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Psychic Workers
Psychic worker is the term first used around 2010 by the DAMTP (DAta Miners Travailleurs Psychique) to self define as a union of Data miners and psychic workers. The term was used initially to describe their activities instead of using the term 'artist', in order to "supersede the art strike.". It has subsequently also been used by members of DAMTP to describe and develop their avant-garde activities. In 2011 the artist Emit Snake-Beings invented the multiple-use name Karen Kranak for their activities with the ''Industrial Union of Psychic Workers'' as a breakaway faction from the Industrial Workers of the World The Industrial Workers of the World (IWW), members of which are commonly termed "Wobblies", is an international labor union that was founded in Chicago in 1905. The origin of the nickname "Wobblies" is uncertain. IWW ideology combines genera ... union. References {{Reflist Situationist International Psychogeography ...
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Art Strike
The first known reference to an Art Strike appears in an Alain Jouffroy essay: "What's To Be Done About Art?" (included in "Art and Confrontation," New York Graphic Society 1968). "It is essential that the minority advocate the necessity of going on an 'active art strike' using the machines of the culture industry to set it in total contradiction to itself. The intention is not to end the rule of production, but to change the most adventurous part of 'artistic' production into the production of revolutionary ideas, forms, and techniques." Black Emergency Cultural Coalition (1969-84) The Black Emergency Cultural Coalition (BECC) was organized in January 1969 by a group of 75 African-American artists in direct response to the Metropolitan Museum of Art's "Harlem on My Mind" exhibit. The co-chairmen at the time of creation were Benny Andrews, Henri Ghent, and Edward Taylor. The group protested the exhibit, which omitted contributions from African-American artists, and agitated for cha ...
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Redas Diržys
Redas Diržys (b 1967) is the director of the Art School of Alytus, in Alytus, Lithuania. Apart from this role, he is also known internationally for social art interventions, performance art and socially engaged artistic practices. He studied at the Estonian Academy of Arts, and served as Director of the Art school in Alytus in 1993. He is the organizer of the Alytus Biennial Festival of Experimental Art, an international event which takes place every 2 years around the school. In 2009 in response to Vilnius being made European City of Culture, the biennial was declared an Art Strike The first known reference to an Art Strike appears in an Alain Jouffroy essay: "What's To Be Done About Art?" (included in "Art and Confrontation," New York Graphic Society 1968). "It is essential that the minority advocate the necessity of going o ... Biennial. At this time Redas also refused the title of artist and started to identify as a psychic worker. References {{DEFAULTSORT:Dirzys, Red ...
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Emit Snake-Beings
Emit Snake-Beings also known as Snakebeings is a British New Zealand, British/New Zealand writer multi-media visual artist and sound artist who has also worked in kinetic art, DIY ethos, DIY technology, sculpture, Cinematography, and Video Editing. He has a master's degree from the University of Waikato, and in 2016 was awarded a PhD, entitled ''The DiY ['Do it yourself'] Ethos: A participatory culture of material engagement'' for his work linking the DIY ethic and Maker culture with contemporary theory of material agency and Material culture. Recent publications have focused on developing an idea of techno-animism and Ethnography, ethnographic studies of technology. Biography Early life Born in the Royal Free hospital in Islington, London, Islington, London, Emit and his sister Bella Basura were moved by their parents to the new town of Welwyn Garden City. At the age of 20, after studying art and design at the University of Hertfordshire he moved to London to pursue a career ...
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Multiple-use Name
A multiple-use name or anonymity pseudonym is a name used by many different people to protect anonymity. It is a strategy that has been adopted by many unconnected radical and cultural groups, where the construct of personal identity has been criticised. One of the first modern multiple-use names was that of Nicolas Bourbaki, which first appeared in 1935. It was used by a group of French mathematicians associated with the École Normale Supérieure to exemplify the collective effort that goes into mathematics. The name Alan Smithee has been in use in Hollywood since 1968 by directors who wish to disavow creative credit for a film where control has been taken away from them. Other multiple identities in use in the artistic world include Luther Blissett, Sandy Larson, Monty Cantsin, Geoffrey Cohen, and Karen Eliot. These multiple-use names were developed and popularized in the 1970s and 1980s in artistic subcultures like Mail Art and its offshoot Neoism,Cf. autonome a.f.r.i ...
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Industrial Workers Of The World
The Industrial Workers of the World (IWW), members of which are commonly termed "Wobblies", is an international labor union that was founded in Chicago in 1905. The origin of the nickname "Wobblies" is uncertain. IWW ideology combines general unionism with industrial unionism, as it is a general union, subdivided between the various industries which employ its members. The philosophy and tactics of the IWW are described as "revolutionary industrial unionism", with ties to socialist, syndicalist, and anarchist labor movements. In the 1910s and early 1920s, the IWW achieved many of their short-term goals, particularly in the American West, and cut across traditional guild and union lines to organize workers in a variety of trades and industries. At their peak in August 1917, IWW membership was estimated at more than 150,000, with active wings in the United States, the UK, Canada, and Australia. The extremely high rate of IWW membership turnover during this era (estimated ...
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Situationist International
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution in 1972. The intellectual foundations of the Situationist International were derived primarily from libertarian Marxism and the avant-garde art movements of the early 20th century, particularly Dada and Surrealism. Overall, situationist theory represented an attempt to synthesize this diverse field of theoretical disciplines into a modern and comprehensive critique of mid-20th century advanced capitalism. Essential to situationist theory was the concept of the spectacle, a unified critique of advanced capitalism of which a primary concern was the progressively increasing tendency towards the expression and mediation of social relations through objects. The situationists believed that the shift from individual expression through directly li ...
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