|
Portrait Of The Family Hinlopen
The ''Portrait of the Family Hinlopen'' or ''Family of burgomaster Gillis Valckenier'' is a painting in the Berlin Gemäldegalerie, Berlin, Gemäldegalerie by the Dutch Golden Age painter Gabriël Metsu of about 1663. There have been various ideas among art historians as to which family is actually represented, with the two main candidates being the families of Jan J. Hinlopen or Gillis Valckenier, both wealthy and powerful figures in Amsterdam at the time. Provenance It is now increasingly accepted that the family are the Hinlopens. In his diary Jan J. Hinlopen made distinct notes about his marriage and family births, dates of baptisms in the Westerkerk Amsterdam, and funerals. Hinlopen and Leonore Huydecoper, the sister of Joan Huydecoper II, Joan Huydecoper, had four children by 1663: * Jacob (October 20, 1658 – Lage Vuursche, July 12, 1664), * Johanna Maria (April 16, 1659 – June 15, 1706), * Sara Hinlopen, Sara (June 12, 1660 – June 16, 1749), and * Geert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Haak (art Historian)
Bob Haak (22 January 1926 – 15 May 2005) was a Dutch art expert known mostly as one of the founders of the Rembrandt Research Project. From 1954-1963 he worked in the department of paintings at the Rijksmuseum Amsterdam. From 1963 he was curator at the Amsterdam Museum, the museum which today is still the formal owner of the Rembrandt paintings on show at the Rijks, including ''The Night Watch''. In 1956 he worked on the Rembrandt commemorative exhibition in the Rijks, where certain paintings were on show which hadn't been back to Amsterdam for decades, such as the pendant portraits of Maerten Soolmans and Oopjen Coppit. of the 1956 exhibition in the Rijksmuseum for the artist's 350th birthday showing this pair It was during this project that involved leading Rembrandt experts that Haak first got the idea to start a research project to assist in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birds In Art
Human uses of birds have, for thousands of years, included both economic uses such as food, and symbolic uses such as art, music, and religion. In terms of economic uses, birds have been hunted for food since Palaeolithic times. They have been captured and bred as poultry to provide meat and eggs since at least the time of ancient Egypt. Some species have been used, too, to help locate or to catch food, as with cormorant fishing and the use of honeyguides. Feathers have long been used for bedding, as well as for quill pens and for fletching arrows. Today, many species face habitat loss and other threats caused by humans; bird conservation groups work to protect birds and to influence governments to do so. Birds have appeared in the mythologies and religions of many cultures since ancient Sumer. For example, the dove was the symbol of the ancient Mesopotamian goddess Inanna, the Canaanite mother goddess Asherah, and the Greek goddess Aphrodite. Athena, the Greek goddess of wisdo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Gemäldegalerie, Berlin
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Gabriël Metsu
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1663 Paintings
Events January–March * January 10 – The Royal African Company is granted a Royal Charter by Charles II of England. * January 23 – The Treaty of Ghilajharighat is signed in India between representatives of the Mughal Empire and the independent Ahom Kingdom (in what is now the Assam state), with the Mughals ending their occupation of the Ahom capital of Garhgaon, in return for payment by Ahom in silver and gold for costs of the occupation, and King Sutamla of Ahom sending one of his daughters to be part of the harem of Mughal Emperor Aurangzeb. * February 5 - A magnitude 7.3 to 7.9 earthquake hits Canada's Quebec Province. * February 8 – English pirates led by Christopher Myngs and Edward Mansvelt carry out the sack of Campeche in Mexico, looting the town during a two week occupation that ends on February 23. * February 10 – The army of the Kingdom of Siam (now Thailand) captures Chiang Mai from the Kingdom of Burma (now Myanmar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Council Chamber In Amsterdam Town Hall
''The Council Chamber in Amsterdam Town Hall'' (c. 1663–1665) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is held in the Thyssen-Bornemisza Museum, in Madrid. The painting was documented by Hofstede de Groot in 1908, who wrote:180. THE BURGOMASTER'S ROOM IN THE AMSTERDAM TOWN HALL WITH A LARGE PARTY. In the middle of a room is a chimney-piece, with a cornice and frieze, supported on pilasters; a large picture hangs above. To the right are windows in double bays. To the left is seen a second room with a window. A couple enter from the left; the lady is dressed in red and yellow, the gentleman in black. The gentleman points with an admiring expression to the roof. In the right foreground is another gentleman, also looking upward; he is dressed in brown and yellow, with slashed sleeves, and carries a stick. A dog is beside him to the left. A lady, seen in profile, looks out of the window to the right. Around a table before the chimney-piece are grouped six ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Govert Flinck
Govert (or Govaert) Teuniszoon Flinck (25 January 16152 February 1660) was a Dutch painter of the Dutch Golden Age. Life Born at Kleve, capital of the Duchy of Cleves, which was occupied at the time by the United Provinces, he was apprenticed by his father to a silk mercer, but having secretly acquired a passion for etching and drawing, was sent to Leeuwarden, where he boarded in the house of Lambert Jacobszoon, a Mennonite, better known as an itinerant preacher than as a painter. Here Flinck was joined by Jacob Backer, and the companionship of a youth determined like himself to be an artist only confirmed his passion for painting. Amongst the neighbours of Jacobszon at Leeuwarden were the sons and relations of Rombertus van Uylenburgh, whose daughter Saskia married Rembrandt in 1634. Other members of the same family lived at Amsterdam, cultivating the arts either professionally or as amateurs. The pupils of Lambert probably gained some knowledge of Rembrandt by intercourse wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artus Quellinus The Elder
Artus Quellinus the Elder, Artus Quellinus I or Artus (Arnoldus) Quellijn (20 or 30 August 1609, Antwerp – 23 August 1668, Antwerp) was a Flemish sculptor. He is regarded as the most important representative of the Baroque in sculpture in the Southern Netherlands. He worked for a long period in the Dutch Republic and operated large workshops both in Antwerp and Amsterdam. His work had a major influence on the development of sculpture in Northern Europe.Hans Vlieghe and Iris Kockelbergh. "Quellinus." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 March 2014 Life Artus Quellinus the Elder was born into an artistic family. He was the son of the respected Antwerp sculptor[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartholomeus Van Der Helst
Bartholomeus van der Helst (1613 – buried 16 December 1670) was a Dutch painter. Considered to be one of the leading portrait painters of the Dutch Golden Age, his elegant portraits gained him the patronage of Amsterdam's elite as well as the Stadtholder's circle.Walter A. Liedtke, ''Dutch Paintings in the Metropolitan Museum of Art, Volumes 1-2'', Metropolitan Museum of Art, 2007, pp. 223-331 Besides portraits, van der Helst painted a few genre pictures as well as some biblical scenes and mythological subjects.Rudolf E. O. Ekkart. "Helst, Bartholomeus van der." Grove Art Online. Oxford Art Online. Oxford University Press, accessed 15 May 2017 Life Bartholomeus van der Helst was born in Haarlem in 1613. His exact date of birth is not known as the birth records of Haarlem of that time are lost. He was the son of a Haarlem innkeeper called Lodewijk and Lodewijk's second wife, Aeltgen Bartels. Van der Helst had moved to Amsterdam some time before 1636, the year in which he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Artus Quellinus The Elder")
