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Pachelbel
Johann Pachelbel (baptised – buried 9 March 1706; also Bachelbel) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era. Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D; other well known works include the Chaconne in F minor, the Toccata in E minor for organ, and the ''Hexachordum Apollinis'', a set of keyboard variations. He was influenced by southern German composers, such as Johann Jakob Froberger and Johann Caspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. H ...
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Pachelbel's Canon
Pachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as ''Canon and Gigue for 3 violins and basso continuo''. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne. Neither the date nor the circumstances of its composition are known (suggested dates range from 1680 to 1706), and the oldest surviving manuscript copy of the piece dates from 1838 to 1842. Like his other works, Pachelbel's Canon went out of style, and remained in obscurity for centuries. A 1968 arrangement and recording of it by the Jean-François Paillard chamber orchestra gained popularity over the next decade, and in the 1970s the piece began to be recorded by many ensembles; by the early 1980s its presence as background music was deemed inescapable. From the 1970s on ...
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Hexachordum Apollinis
''Hexachordum Apollinis'' (PWC 193–8, T. 211–6, PC 131–6, POP 1–6) is a collection of keyboard music by Johann Pachelbel, published in 1699. It comprises six arias with variations, on original themes, and is generally regarded as one of the pinnacles of Pachelbel's oeuvre. The collection includes a preface in which Pachelbel dedicates the work to Dieterich Buxtehude and Ferdinand Tobias Richter and briefly discusses the nature of music. General information ''Hexachordum Apollinis'' (the title roughly translates to "Six Strings of Apollo") was published in 1699 in Nuremberg by Johann Christoph Weigel, a publisher who had worked with Pachelbel before. The frontispiece, created by Cornelius Nicolaus Schurz, describes the collection as "six arias to be played on the organ, or the harpsichord, to whose simple melodies are added variations for the pleasure of Friends of the Muses." The instruments mentioned are referenced on the frontispiece: two cherubs are pictured, one playi ...
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Charles Theodore Pachelbel
Charles Theodore Pachelbel ( baptized Carl Theodorus, also spelled Karl Theodor, on November 24, 1690;Redway, "Charles Theodore Pachelbell, Musical Emigrant", p. 33 buried September 15, 1750) was a German composer, organist and harpsichordist of the late Baroque era. He was the son of the more famous Johann Pachelbel, composer of the popular '' Canon in D.'' He was one of the first European composers to take up residence in the American colonies, and was the most famous musical figure in early Charleston, South Carolina. Life Early years (1690–1732) He was born in Stuttgart and baptized in the ''Evangelische Kirchengemeinde'' (Protestant parish) there on 24 November 1690, son of Johann Pachelbel and his second wife Judith Drommer. The family moved to Gotha in 1692, then to Nuremberg in 1695. Nothing is known about Charles Theodore's life for 25 years after 1706, when his father died, except the fact that he probably lived in England for some timeButler, Grove (his name app ...
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List Of Compositions By Johann Pachelbel
Approximately 530 compositions have been attributed to Johann Pachelbel. , no standard numbering system exists for Pachelbel's work. This article presents a thematically organized list and provides catalogue numbers from three different catalogues: * P = catalogue by Jean M. Perreault, 2001 * T = catalogue by Hideo Tsukamoto, 2002available online (archive from 18 October 2014)* PC = catalogue by Kathryn J. Welter, 1998 For organ works, POP catalogue numbers are provided, from catalogue by Antoine Bouchard for his 1998–2001 recording of Pachelbel's organ oeuvre (this catalogue only covers organ works). Perreault numbers are used as the basis of the list, making individual sections organized alphabetically (i.e. the chorales) and/or by tonality. Because the Welter catalogue does not provide incipits, many of the works with identical titles will share a single PC number (which is in such cases denoted by a question mark). The following symbols are used: * * denotes that the asc ...
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Chaconne In F Minor (Pachelbel)
''Chaconne in F minor'' (PWC 43, T. 206, PC 149, POP 16) is an organ chaconne by Johann Pachelbel. One of the six surviving chaconnes by the composer, it is one of his best known organ works. Like most other chaconnes by Pachelbel (with the exception of ''Chaconne in D major'', PWC 40, T. 203, PC 145, POP 13), ''Chaconne in F minor'' survives in a single copy. The manuscript is currently in possession of the Royal Library of Belgium in Brussels (catalogue number MS II.3911) and contains seven groups of pieces, each containing a chaconne. One of these is the ''Chaconne in F minor'', attributed by the scribe to Pachelbel. Another chaconne from the same source, in A major, is also attributed to Pachelbel, but the piece has yet to be examined by the experts (it is included as one of doubtful authorship in the Perreault catalogue, PWC 44). There are also four anonymous chaconnes, possibly composed by a pupil of Pachelbel. No information concerning the date of composition is known. Since ...
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Wilhelm Hieronymus Pachelbel
Wilhelm Hieronymus Pachelbel (baptized 29 August 1686 – 1764) was a German composer and organist, the elder son of Johann Pachelbel. He was born in Erfurt and spent the first four years of his life there. The Pachelbel family moved to Stuttgart in 1690, then, fleeing from the War of the Grand Alliance, to Gotha in 1692, and finally to Nuremberg in 1695. Wilhelm Hieronymus almost certainly received his first music education from his father. By age 14 he was proficient enough on the keyboard to receive special commendation from the town council of Nuremberg. After leaving Nuremberg, he worked as organist at Fürth and his native Erfurt's Predigerkirche, before returning and taking the position at St. Jakob in 1706, shortly before his father's death. That same year J.S. Richter succeeded Johann Pachelbel at the city's largest church, Sebalduskirche; Wilhelm Hieronymus took Richter's former position at St. Egidienkirche. He remained in Nuremberg for the rest of his life, working ...
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Amalia Pachelbel
Amalia Pachelbel (29 October 1688 – 6 December 1723) was a German painter and engraver. She was born in Erfurt and was the oldest daughter of composer Johann Pachelbel. She was named after Amalia Oeheim, Johann's sister-in-law. According to Pachelbel's obituary retold in Mattheson's ''Grundlage einer Ehrenpforte'' of 1740, Amalia's interest in art pleased her father, and he was always supportive of her. Amalia became known for her floral watercolors, copper engravings and porcelain pieces. In 1715 she married notary J. G. Beer. She died in Nuremberg in 1723. In 1730, seven years after her death, she was included in Doppelmayr's encyclopedia of important mathematicians and artists of Nuremberg Nuremberg ( ; german: link=no, Nürnberg ; in the local East Franconian dialect: ''Nämberch'' ) is the second-largest city of the German state of Bavaria after its capital Munich, and its 518,370 (2019) inhabitants make it the 14th-largest ... (''Historische Nachricht von ...
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German Organ Schools
The 17th century organ composers of Germany can be divided into two primary schools: the north German school and the south German school (sometimes a third school, central German, is added). The stylistic differences were dictated not only by teacher-pupil traditions and international influences, but also by separate organ building traditions: northern organs tend to have a tower layout with emphasis on the pedal division, while southern and Austrian instruments are typically divided around a window and emphasize manual divisions. North German organ school Overview The composer who is now considered the founder of this school is Jan Pieterszoon Sweelinck, a Dutch composer (a student of his father Pieter Swybbertszoon and of Gioseffo Zarlino in Venice). Sweelinck's fame as a teacher was very widespread (in Germany he was known as the "maker of organists"), as was his influence. However, the English keyboard school withered during the first half of the 17th century, and the Dutch c ...
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Nuremberg
Nuremberg ( ; german: link=no, Nürnberg ; in the local East Franconian dialect: ''Nämberch'' ) is the second-largest city of the German state of Bavaria after its capital Munich, and its 518,370 (2019) inhabitants make it the 14th-largest city in Germany. On the Pegnitz River (from its confluence with the Rednitz in Fürth onwards: Regnitz, a tributary of the River Main) and the Rhine–Main–Danube Canal, it lies in the Bavarian administrative region of Middle Franconia, and is the largest city and the unofficial capital of Franconia. Nuremberg forms with the neighbouring cities of Fürth, Erlangen and Schwabach a continuous conurbation with a total population of 800,376 (2019), which is the heart of the urban area region with around 1.4 million inhabitants, while the larger Nuremberg Metropolitan Region has approximately 3.6 million inhabitants. The city lies about north of Munich. It is the largest city in the East Franconian dialect area (colloquially: "F ...
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Dieterich Buxtehude
Dieterich Buxtehude (; ; born Diderik Hansen Buxtehude; c. 1637 – 9 May 1707)  was a Danish organist and composer of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal and instrumental idioms, Buxtehude's style greatly influenced other composers, such as Johann Sebastian Bach. Buxtehude is considered one of the most important composers of the 17th century. Life Early years in Denmark He is thought to have been born with the name Diderich Buxtehude.Snyder, Kerala J. Dieterich Buxtehude: Organist in Lübeck. New York: Schirmer Books, 1987. His parents were Johannes (Hans Jensen) Buxtehude and Helle Jespersdatter. His father originated from Oldesloe in the Duchy of Holstein, which at that time was a part of the Danish realms in Northern Germany. Scholars dispute both the year and country of Dieterich's birth, although most now accept that he was born in 1637 in Helsingborg, Skåne at the time part of De ...
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Johann Caspar Kerll
Johann Caspar Kerll (9 April 1627 – 13 February 1693) was a German baroque composer and organist. He is also known as Kerl, Gherl, Giovanni Gasparo Cherll and Gaspard Kerle. Born in Adorf in the Electorate of Saxony as the son of an organist, Kerll showed outstanding musical abilities at an early age, and was taught by Giovanni Valentini, court Kapellmeister at Vienna. Kerll became one of the most acclaimed composers of his time, known both as a gifted composer and an outstanding teacher. He worked at Vienna, Munich and Brussels, and also travelled widely. His pupils included Agostino Steffani, Franz Xaver Murschhauser, and possibly Johann Pachelbel, and his influence is seen in works by Handel and Johann Sebastian Bach: Handel frequently borrowed themes and fragments of music from Kerll's works, and Bach arranged the ''Sanctus'' movement from Kerll's ''Missa superba'' as BWV 241, Sanctus in D major. Although Kerll was a well-known and influential composer, many of his work ...
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Chorale Prelude
In music, a chorale prelude or chorale setting is a short liturgical composition for organ using a chorale tune as its basis. It was a predominant style of the German Baroque era and reached its culmination in the works of J.S. Bach, who wrote 46 (with a 47th unfinished) examples of the form in his Orgelbüchlein, along with multiple other works of the type in other collections. Function The precise liturgical function of a chorale prelude in the Baroque period is uncertain and is a subject of debate. One possibility is that they were used to introduce the hymn about to be sung by the congregation, usually in a Protestant, and originally in a Lutheran, church. This assumption may be valid for the shorter chorale preludes (Bach's setting of 'Liebster Jesu, wir sind hier, BWV 731, for example), but many chorale preludes are very long. It could be the case that these were played during extended ceremonial in church or in cathedrals. Style Chorale preludes are typically polyphonic ...
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