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Pump Up The Volume (song)
"Pump Up the Volume" is the only single by British recording act MARRS. Recorded and released in 1987, it was a number-one hit in many countries and is regarded as a significant milestone in the development of British acid house music and music sampling. The song derives its title directly from a lyrical sample from " I Know You Got Soul", a hit single by labelmates Eric B. & Rakim, released months prior in that same year. The single was the product of an uneasy collaboration between electronic group Colourbox and alternative rock band A.R. Kane, two groups signed to the independent label 4AD. The link-up was suggested by label founder Ivo Watts-Russell after the two groups had independently sounded him out about the possibility of releasing a commercially oriented dance record, inspired by the American house music that was starting to make an impact on the UK chart. When the M, A, R, R, S project was first released early in 1987, the popularity of the style of the song had alr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MARRS
MARRS (stylised M, A, R, R, S) were a 1987 recording collective formed by the groups A.R. Kane and Colourbox, which only released one commercial disc. It became "a one-hit wonder of rare influence" because of their international hit " Pump Up the Volume", which was their only single. History MARRS started in 1987 as an intended collaboration between the groups A.R. Kane and Colourbox, with additional input from DJs Chris "C.J." Mackintosh and Dave Dorrell. However, instead of working together, the two groups ended up recording a track each, then turning it over to the other for additional input. Of the two pieces completed, one, "Anitina", was an A.R. Kane track with drum programming by Colourbox's Steve Young. The other, "Pump Up the Volume", was a propulsive Martyn Young track constructed largely of samples, including one of A.R. Kane's guitars. The record was released under the alias MARRS, an acronym derived from the forenames of the five 4AD artists involved in the proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Little Indian Records
One Little Independent Records (formerly One Little Indian Records) is an English independent record label. It was set up in 1985 by members of various anarcho-punk bands, and managed by former Flux of Pink Indians bassist Derek Birkett. In the 1990s it set up a number of subsidiary labels. History One Little Indian Records was founded in 1985 by members of various anarcho-punk bands, and managed by former Flux of Pink Indians bassist Derek Birkett, with the name inspired by the "philosophies of the Indigenous People of the Americas". The label's first success came with A.R. Kane and Flux of Pink Indians in 1986. Success continued with Alabama 3, Björk, Chumbawamba, Kitchens of Distinction, The Shamen, Skunk Anansie, Sneaker Pimps, and the Sugarcubes. Beginning in 1990, the label created several autonomous satellite imprints including Clean-up Records, Partisan Records and Fat Cat Records, all of which had success. Artists on the labels included Alabama 3 (A3), Sigur Ró ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Baker (musician)
Arthur Baker (born April 22, 1955) is an American record producer and DJ best known for his work with hip hop artists like Afrika Bambaataa and Planet Patrol, as well as British group New Order. He is also known for remixing the Jill Jones song "Mia Bocca" on the 12" single, taken from her self-titled debut album ''Jill Jones'' (1987), released on Prince's Paisley Park Records, as well as remixing the Pet Shop Boys song, " In The Night". His remix of the song was used as the main theme for the BBC TV programme The Clothes Show between 1986 and 1994. He also remixed 'the Massive Jungle Mix' for Tina Turner's UK top 40 lead single from her 1996 album '' Wildest Dreams'' " Whatever You Want" (co-written by himself, Taylor Dayne and Fred Zarr). Arthur Baker's songs are represented by Downtown Music Publishing. Biography Early career Born in Boston, Massachusetts, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Enemy (band)
"Public enemy" is a term which was first widely used in the United States in the 1930s to describe individuals whose activities were seen as criminal and extremely damaging to society, though the phrase had been used for centuries to describe pirates, vikings, highwaymen, bandits, mobsters, and similar outlaws. Origin and usage The expression dates back to Roman times. The Senate declared emperor Nero a ''hostis publicus'' in AD 68. Its direct translation is "public enemy". Whereas "public" is currently used in English in order to describe something related to collectivity at large, with an implication towards government or the State, the Latin word "publicus" could, in addition to that meaning, also refer directly to people, making it the equivalent of the genitive of ''populus'' ("people"), ''populi'' ("popular" or "of the people"). Thus, "public enemy" and "enemy of the people" are, etymologically, near-synonyms. The words "'' ennemi du peuple''" were extensively used duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12-inch Single
The twelve-inch single (often written as 12-inch or 12″) is a type of vinyl ( polyvinyl chloride or PVC) gramophone record that has wider groove spacing and shorter playing time with a 'single' or a few related sound tracks on each surface, compared to LPs (long play) which have several songs on each side. This allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider dynamic range, and thus better sound quality. This record type is commonly used in disco and dance music genres, where DJs use them to play in clubs. They are played at either or 45 . The conventional 7‐inch single usually holds three or four minutes of music at full volume. The 12‐inch LP sacrifices volume for extended playing time. Technical features Twelve-inch singles typically have much shorter playing time than full-length LPs, and thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Label
A white label record is a vinyl record with white labels attached. There are several variations each with a different purpose. Variations include test pressings, white label promos, and plain white labels. Test pressings Test pressings, usually with ''test pressing'' written on the label, with catalogue number, artist and recording time or date, are the first vinyl discs made at the factory. Such discs are produced in very small quantities (usually no more than 5 or 6 copies) to evaluate the quality of the disc before mass production begins. A review of the test pressing may expose problems with the tape to disc transfer ( mastering) and helps to ensure that the defective discs do not reach the public. Promotional recordings In the United States, the term ''white label promo'' (often abbreviated as WLP) refers to a promotional pressing with a label that has mostly the same text and label logo/artwork as the commercial label, but with a white background instead of the color l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Dorrell
Dave may refer to: Film, television, and theater * ''Dave'' (film), a 1993 film starring Kevin Kline and Sigourney Weaver * ''Dave'' (musical), a 2018 stage musical adaptation of the film * Dave (TV channel), a digital television channel in the United Kingdom and Ireland * ''Dave'' (TV series), a 2020 American comedy series * "Dave" (Lost), an episode of ''Lost'' * ''Meet Dave'', a 2008 film starring Eddie Murphy People * Dave (given name), a list of people and fictional characters * Dave (surname), a common Gujarati surname * Dave (artist) (born 1969), Swiss artist * Dave (rapper) (born 1998), English rapper from London * Dave (singer) (born 1944), Dutch-born French singer Software * Dave (company), a digital banking service * DAvE (Infineon), a C-language software development tool * Thursby DAVE, a Windows file and printer sharing for Macs Other uses * Dave (Belgium), a town in Belgium * DAVE (CP-7), a 1U CubeSat * "Dave", a 1984 song by the Boomtown Rats from ''In the Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scratching
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously. While scratching is most associated with hip hop music, where it emerged in the mid-1970s, from the 1990s it has been used in some styles of rap rock, rap metal and nu metal. In hip hop culture, scratching is one of the measures of a DJ's skills. DJs compete in scratching competitions at the DMC World DJ Championships and IDA (International DJ Association), formerly known as ITF (International Turntablist Federation). At scratching competitions, DJs can use only scratch-oriented gear (turntables, DJ mixer, digital vinyl systems or vinyl records only). In recorded hip hop songs, scratched "hooks" often use portions of other songs. History Precursors A rudimentary form of turntable manipulation that is related to scr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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