young age, fostered by parental behaviour. A parent's immature nature can lead to additional responsibilities forced onto children, which can evoke issues of se ...
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