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Prise D'Orange
''Prise d'Orange'' (literally "Taking of Orange"; also translated "The Capture of Orange" and "The Conquest of Orange") is a mid- 12th century ''chanson de geste'' written in Old French. Its fictional story follows the hero Guillaume as he captures the walled city of Orange from Saracens and marries Orable, its queen. Other characters include Arragon, the king of Orange, and Tibaut, Orable's erstwhile husband and Arragon's father. The anonymously written poem, part of a larger cycle about Guillaume called ''La Geste de Garin de Monglane'', consists of 1,888 decasyllable verses in laisses. It combines motifs of courtly love with an epic story of military conquest. The narrative is humorous and parodies the tropes of epic poetry. The surviving text of ''Prise'' was probably based on an earlier version, composed at the beginning of the 12th century, which emphasized war over love and contained a section called ''Siège d'Orange'' about Tibaut's military campaign to recapture Ora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chansons De Geste De Guillaume - Prise D'Orange - Folio 41 - Français 774 - Bibliothèque Nationale De France
A (, , french: chanson française, link=no, ; ) is generally any Lyrics, lyric-driven French song, though it most often refers to the secular polyphonic French songs of late medieval music, medieval and Renaissance music, Renaissance music. The genre had origins in the monophony, monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the ''ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word "chanson" literally means "song" in French and can thus less commonly refers to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, ''chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, ''air de cour''; popular songs from the 17th to 19th century, ''bergerette'', ''brunette (song form), brunette'', ''cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trope (literature)
A literary trope is the use of figurative language, via word, phrase or an image, for artistic effect such as using a figure of speech. Keith and Lundburg describe a trope as, "a substitution of a word or phrase by a less literal word or phrase." The word ''trope'' has also come to be used for describing commonly recurring or overused literary and rhetorical devices, motifs or clichés in creative works. Literary tropes span almost every category of writing, such as poetry, film, plays, and video games. Origins The term ''trope'' derives from the Greek (''tropos''), "turn, direction, way", derived from the verb τρέπειν (''trepein''), "to turn, to direct, to alter, to change". Tropes and their classification were an important field in classical rhetoric. The study of tropes has been taken up again in modern criticism, especially in deconstruction. Tropological criticism (not to be confused with tropological reading, a type of biblical exegesis) is the historical study of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garin De Monglane
Garin de Monglane is a fictional aristocrat who gives his name to the second cycle of Old French '' chansons de geste'', ''La Geste de Garin de Monglane''. His cycle tells stories of fiefless lads of noble birth who went off seeking land and adventure fighting the Saracens. The several heroes who rode off seeking war and wealth in this way are given genealogies that made Garin de Monglane their common ancestor. Apart from fathering a race of landless knights, Garin de Monglane himself is a character whose portrait in the poems is otherwise drawn very sketchily. Poems belonging to the Garin cycle include the ''chansons'' of ''Girart de Vienne'', '' Aimeri de Narbonne'', and ''Guillaume''. Of these poems, ''Aimeri de Narbonne'' has the largest literary interest. References See also * Matter of France * Girart de Roussillon * Franco-Provençal language Franco-Provençal (also Francoprovençal, Patois or Arpitan) is a language within Gallo-Romance originally spoken in e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girart De Vienne
''Girart de Vienne'' is a late twelfth-century (c.1180Hasenohr, 547-548.) Old French ''chanson de geste'' by Bertrand de Bar-sur-Aube. The work tells the story of the sons of Garin de Monglane and their battles with the Emperor Charlemagne, and it establishes the friendship of the epic heroes Olivier and Roland. The poem comprises more than 6000 rhymed decasyllable verses Holmes, 260. grouped into laisses. It was likely based on a now lost earlier poem. The work was extremely popular up until the Renaissance, and was converted into a version with alexandrines (14th century) and five prose versions, including one by David Aubert (in his ''Chroniques et conquestes de Charlemagne''), one by Raffaele Marmora, one by Jean d'Outremeuse, and one attached to the prose version of ''Garin de Monglane.'' Plot In the beginning, each of the four sons of Garin de Monglane—Hernaut, Girart, Renier and Milon—comes into possession of a fief (Renier becomes the father of Olivier). But the so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertrand De Bar-sur-Aube
Bertrand de Bar-sur-Aube (i.e. Bertrand from Bar-sur-Aube) (end of the 12th century – early 13th centuryHasenohr, 170.) was an Old French poet from the Champagne region of France who wrote a number of '' chansons de geste''. He is the author of '' Girard de Vienne'', and it is likely that he also wrote '' Aymeri de Narbonne''. The ''chansons de geste'' '' Narbonnais'' and '' Beuve de Hantone'' have also been attributed to him, but these attributions are contested. At the beginning of ''Girart de Vienne'', the author describes himself as a "clerc" or cleric. No other biographical information is known about him. References * Geneviève Hasenohr and Michel Zink, eds. ''Dictionnaire des lettres françaises: Le Moyen Age''. Collection: La Pochothèque. Paris: Fayard, 1992. * Urban T. Holmes Jr. Urban Tigner Holmes Jr. (July 13, 1900 – May 12, 1972) was an American scholar focusing on medieval literature and romance philology. The son of Commander Urban T. Holmes, United ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Poetry
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. Etymology The English word ''epic'' comes from Latin ''epicus'', which itself comes from the Ancient Greek adjective (''epikos''), from (''epos''), "word, story, poem." In ancient Greek, 'epic' could refer to all poetry in dactylic hexameter (''epea''), which included not only Homer but also the wisdom poetry of Hesiod, the utterances of the Delphic oracle, and the strange theological verses attributed to Orpheus. Later tradition, however, has restricted the term 'epic' to ''heroic epic'', as described in this article. Overview Originating before the invention of writing, primary epics, such as those of Homer, were composed by bards who used complex rhetorical and metrical schemes by which they could memorize the epic as received i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanson
A (, , french: chanson française, link=no, ; ) is generally any lyric-driven French song, though it most often refers to the secular polyphonic French songs of late medieval and Renaissance music. The genre had origins in the monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the '' ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word "chanson" literally means "song" in French and can thus less commonly refers to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, ''chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, ''air de cour''; popular songs from the 17th to 19th century, ''bergerette'', ''brunette'', ''chanson pour boire'', ''pastourelle'', and vaudeville; art song of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
