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Pop Ya Collar
"Pop Ya Collar" is a single by American recording artist Usher, released to US radio on October 17, 2000. It was written by himself, Kevin "She'kspere" Briggs, and Kandi Burruss. The song was produced for his cancelled third studio album ''All About U''. The project was abandoned following the leak of the song and several other tracks onto online music store Napster, several months prior to its release of October 31, 2000. The song was instead later included on non-US editions of his official third studio album, '' 8701''. "Pop Ya Collar" peaked at number 60 on the US ''Billboard'' Hot 100 chart, remaining on the chart for seven weeks. The song was a top-three hit on the UK Singles Chart, peaking at number two in January 2001. It also reached the top 40 in several other territories, including Australia, Germany, Ireland, the Netherlands, Sweden, and Switzerland. Background Usher had initially planned to release ''All About U'' as his third studio album on October 31, 2000. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Usher (musician)
Usher Raymond IV (born October 14, 1978) is an American R&B singer. He was born in Dallas, Texas, but raised in Chattanooga, Tennessee, until moving to Atlanta, Georgia. At the age of 12, his mother put him in local singing competitions before catching the attention of a music A&R from LaFace Records. He released his self-titled debut album '' Usher'' (1994), and rose to fame in the late 1990s with the release of his second album ''My Way'' (1997). It spawned his first U.S. ''Billboard'' Hot 100 number-one single "Nice & Slow", and the top-two singles " You Make Me Wanna..." and "My Way". His third album, '' 8701'' (2001), produced the number-one singles "U Remind Me" and "U Got It Bad", as well as the top-three single "U Don't Have to Call". It sold eight million copies worldwide and won his first two Grammy Awards as Best Male R&B Vocal Performance in 2002 and 2003. '' Confessions'' (2004) established him as one of the bestselling musical artists of the 2000s decade, cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fan (person)
A fan or fanatic, sometimes also termed an aficionado or enthusiast, is a person who exhibits strong interest or admiration for something or somebody, such as a celebrity, a sport, a sports team, a genre, a politician, a book, a movie, a video game or an entertainer. Collectively, the fans of a particular object or person constitute its fanbase or fandom. They may show their enthusiasm in a variety of ways, such as by promoting the object of their interest, being members of a related fan club, holding or participating in fan conventions or writing fan mail. They may also engage in creative activities ("fan labor") such as creating fanzines, writing fan fiction, making Internet meme, memes or drawing fan art. Etymology Merriam-Webster, the Oxford dictionary and other sources define "fan" as a shortened version of the word ''fanatic''. ''Fanaticism, Fanatic'' itself, introduced into English around 1550, means "marked by excessive enthusiasm and often intense uncritical devotio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urban Radio
Urban contemporary music, also known as urban music, hip hop, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop-rap, quiet storm, urban adult contemporary, hip hop, Latin music such as Latin pop, Chicano R&B and Chicano rap, and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely US phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City, Washington, D.C., Detroit, Atlanta, Miami, Chicago, Cleveland, Philadelphia, Montgomery, Memphis, St. Louis, Newark, Charleston, New Orleans, Cincinnati, Dallas, Houston, Oakland, Los ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by the high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Hit Radio
Contemporary hit radio (also known as CHR, contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format that is common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, Urban contemporary, Contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe top 50; top 30; top 20; top 10; hot 100 (each with its number of songs) and hot hits radio formats, but carrying more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UKChartsPlus
''UKChartsPlus'' is an independent weekly newsletter about the UK music charts. It was first published in September 2001 as ''ChartsPlus'' in order to authoritatively record the official music chart information in the United Kingdom, as compiled by the Official Charts Company. Its publication began after ''Hit Music'' which was a sister publication of ''Music Week'' ceased publication in May 2001. The new newsletter was established to be totally independent of ''Music Week'', licensing the chart data directly from Official Charts Company and other chart providers. History Initially it covered: * The UK Singles Chart up to number 200 * The UK Albums Chart up to number 200 * The Compilation Album Chart up to number 50 It also included a ''New Entries Spotlight'' on all new top 200 singles, and a ''Year to Date'' collection of all the current year's Top 200 albums and singles. Since then, it has expanded to include the BPI silver, gold or platinum sales awards, predictions of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Hot 100 Singles
The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was "Only Girl (in the World)" by Rihanna. History Europarade Top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jermaine Dupri
Jermaine Dupri Mauldin (born September 23, 1972) is an American rapper, songwriter, record producer, record executive, entrepreneur, and DJ. Early life Jermaine Dupri Mauldin was born on September 23, 1972, the son of Tina (Mosley) and Michael Mauldin, a Columbia Records executive. Dupri's promising musical career began before he was even 10 years old. His father, also an Atlanta talent manager, had coordinated a Diana Ross show in 1982; to the delight of concert-goers, Dupri managed to get on-stage and dance along with Ross. Dupri got his start as a dancer for the hip hop group Whodini when he was twelve. He made an appearance in their music video for the song " Freaks Come Out at Night". He began performing around the country, appearing with Herbie Hancock and Cameo before he opened the New York Fresh Festival, with Run-D.M.C., Whodini, and Grandmaster Flash. Career 1992–1996: Early career and breakthrough In 1990, he produced his first act, the female hip hop trio Silk Ty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
