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Priscilla Bunbury's Virginal Book
Priscilla Bunbury's Virginal Book is a musical commonplace book compiled in the late 1630s by two young women from an affluent Cheshire family. It is important more for its fingering indications than for the quality of the music it contains. The manuscript The manuscript is an upright volume measuring 11.5 inches by 8 inches in a tooled leather binding. The front cover bears the words ''PRISCILLA BVNBURY'' in tooled lettering, and the back cover the initials ''PB''. It contains thirty two-pages pre-ruled with six-line staves. There are thirty-five neatly written pieces of music, but the first and last pages, together with the pieces they bore, are missing. Apart from the music, there is a medicinal recipe and other scribblings. At least two different hands can be discerned. As of 2001, the manuscript was in a private collection in England. The authors The first owner of the book was Priscilla Bunbury (1615–1682), daughter of Sir Henry Bunbury of Little Stanney in Cheshir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commonplace Book
Commonplace books (or commonplaces) are a way to compile knowledge, usually by writing information into books. They have been kept from antiquity, and were kept particularly during the Renaissance and in the nineteenth century. Such books are similar to scrapbooks filled with items of many kinds: sententiae (often with the compiler's responses), notes, proverbs, adages, aphorisms, maxims, quotes, letters, poems, tables of weights and measures, prayers, legal formulas, and recipes. Entries are most often organized under subject headings and differ functionally from journals or diaries, which are chronological and introspective." Commonplaces are used by readers, writers, students, and scholars as an aid for remembering useful concepts or facts; sometimes they were required of young women as evidence of their mastery of social roles and as demonstrations of the correctness of their upbringing. They became significant in Early Modern Europe. "Commonplace" is a translation of the L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Byrd
William Byrd (; 4 July 1623) was an English composer of late Renaissance music. Considered among the greatest composers of the Renaissance, he had a profound influence on composers both from his native England and those on the continent. He is often coupled with John Dunstaple and Henry Purcell as England's most important early music composers. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Life Early life Birth and background Richard Byrd of Ingatestone, Essex was the grandfather of Thomas Byrd, who probably moved to London in the 15th century. Thereafter succeeding generations of the Byrd family are described as gentlemen. William Byrd was probably born in London, the third s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1630s Books
Year 163 ( CLXIII) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Laelianus and Pastor (or, less frequently, year 916 '' Ab urbe condita''). The denomination 163 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcus Statius Priscus re-conquers Armenia; the capital city of Artaxata is ruined. Births * Cui Yan (or Jigui), Chinese official and politician (d. 216) * Sun Shao (or Changxu), Chinese chancellor (d. 225) * Tiberius Claudius Severus Proculus, Roman politician * Xun Yu, Chinese politician and adviser (d. 212) Deaths * Kong Zhou Kong Zhou (died 190), courtesy name Gongxu, was an official and minor warlord who lived during the Eastern Han dynasty of China. Life Little is recorded about Kong Zhou in history. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music Manuscript Sources
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions For Keyboard
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions For Harpsichord
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Books On English Music
A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arrangement is ''codex'' (plural, ''codices''). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page. As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's ''Physics'' is called a b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Rogers' Virginal Book
''Elizabeth Rogers' Virginal Book'' is a musical commonplace book compiled in the mid-seventeenth century by a person or persons so far unidentified. Of all the so-called English "virginal books" this is the only one to mention the name of the instrument (the virginal) in the title, the others being so-called at a far later date. The manuscript The manuscript is a folio volume of sixty pre-lined pages of six staves containing 94 pieces for keyboard and 18 ''Voycall'' ocal''Lessons''. It was rebound using part of the original covers, in 1949. The first page bears the inscription ''Elizabeth Rogers hir virginall booke. February ye 27 1656''. However, on the same page the name ''Elizabeth Fayre'' is written, and it has been suggested that these two Elizabeths are the same person, before and after marriage. There are various other writings, including the name "John Tillett", who may have been a subsequent owner of the manuscript, some poetic fragments, and a note concerning the tuni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giles Farnaby
Giles Farnaby (c. 1563 – November 1640) was an English composer and virginalist whose music spans the transition from the Renaissance to the Baroque period. Life Giles Farnaby was born about 1563, perhaps in Truro, Cornwall or near London. His father, Thomas, was a ''Cittizen and Joyner of London'', and Giles may have been related to Thomas Farnaby (c. 1575–1647), the famous schoolmaster of Kent, whose father was a carpenter. But it was his cousin Nicholas Farnaby (c. 1560–1630), who may have turned him to music. Nicholas was a virginal maker, at this time a generic word that included the entire family of plucked keyboard instruments: the harpsichord, virginal, muselar and doubtless the clavichord, and it is for these instruments that Farnaby's compositions are best known. Like his father however, Giles trained as a joiner or cabinet-maker, starting his apprenticeship in about 1583, and gave this trade as his occupation for most of his life. He married Katherine Roane o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fitzwilliam Virginal Book
The ''Fitzwilliam Virginal Book'' is a primary source of keyboard music from the late Elizabethan and early Jacobean periods in England, i.e., the late Renaissance and very early Baroque. It takes its name from Viscount Fitzwilliam who bequeathed this manuscript collection to Cambridge University in 1816. It is now housed in the Fitzwilliam Museum at Cambridge. The word virginals does not necessarily denote any specific instrument and might refer to anything with a keyboard. History It was given no title by its copyist and the ownership of the manuscript before the eighteenth century is unclear. At the time ''The'' ''Fitzwilliam Virginal Book'' was put together most collections of keyboard music were compiled by performers and teachers: other examples include ''Will Forster's Virginal Book'', ''Clement Matchett's Virginal Book'', and ''Anne Cromwell's Virginal Book''. It is possible that the complexities of typesetting music precluded the printing of much keyboard music durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Ladye Nevells Booke
''My Ladye Nevells Booke'' (British Library MS Mus. 1591) is a music manuscript containing keyboard pieces by the English composer William Byrd, and, together with the ''Fitzwilliam Virginal Book'', one of the most important collections of Renaissance keyboard music. Description ''My Ladye Nevells Booke'' consists of 42 pieces for keyboard by William Byrd, widely considered one of the greatest English composers of his time. Although the music was copied by John Baldwin, a singing man from St George's Chapel, Windsor Castle, who was also paid for copying music at the chapel in the 1580s, the pieces seem to have been selected, organised and even edited and corrected by Byrd himself. A heavy, oblong folio volume, it retains its original elaborately tooled Morocco binding, stamped with the title, on top of a nineteenth century repair. The illuminated coat of arms of the Neville family is on the title page, with the initials "H.N." in the lower left-hand corner. There are 192 leaves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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