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Proportionalism (Gregorian Chant)
Proportionalism, also known as mensuralism, is a hermeneutical approach to the performance of the earliest transcriptions of Gregorian chant Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe durin ... prior to the adoption of mensural notation. The approach can be contrasted with accentualism, or oratorical chant, an interpretation which applies a style of recitative singing. See also * Alternatim * Cecilian Movement * Schola Antiqua * Semiology (Gregorian Chant) References Christian chants {{Christian-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermeneutics
Hermeneutics () is the theory and methodology of interpretation, especially the interpretation of biblical texts, wisdom literature, and philosophical texts. Hermeneutics is more than interpretative principles or methods used when immediate comprehension fails and includes the art of understanding and communication. Modern hermeneutics includes both verbal and non-verbal communication''The Routledge Companion to Philosophy in Organization Studies'', Routledge, 2015, p. 113.Joann McNamara, ''From Dance to Text and Back to Dance: A Hermeneutics of Dance Interpretive Discourse'', PhD thesis, Texas Woman's University, 1994. as well as semiotics, presuppositions, and pre-understandings. Hermeneutics has been broadly applied in the humanities, especially in law, history and theology. Hermeneutics was initially applied to the interpretation, or exegesis, of scripture, and has been later broadened to questions of general interpretation. p. 2 The terms ''hermeneutics'' and ''exegesi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mensural Notation
Mensural notation is the musical notation system used for European vocal polyphonic music from the later part of the 13th century until about 1600. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions between note values. Its modern name is inspired by the terminology of medieval theorists, who used terms like ''musica mensurata'' ("measured music") or ''cantus mensurabilis'' ("measurable song") to refer to the rhythmically defined polyphonic music of their age, as opposed to ''musica plana'' or ''musica choralis'', i.e., Gregorian plainchant. Mensural notation was employed principally for compositions in the tradition of vocal polyphony, whereas plainchant retained its own, older system of neume notation throughout the period. Besides these, some purely instrumental music could be written in various forms of instrument-specific tablature notation. Mensural notation grew out of an earlier, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accentual Verse
Accentual verse has a fixed number of stresses per line regardless of the number of syllables that are present. It is common in languages that are stress-timed, such as English, as opposed to syllabic verse which is common in syllable-timed languages, such as French. Children's poetry Accentual verse is particularly common in children's poetry; nursery rhymes and the less well-known skipping-rope rhymes are the most common form of accentual verse in the English Language. The following poem, "Baa Baa Black Sheep," has two stresses in each line but a varying number of syllables. Bold represents stressed syllables, and the number of syllables in each line is noted. Baa, baa, black sheep, (4) Have you any wool? (5) Yes sir, yes sir, (4) Three bags full; (3) One for the mas-ter, (5) And one for the dame, (5) And one for the lit-tle boy (7) Who lives down the lane. (5) Accentual verse derives its musical qualities from its flexibility with unstressed syllables and tends to follow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternatim
Alternatim refers to a technique of liturgical musical performance, especially in relationship to the Organ Mass, but also to the Hymns, Magnificat and ''Salve regina'' traditionally incorporated into the Vespers and other liturgies of the Catholic Church. A specific part of the ordinary of the Mass (such as the Kyrie and the Gloria) would be divided into ''versets''. Each verset would be performed antiphonally by two groups of singers, giving rise to polyphonic settings of half of the text. One of these groups may alternatively have consisted of a soloist, a group of instruments, or organ. The missing even- or odd-numbered verses were supplied by plainchant or, perhaps more commonly (to judge by the organ masses of Hans Buchner), by improvisations on the organ.. See also Arnaldo Morelli,The role of the organ in the performance practices of Italian sacred polyphony during the Cinquecento, ''Musica Disciplina'', 50 (1996), pp. 239-270. The verso became a particularly prevalent genre i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecilian Movement
The Cecilian Movement for church music reform began in Germany in the second half of the 1800s as a reaction to the liberalization of the Enlightenment. The Cecilian Movement received great impetus from Regensburg, where Franz Xaver Haberl had a world-renowned school for church musicians. Their theoretical ideas were formulated by Ludwig Tieck, Friedrich and August Wilhelm Schlegel, Johann Michael Sailer, E. T. A. Hoffmann, and Anton Friedrich Justus Thibaut. Institutionalization Although the movement traced its roots back to the 15th-century , which in turn inspired the formation during the 18th century in Munich, Passau, Vienna, and other places of Caecilien-Bündnisse (Cecilian Leagues) with the goal of promoting the a cappella singing of sacred music (in keeping with the edicts of the Council of Trent), the Cecilian movement proper is considered to have been established only in the 19th century. Franz Xaver Witt, a priest trained in Regensburg, published a call for reform of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schola Antiqua, Madrid
''Schola Antiqua'' is a Spanish group devoted to the research of early music in general and Gregorian chant in particular. It is based in Madrid since its foundation in 1984. The group has organized concerts in several places of Christian pilgrimage, such as Jerusalem, Rome and Santiago de Compostela, as well as religious music concerts. The group has collaborated with such well-known groups as La Colombina, Ensemble Plus Ultra, His Majesty's Sagbutts and Cornetts, Ensemble Baroque de Limoges, Ministriles de Marisas, La Grande Chapelle. , the director and conductor is Juan Carlos Asensio Palacios, who studied in the Valle de los Caídos abbey choir, and now is a member of the Atêlier de Paléographie Musicale of the world-famous Solesmes Abbey and Professor in the Conservatorio Superior de Música de Salamanca and also professor in the Escola Superior de Música de Catalunya. Recordings Published reviews of recordings Academic sources: General sources: * http://www.sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
