Proletarian Film League Of Japan
The , shortened to Prokino, was a left-wing film organization active in the late 1920s and early 1930s in Japan. Associated with the proletarian arts movement in Japan, it primarily used small gauge films such as 16mm film and 9.5mm film to record demonstrations and workers' lives and show them in organized events or, using mobile projection teams, at factories and mines. It also published its own journals. Most of its films were documentaries or newsreels, but Prokino also made fiction films and animated films. Prominent members included Akira Iwasaki and Genjū Sasa, although in its list of supporters one finds such figures as Daisuke Itō, Kenji Mizoguchi, Shigeharu Nakano, Tomoyoshi Murayama, Kiyohiko Ushihara, Kogo Noda, Takiji Kobayashi, Sōichi Ōya, Fuyuhiko Kitagawa, Tokihiko Okada, Matsuo Kishi, Kiyoshi Miki, Denmei Suzuki, Teppei Kataoka, and Shigeyoshi Suzuki. The movement was eventually suppressed by the police under the Peace Preservation Law, but many former me ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Prokino Japanese
The , shortened to Prokino, was a left-wing film organization active in the late 1920s and early 1930s in Japan. Associated with the proletarian arts movement in Japan, it primarily used small gauge films such as 16mm film and 9.5mm film to record demonstrations and workers' lives and show them in organized events or, using mobile projection teams, at factories and mines. It also published its own journals. Most of its films were documentaries or newsreels, but Prokino also made fiction films and animated films. Prominent members included Akira Iwasaki and Genjū Sasa, although in its list of supporters one finds such figures as Daisuke Itō, Kenji Mizoguchi, Shigeharu Nakano, Tomoyoshi Murayama, Kiyohiko Ushihara, Kogo Noda, Takiji Kobayashi, Sōichi Ōya, Fuyuhiko Kitagawa, Tokihiko Okada, Matsuo Kishi, Kiyoshi Miki, Denmei Suzuki, Teppei Kataoka, and Shigeyoshi Suzuki. The movement was eventually suppressed by the police under the Peace Preservation Law, but many former mem ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fuyuhiko Kitagawa
(3 July 1900 – 12 April 1990) was a Japanese poet and film critic. His real name was . While born in Shiga Prefecture, he was raised in Manchukuo in China due to his father's work on the South Manchurian Railway, and then graduated from Tokyo University. He began publishing his own poetry in Manchukuo in 1924 and his work was influenced by that colonial context. His work was praised by Riichi Yokomitsu, and he became a prominent figure in modernist poetry in Japanese poetry, Japan, pursuing especially prose poetry. Kitagawa was also a well-known film critic, one who especially praised the work of Mansaku Itami (the father of Juzo Itami), calling it a new, realistic "prose cinema" (''sanbun eiga'') in opposition to the old "poetic cinema" (''inbun eiga'') of Sadao Yamanaka, Daisuke Itō (film director), Daisuke Itō, and others. He was a champion of Neorealism (art), neorealism in the postwar era. He was a standard-bearer of the Scenario-Literature-Movement. He, Shuzo Takigu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1930s In Japanese Cinema
Year 193 ( CXCIII) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sosius and Ericius (or, less frequently, year 946 ''Ab urbe condita''). The denomination 193 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * January 1 – Year of the Five Emperors: The Roman Senate chooses Publius Helvius Pertinax, against his will, to succeed the late Commodus as Emperor. Pertinax is forced to reorganize the handling of finances, which were wrecked under Commodus, to reestablish discipline in the Roman army, and to suspend the food programs established by Trajan, provoking the ire of the Praetorian Guard. * March 28 – Pertinax is assassinated by members of the Praetorian Guard, who storm the imperial palace. The Empire is auctioned off ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Japanese Political Films
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Political Art
Politics (from , ) is the set of activities that are associated with making decisions in groups, or other forms of power relations among individuals, such as the distribution of resources or status. The branch of social science that studies politics and government is referred to as political science. It may be used positively in the context of a "political solution" which is compromising and nonviolent, or descriptively as "the art or science of government", but also often carries a negative connotation.. The concept has been defined in various ways, and different approaches have fundamentally differing views on whether it should be used extensively or limitedly, empirically or normatively, and on whether conflict or co-operation is more essential to it. A variety of methods are deployed in politics, which include promoting one's own political views among people, negotiation with other political subjects, making laws, and exercising internal and external force, including wa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Film Organizations In Japan
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Aaron Gerow
Aaron Gerow () is an American historian of Japanese cinema, and a member of the faculty of Yale University where he holds a joint position between the Department of East Asian Languages and Literatures and the Film Studies Programs. Education Gerow received both an AB (1985) and MFA (1987) in film studies from Columbia University. After this he moved to the University of Iowa, where he attained an M.A. (1991) in Asian Civilizations, followed by a Ph.D (1996) in Communications Studies. Career Gerow started his career in Japan as a critic and a film festival programmer. He still contributes to the ten best film poll for the magazine ''Eiga Geijutsu.'' He spent over a decade working for the Yamagata International Documentary Film Festival. He helped found its influential Asia Program, which played a critical role in the development of independent documentary in the region. Gerow spent 12 years in Japan, teaching at Yokohama National University and Meiji Gakuin University, before movin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Peace Preservation Law
The was a Japanese law enacted on April 22, 1925, with the aim of allowing the Special Higher Police to more effectively suppress socialists and communists. In addition to criminalizing forming an association with the aim of altering the ''kokutai'' ("national essence") of Japan, the law also explicitly criminalized criticism of the system of private property, and became the centerpiece of a broad apparatus of thought control in Imperial Japan. Altogether more than 70,000 people were arrested under the provisions of the Peace Preservation Law between 1925 and its repeal by American Occupation authorities in 1945. Passage Following the Russian Revolution of 1917, socialist and communist ideas began spreading in Japan, and the government became increasingly concerned that socialism and communism represented a threat to the emperor system and Japan's divine ''kokutai'' (国体, "national essence"). The 1918 Rice Riots and the assassination of Prime Minister Hara Kei only deepened ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shigeyoshi Suzuki (film Director)
was a Japanese film director and screenwriter. Born in Tokyo, Suzuki graduated from Meiji University and entered the Shōchiku studio in 1925. He debuted as a director the next year with ''Tsuchi ni kagayaku'', a film starring Denmei Suzuki. He later moved to Teikoku Kinema and scored a major hit with '' What Made Her Do It?'' (1930), a leftist tendency film is a genre of socially conscious, left-leaning films produced in Japan during the 1920s and 1930s. Tendency films reflected a perceived leftward shift in Japanese society in the aftermath of the 1927 Shōwa financial crisis. Japan's left-wing l ... about the social causes of a single woman's sufferings. He later worked at many studios, including Fuji Eiga and the Manchuria Film Association, and in many genres, including documentary. A largely complete print of ''What Made Her Do It?'' was discovered in a Russian archive in the 1990s and restored. It was released on DVD in Japan with English subtitles in 2008. Se ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Teppei Kataoka
Teppei (written: , , or ) is a masculine Japanese given name. Notable people with the name include: *, Japanese comedian and television presenter *Teppei Isaka (born 1974), Japanese footballer * (born 1986), Japanese actor and singer * (born 1975), Japanese footballer *, Japanese freestyle skier * (born 1983), Japanese ski jumper *Teppei Teranishi (born 1980), American musician * (born 1977), Japanese rugby union player * (born 1975), Japanese footballer *Teppei (wrestler) (born 1976), Japanese professional wrestler *Teppei Tsuchiya Teppei Tsuchiya (土谷 鉄平, born December 27, 1982, in Ōita, Ōita) is a Japanese professional baseball infielder An infielder is a baseball player stationed at one of four defensive "infield" positions on the baseball field. Standard a ... (born 1982), Japanese baseball player Fictional characters *, protagonist of the visual novel ''Princess Lover!'' *, character in the manga series ''Inubaka'' *, character in the manga and anime series ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Denmei Suzuki
was a Japanese film actor most famous for starring roles in gendaigeki of the silent era. Career Suzuki was born in Tokyo and was a championship swimmer at Meiji University when he first appeared in ''Souls on the Road'' in 1921 under the name Zeya Tōgō (東郷是也, a pun on the English "to go there"). After graduating in 1924, he joined the Nikkatsu studio and began acting under his own name. He moved to Shōchiku's Kamata studio the next year and became a major star appearing in youth films often directed by Kiyohiko Ushihara. He also worked with directors such as Kenji Mizoguchi, Minoru Murata, Masahiro Makino, and Yasujirō Shimazu. He also directed some films and even ran for political office, though unsuccessfully. Selected filmography * ''Souls on the Road'' (路上の霊魂, Rojō no reikon) (1921) * '' Marching On'' (進軍, Shingun) (1930) * '' The Mountain Pass of Love and Hate'' (愛憎峠 Aizo toge) (1934) * ''Ahen senso (or ) aka ''The Opium War '' is ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kiyoshi Miki
was a Japanese philosopher, literary critic, scholar and university professor. He was an esteemed student of Nishida Kitarō and a prominent member of the Kyoto School. Miki was a prolific academic and social critic of his time. He also had tense relations with both and the Imperial government at various stages of his career. Biography Miki was born on January 5, 1897 in Isseimura, Hyōgo (now part of Tatsuno, Hyōgo). He was the eldest son of Miki Eikichi, a farmer, and his wife Shin, and was raised a devout Pure Land Buddhist. In 1910, Miki entered secondary school and went on to excel in various oratory competitions. He was admitted into the First Higher School in September 1914, where in his third year he formed a society for reading philosophical texts in Japanese. The works of Nishida Kitarō and Abe Jirō had strong influence on his choice to pursue studies in philosophy. In 1917 he met with Nishida and the following September registed in the Philosophy Departme ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |