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Portrait Of Manuel Godoy
''Portrait of Manuel Godoy'' is a large 1801 oil on canvas painting by the Spanish artist Francisco de Goya, now in the Real Academia de Bellas Artes de San Fernando. It was commissioned by the Spanish Prime Minister Manuel Godoy to commemorate his victory in the brief War of the Oranges against Portugal. The portrait is an incisive psychological characterisation. The subject's self belief is depicted via his unusual reclining posture, the surrounding horses, and the phallic baton situated between his legs. The painting metaphorically places Godoy sitting at the apex of the Spanish government. The artist captures Godoy's arrogance through his posture, and the inclusion of Portuguese flags. The choice of lighting gives intensity to the piece. In 1801 Godoy was the height of his power, having won in the War of the Oranges he was now Generalissimo of "land and sea" and "Prince of Peace"; pompous titles he willingly accepted. He and Goya were friends, Godoy owned two of the artist's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Goya
Francisco José de Goya y Lucientes (; ; 30 March 174616 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns. Goya was born to a middle-class family in 1746, in Fuendetodos in Aragon. He studied painting from age 14 under José Luzán y Martinez and moved to Madrid to study with Anton Raphael Mengs. He married Josefa Bayeu in 1773. Their life was characterised by a series of pregnancies and miscarriages, and only one child, a son, survived into adulthood. Goya became a court painter to the Spanish Crown in 1786 and this early portion of his career is marked by portraits of the Spanish aristocracy and royalty, and Rococo-style tapestry cartoons desig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equestrian Portrait
An equestrian portrait is a portrait that shows the subject on horseback. Equestrian portraits suggest a high-status sitter, who in many cases was a monarch or other member of the nobility, and the portraits can also carry a suggestion of chivalry. History Equestrian statues were made at least as far back as Ancient Rome and the Hellenistic period. Images of the Thracian horseman were recurrent in reliefs and small statues between the fourth century BC and the fourth century AD, especially in Thrace and Moesia Inferior. The bronze Equestrian Statue of Marcus Aurelius in the Capitoline Museums of Rome, of which a replica stands in Piazza del Campidoglio, was erected around 176AD. Many other bronze statues of the time were melted down for reuse. After a period out of favour, equestrian portraits in Europe, including paintings, drawings and sculpture, revived during the Renaissance around the fifteenth century. Examples Many equestrian portraits have been made of monarchs. Tit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century Portraits
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1801 Paintings
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonly r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portraits By Francisco Goya
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Hughes (critic)
Robert Studley Forrest Hughes AO (28 July 19386 August 2012) was an Australian-born art critic, writer, and producer of television documentaries. He was described in 1997 by Robert Boynton of ''The New York Times'' as "the most famous art critic in the world." Hughes earned widespread recognition for his book and television series on modern art, '' The Shock of the New'', and for his longstanding position as art critic with ''TIME'' magazine. He is also known for his best seller ''The Fatal Shore'' (1986), a study of the British convict system in early Australian history. Known for his contentious critiques of art and artists, Hughes was generally conservative in his tastes, although he did not belong to a particular philosophical camp. His writing was noted for its power and elegance. Early life Hughes was born in Sydney, in 1938. His father and paternal grandfather were lawyers. Hughes's father, Geoffrey Forrest Hughes, was a pilot in the First World War, with later caree ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taschen
Taschen is a luxury art book publisher founded in 1980 by Benedikt Taschen in Cologne, Germany. As of January 2017, Taschen is co-managed by Benedikt and his eldest daughter, Marlene Taschen. History The company began as Taschen Comics, publishing Benedikt's comic collection. Taschen focuses on making lesser-seen art available to mainstream bookstores, including fetishistic imagery, queer art, historical erotica, pornography, and adult magazines (including multiple books with ''Playboy'' magazine). The firm has brought potentially controversial art into broader public view, publishing it alongside its more mainstream books of comics reprints, art photography, painting, design, fashion, advertising history, film, and architecture.Degen Pener''Taschen Books Chief Reveals New Projects, Talks 'Fifty Shades' and $12M Books'' published in The Hollywood Reporter, 25 November 2014 Taschen publications are available in a various sizes, from oversized tomes to small pocket-sized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works By Francisco Goya
The following is an incomplete list of works by the Spanish painter and printmaker Francisco Goya. Paintings (1763–1774) Paintings (1775–1792) ''see also: List of Francisco Goya's tapestry cartoons'' Paintings (1793–1807) Paintings (1808–1818) Paintings (1819–1828) Prints (Los Caprichos) As well as paintings Goya was also one of the greatest ever printmaking, printmakers. He produced several sets of prints using the relatively new technique of aquatint. Towards the end of his life Goya also began to experiment with lithography. The dimensions given refer to the size of the printed image rather than the paper that the image is printed on. Prints (Disasters of War) Prints (La Tauromaquia) Prints (Los disparates) Prints (Bulls of Bordeaux) Prints (Other prints) See also * List of Francisco Goya's tapestry cartoons * Black paintings Notes References External links Catalogue at University of ZaragossaGoya at the Prado {{Lists of pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caprichos
''Los caprichos'' (''The Caprices)'' is a set of 80 prints in aquatint and etching created by the Spanish artist Francisco Goya in 1797–1798, and published as an album in 1799. The prints were an artistic experiment: a medium for Goya's condemnation of the universal follies and foolishness in the Spanish society in which he lived. The criticisms are far-ranging and acidic; the images expose the predominance of superstition, the ignorance and inabilities of the various members of the ruling class, pedagogical short-comings, marital mistakes and the decline of rationality. Some of the prints have anticlerical themes. Goya described the series as depicting "the innumerable foibles and follies to be found in any civilized society, and from the common prejudices and deceitful practices which custom, ignorance or self-interest have made usual". Goya added brief explanations of each image to a manuscript, now in the Museo del Prado, which help explain his often cryptic intentions, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish War Of Independence
The Peninsular War (1807–1814) was the military conflict fought in the Iberian Peninsula by Spain, Portugal, and the United Kingdom against the invading and occupying forces of the First French Empire during the Napoleonic Wars. In Spain, it is considered to overlap with the Spanish War of Independence. The war started when the French and Spanish armies invaded and occupied Portugal in 1807 by transiting through Spain, and it escalated in 1808 after Napoleonic France occupied Spain, which had been its ally. Napoleon Bonaparte forced the abdications of Ferdinand VII and his father Charles IV and then installed his brother Joseph Bonaparte on the Spanish throne and promulgated the Bayonne Constitution. Most Spaniards rejected French rule and fought a bloody war to oust them. The war on the peninsula lasted until the Sixth Coalition defeated Napoleon in 1814, and is regarded as one of the first wars of national liberation. It is also significant for the emergence of large-sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countess Of Chinchon
Count (feminine: countess) is a historical title of nobility in certain European countries, varying in relative status, generally of middling rank in the hierarchy of nobility. Pine, L. G. ''Titles: How the King Became His Majesty''. New York: Barnes & Noble, 1992. p. 73. . The etymologically related English term "county" denoted the territories associated with the countship. Definition The word ''count'' came into English from the French ''comte'', itself from Latin ''comes''—in its accusative ''comitem''—meaning “companion”, and later “companion of the emperor, delegate of the emperor”. The adjective form of the word is "comital". The British and Irish equivalent is an earl (whose wife is a "countess", for lack of an English term). In the late Roman Empire, the Latin title ''comes'' denoted the high rank of various courtiers and provincial officials, either military or administrative: before Anthemius became emperor in the West in 467, he was a military ''comes' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Real Academia De Bellas Artes De San Fernando
The Real Academia de Bellas Artes de San Fernando (RABASF; ), located on the Calle de Alcalá in the heart of Madrid, currently functions as a museum and gallery. A public law corporation, it is integrated together with other Spanish royal academies in the . History The academy was established by royal decree in 1752. About twenty years later, the enlightened monarch Charles III purchased a palace in Madrid as the academy's new home. The building had been designed by José Benito de Churriguera for the Goyeneche family. The king commissioned Diego de Villanueva to convert the building for academic use, employing a neoclassical style in place of Churriguera's baroque design. The academy is also the headquarters of the Madrid Academy of Art. Notable alumni The first graduate of the academy was Bárbara María Hueva. Francisco Goya was once one of the academy's directors. Its alumni include Felip Pedrell, Pablo Picasso, Kiko Argüello, Remedios Varo, Salvador Dalí, Ant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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