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Production Sound Mixer
A production sound mixer, location sound recordist, location sound engineer, or simply sound mixer is the member of a film crew or television crew responsible for recording all sound recording on set during the filmmaking or television production using professional audio equipment, for later inclusion in the finished product, or for reference to be used by the sound designer, sound effects editors, or foley artists (aka foley dancers). This requires choice and deployment of microphones, choice of recording media, and mixing of audio signals in real time. Usually, the recordist will arrive on location with their own equipment, which normally includes microphones, radio systems, booms, mixing desk, audio storage, headphones, cables, tools, and a paper or computer sound logs. The recordist may be asked to capture a wide variety of wild sound on location, and must also consider the format of the finished product ( mono, stereo or multi channels). Production sound mixers are ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Production Sound Mixer
A production sound mixer, location sound recordist, location sound engineer, or simply sound mixer is the member of a film crew or television crew responsible for recording all sound recording on set during the filmmaking or television production using professional audio equipment, for later inclusion in the finished product, or for reference to be used by the sound designer, sound effects editors, or foley artists (aka foley dancers). This requires choice and deployment of microphones, choice of recording media, and mixing of audio signals in real time. Usually, the recordist will arrive on location with their own equipment, which normally includes microphones, radio systems, booms, mixing desk, audio storage, headphones, cables, tools, and a paper or computer sound logs. The recordist may be asked to capture a wide variety of wild sound on location, and must also consider the format of the finished product ( mono, stereo or multi channels). Production sound mixers are ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Storage
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Television Occupations
Television, sometimes shortened to TV, is a telecommunication Media (communication), medium for transmitting moving images and sound. The term can refer to a television set, or the medium of Transmission (telecommunications), television transmission. Television is a mass medium for advertising, entertainment, news, and sports. Television became available in crude experimental forms in the late 1920s, but only after several years of further development was the new technology marketed to consumers. After World War II, an improved form of black-and-white television broadcasting became popular in the United Kingdom and the United States, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion.Diggs-Brown, Barbara (2011''Strategic Public Relations: Audience Focused Practice''p. 48 In the mid-1960s, color broadcasting was introduced in the U.S. and most other developed countri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmmaking Occupations
Filmmaking (film production) is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, starting with an initial story, idea, or commission. It then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished product before an audience that may result in a film release and an exhibition. Filmmaking occurs in a variety of economic, social, and political contexts around the world. It uses a variety of technologies and cinematic techniques. Although filmmaking originally involved the use of film, most film productions are now digital. Today, filmmaking refers to the process of crafting an audio-visual story commercially for distribution or broadcast. Production stages Film production consists of five major stages: * Development: Ideas for the film are created, rights to existing intellectual properties are purchased, etc., and the screenplay is written. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Producing Great Sound For Film And Video
''Producing Great Sound for Film and Video: Expert Tips from Preproduction to Final Mix'' is a non-fiction, filmmaking handbook. It covers the process of acquiring professional quality sound for motion picture productions. Author Jay Rose is an Emmy-award winning sound professional. He has won over 150 major awards including 12 Clios, and he has contributed to nearly 15,000 commercials. His work includes the MGM release '' Two Weeks''. The book is published by Focal Press, a media and technology publishing company. Focal Press is an imprint of the academic press Taylor & Francis. The book was first published in 1999 under the title ''Producing Great Sound for Digital Video'' by Miller Freeman Books and was 375 pages. Seventeen years later, as of 2016, the book is in its fourth edition, and stands at 520 pages. It has been a part of required reading at many film schools, including the University of Southern California (USC). The book was also awarded five out of five stars ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Yewdall
David Lewis Yewdall (October 30, 1950 – July 4, 2017) was an American supervising sound editor. He worked with Roger Corman on ''Battle Beyond the Stars'' and as the co-supervising sound editor on ''Talvisota''. He published a book about the profession in 2007, ''Practical Art of Motion Picture Sound'', which was called a "must-read for all students of film." In 1996, he became a member of the board of NightPro Technologies Inc (NTI), a sound production company from Provo, Utah. He taught editing and sound at the University of North Carolina School of the Arts until June 2016. Publications * Death Yewdall died on July 4, 2017, in Winston-Salem, North Carolina from pancreatic cancer, aged 66. Awards and recognition In 1988 Yewdall was nominated for an Emmy Award The Emmy Awards, or Emmys, are an extensive range of awards for artistic and technical merit for the American and international television industry. A number of annual Emmy Award ceremonies are held throughout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utility Sound Technician
A utility sound technician, also referred to as sound assistant, sound utility, or cableperson is an assistant to both the production sound mixer and the boom operator on a film or television set. Although sometimes the utility pulls cable and wrangles it for the boom operator, the position has evolved to far more than just a cableperson. The utility is a jack of all trades, assisting in setting up, operating and maintaining the running order of equipment, often acting as a second boom operator, or even second mixer, and also repairing and servicing equipment such as cables and hardware as necessary. As both mixer and boom operator(s) may be busy with their tasks at any given time, the utility may also apply or adjust personal microphones or actors' wireless transmitters, may move microphones or assist in running cables, and may liaise with other departments on issues such as noise minimisation and set lockdown. A utility may start their career as some form of trainee and move ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boom Operator (media)
A boom operator (or First Assistant Sound) is a core role in the sound department of a film production, who works with the production sound mixer and utility sound technician. The principal responsibility of the boom operator is microphone placement, usually using a boom pole (or "fishpole") with a microphone attached to the end (called a boom mic), their aim being to hold the microphone as close to the actors or action as possible without allowing the microphone or boom pole to enter the camera's frame. Invention of the boom mic The first noted instance of a prototype boom mike was on '' The Wild Party'' (1929). To allow Clara Bow to move freely on the set, director Dorothy Arzner had technicians rig a microphone onto a fishing rod. Another instance of a boom mic was on the set of '' Beggars of Life'' (1928) when director William A. Wellman wanted a tracking shot of two actors walking down a street, and the sound man refused, telling the director that the actors had to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video
Video is an Electronics, electronic medium for the recording, copying, playback, broadcasting, and display of moving picture, moving image, visual Media (communication), media. Video was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) systems which, in turn, were replaced by flat panel displays of several types. Video systems vary in display resolution, Display aspect ratio, aspect ratio, refresh rate, color capabilities and other qualities. Analog and digital variants exist and can be carried on a variety of media, including radio broadcast, magnetic tape, optical discs, Video file format, computer files, and Streaming media, network streaming. History Analog video Video technology was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) television systems, but several new technologies for video display devices have since been invented. Video was originally excl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Automated Dialogue Replacement
Dubbing (re-recording and mixing) is a post-production process used in filmmaking and video production, often in concert with sound design, in which additional or supplementary recordings are lip-synced and "mixed" with original production sound to create the finished soundtrack. The process usually takes place on a dub stage. After sound editors edit and prepare all the necessary tracks—dialogue, automated dialogue replacement (ADR), effects, Foley, and music—the dubbing mixers proceed to balance all of the elements and record the finished soundtrack. Dubbing is sometimes confused with ADR, also known as "additional dialogue replacement", "automated dialogue recording" and "looping", in which the original actors re-record and synchronize audio segments. Outside the film industry, the term "dubbing" commonly refers to the replacement of the actor's voices with those of different performers speaking another language, which is called "revoicing" in the film industry. The t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soundtrack
A soundtrack is recorded music accompanying and synchronised to the images of a motion picture, drama, book, television program, radio program, or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that contains the synchronised recorded sound. In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially, the dialogue, sound effects, and music in a film each has its own separate track (''dialogue track'', ''sound effects track'', and '' music track''), and these are mixed together to make what is called the ''composite track,'' which is heard in the film. A '' dubbing track'' is often later created when films are dubbed into another language. This is also known as an M&E (music and effects) track. M&E tracks contain all sound elements minus dialogue, which is then supplied by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereophonic Sound
Stereophonic sound, or more commonly stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeakers (or stereo headphones) in such a way as to create the impression of sound heard from various directions, as in natural hearing. Because the multi-dimensional perspective is the crucial aspect, the term ''stereophonic'' also applies to systems with more than two channels or speakers such as quadraphonic and surround sound. Binaural sound systems are also ''stereophonic''. Stereo sound has been in common use since the 1970s in entertainment media such as broadcast radio, recorded music, television, video cameras, cinema, computer audio, and internet. Etymology The word ''stereophonic'' derives from the Greek (''stereós'', "firm, solid") + (''phōnḗ'', "sound, tone, voice") and it was coined in 1927 by Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
