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Pokvarena Mašta I Prljave Strasti
''Pokvarena mašta i prljave strasti'' (trans. ''Perverted Imagination and Sordid Passions'') is the second studio album from Serbian and former Yugoslav rock band Riblja Čorba, released in 1981. In 1998, the album was polled as the 23rd on the list of 100 greatest Yugoslav rock and pop albums in the book '' YU 100: najbolji albumi jugoslovenske rok i pop muzike'' (''YU 100: The Best albums of Yugoslav pop and rock music''). In 2015, the album was pronounced the 13th on the list of 100 greatest Yugoslav albums published by Croatian edition of ''Rolling Stone''. Album cover The album cover was designed by Jugoslav Vlahović. The original album cover was supposed to display a photograph of naked Mrs. Adela, an eighty-year-old model at the Belgrade's University of Arts' Facility of Fine Arts. However, shortly before the album was released, Bijelo Dugme's '' Doživjeti stotu'' came out with a naked old woman on the three-piece cover, so the ''Pokvarena mašta i prljave strasti'' c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bijelo Dugme
Bijelo Dugme (trans. ''White Button'') was a Socialist Federal Republic of Yugoslavia, Yugoslav rock music, rock band, formed in Sarajevo, Socialist Republic of Bosnia and Herzegovina, SR Bosnia and Herzegovina in 1974. Bijelo Dugme is widely considered to have been the most popular band ever to exist in the former Socialist Federal Republic of Yugoslavia and one of the most important acts of the Yugoslav rock scene. Bijelo Dugme was officially formed in 1974, although the members of the default lineup, guitarist Goran Bregović, vocalist Željko Bebek, drummer Ipe Ivandić, keyboardist Vlado Pravdić and bass guitarist Zoran Redžić, were previously active under the name Jutro (Sarajevo band), Jutro. The band's debut album ''Kad bi bio bijelo dugme'', released in 1974, brought them nationwide popularity with its The Balkans, Balkan Folk music, folk-influenced hard rock sound. The band's future several releases, featuring similar sound, maintained their huge popularity, describe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music In Yugoslavia
New wave in Yugoslavia ( sr-Cyrl-Latn, Нови талас, Novi talas; hr, Novi val; sl, Novi val; mk, Нов бран) was the new wave music scene of the Socialist Federal Republic of Yugoslavia. As its counterparts, the British and the American new wave, from which the main influences came, the Yugoslav scene was also closely related to punk rock, ska, reggae, 2 Tone, power pop and mod revival. Some of its acts are also counted as belonging to the Yugoslav punk scene which already existed prior to new wave. Such artists were labeled as both punk rock and new wave (the term "new wave" was initially interchangeable with "punk"). Overview The Non-Aligned socialist Yugoslavia was never part of the Eastern Bloc and it was open to western influences (the West to some extent even supported Yugoslavia as a " buffer zone" to the Warsaw Pact). The new wave scene in Yugoslavia emerged in the late 1970s and had a significant impact on the Yugoslav culture. The Yugoslav rock scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Branimir Štulić
Branimir "Johnny" Štulić (born 11 April 1953) is a Yugoslav singer-songwriter, musician and author, best known for being the frontman of the popular Yugoslav rock group Azra. He is known for his charismatic stage performances and inspiring song lyrics that often combined rock poetry with a strong sense for social commentary, which is the cause for his becoming a cult figure. Early life Štulić was born on 11 April 1953, in Skopje, where his mother Slavica (née Milovac) and father Ivan Štulić–an officer in the Yugoslav People's Army–were stationed at the time. His paternal Croatian family originates from Nin, being one of the oldest families from the town. At the age of seven, Štulić moved with his family to Jastrebarsko. In January 1967, Štulić moved to Zagreb where he attended high school and later, for two years, studied phonetics and history at the University of Zagreb's Faculty of Philosophy before dropping out. Music career He began his musical career with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buvlja Pijaca
''Buvlja pijaca'' (trans. ''Flea Market'') is the fourth studio album from Serbian and former Yugoslav rock band Riblja Čorba, released in 1982. The album is the second Riblja Čorba album produced by John McCoy. It featured a softer sound than previous Riblja Čorba releases, as some of the songs featured string and brass instruments and had elements of acoustic rock. The album was polled in 1998 as the 64th on the list of 100 greatest Yugoslav rock and pop albums in the book '' YU 100: najbolji albumi jugoslovenske rok i pop muzike'' (''YU 100: The Best albums of Yugoslav pop and rock music''). Album cover The album cover was designed by Jugoslav Vlahović, and is the only Riblja Čorba album cover which does not feature Riblja Čorba logo. Track listing Personnel *Bora Đorđević - vocals *Rajko Kojić - guitar *Momčilo Bajagić - guitar *Miša Aleksić - bass guitar *Miroslav Milatović - drums Additional personnel *Kornelije Kovač - keyboard *Rešad Jahja - cello *P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popular Music In The Socialist Federal Republic Of Yugoslavia
Popular music in Yugoslavia includes the pop and rock music of the former SFR Yugoslavia, including all their genres and subgenres. The scene included the constituent republics: SR Slovenia, SR Croatia, SR Bosnia and Herzegovina, SR Montenegro, SR Macedonia and SR Serbia and its subunits: SAP Vojvodina and SAP Kosovo. The pop and rock scene was a part of the general Music of Yugoslavia, which also included folk, classical music, jazz etc. Within Yugoslavia and internationally, the phrases ex-YU or ''ex-Yugoslav Pop and Rock'' both formally and informally generally to the SFRY period, though in some cases also to its successor the FR Yugoslavia including Serbia and Montenegro which existed until 2006 (such as the book title '' Ex YU rock enciklopedija 1960 - 2006''). History The Socialist Federal Republic of Yugoslavia was not an Eastern Bloc country, but a founding member of the Non-Aligned Movement and as such, it was far more open to western influences compared to the other s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Džuboks
''Džuboks'' ( sr-cyr, italic=yes, Џубокс, trans. ''Jukebox'') was a Yugoslav music magazine. Launched in 1966, it was the very first magazine in SFR Yugoslavia dedicated predominantly to rock music and the first rock music magazine to be published in a communist country. History Launch ''Džuboks'' was launched during spring 1966 by the Belgrade-based Duga publishing company in the aftermath of the three-day Gitarijada music festival, whose large attendance and euphoric atmosphere several months earlier at the Belgrade Fair were indicative of the rising popularity of rock music locally. The idea for a monthly rock music magazine came from Duga staff journalists who had already been putting together a weekly film magazine, ''Filmski svet'' (Film World), feeling an entirly new publication catering to the growing number of rock music fans in Yugoslavia could prove successful. As Duga had no rock music writers or reviewers among its staff, they reached out to Nikola Karaklaji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vicko Milatović
Miroslav "Vicko" Milatović (Serbian Cyrillic: Мирослав-Вицко Милатовић) is a Serbian musician best known as the drummer for the Serbian and Yugoslav rock band Riblja Čorba. Milatović first gained prominence in the late 1970s as the member of the Belgrade band SOS, which enjoyed some local popularity. In 1978, SOS members and vocalist Bora Đorđević formed the band Riblja Čorba, which went on to become one of the most popular and influential acts of the Yugoslav rock scene. Milatović has been the member of Riblja Čorba throughout the band's whole career, with only a short one-year absence from the group due to his mandatory army stint. In addition to working with Riblja Čorba, he started two side projects—the heavy metal band Warriors and the hard rock band Indijanci—and released two solo albums. Biography Early career (1976–1978) Miroslav Milatović started his career as the drummer for the band Born, also featuring Željko Nikolić (who woul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yugoslav Dinar
The dinar (Cyrillic script: динар) was the currency of the three Yugoslav states: the Kingdom of Yugoslavia (formerly the Kingdom of Serbs, Croats and Slovenes), the Socialist Federal Republic of Yugoslavia, and the Federal Republic of Yugoslavia between 1918 and 2003. The dinar was subdivided into 100 ''para'' (Cyrillic script: пара). In the early 1990s, economic mismanagement made the government bankrupt and forced it to take money from the savings of the country's citizens. This caused severe and prolonged Hyperinflation in the Federal Republic of Yugoslavia, hyperinflation, which has been described as the worst in history. Large amounts of money were printed, with coins becoming redundant and inflation rates reaching over one billion per cent per year. This hyperinflation caused five revaluations between 1990 and 1994; in total there were eight distinct dinari. Six of the eight have been given distinguishing names and separate ISO 4217 codes. The highest denominati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miša Aleksić
Miroslav "Miša" Aleksić (Serbian Cyrillic: Мирослав Миша Алексић, 16 August 1953 — 29 November 2020) was a Serbian musician, best known as the bass guitarist for the Serbian and former Yugoslav rock band Riblja Čorba. Biography Miša Aleksić started his career in 1970 in a band called Royali as their bass guitarist and vocalist. In 1970 the band won second place at the contest organized by editors of Radio Belgrade show ''Veče uz radio''. In 1971, Aleksić went to United States of America where he graduated at Pikesville High School in Pikesville, Maryland. With other students he formed rockabilly band Shih-Muh-Fuh (abbreviation from Shit Motherfucker). Influenced by the music of Grand Funk Railroad, Deep Purple and Led Zeppelin, after returning to Yugoslavia, Aleksić formed SOS with Dragan Štulović (guitar), Dragan Tasić (guitar) and Stevan Stevanović (drums). After Tasić left the band SOS continued performing as a trio. In 1977 Štulović and St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajko Kojić
Radislav "Rajko" Kojić (Serbian Cyrillic: Радислав-Рајко Којић; 12 April 1956 – 11 April 1997) was a Serbian and former Yugoslav guitarist best known for his work with band Riblja Čorba. Biography Rajko Kojić was born on 12 April 1956 in Jarkovac. He started dealing to music, when he was in high school, when he started to play on guitar. Kojić started his career in 1973 as the guitarist for the band Demoni from Jarkovac. As the band did not have a bass guitarist Kojić would sometimes play bass guitar. In 1974, he joined band MBG. He played only three concerts with MBG before moving to Belgrade at the end of 1975. In 1976, Kojić formed band MBG II with another former MBG member Borivoje Knežević. Kojić soon met Momčilo Bajagić with whom he formed band Glogov Kolac, which performed only once in Uljma. After Glogov Kolac disbanded, Kojić joined band ''SOS'' led by Miša Aleksić. In 1978, SOS members Kojić, Aleksić and Vicko Milatović formed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bora Đorđević
Borisav "Bora" Đorđević ( sr-cyr, Борисав, Бора Ђорђевић; born 1 November 1952), also known as Bora Čorba ( sr-cyr, Бора Чорба), is a Serbian singer, songwriter, and poet. He is best known as the frontman of the rock band Riblja Čorba. Renowned for his brand of poetic lyrics and husky baritone voice, Đorđević is widely considered one of the top and most influential authors of the Serbian and Yugoslav rock scene. Early life Čačak years Đorđević was born in Čačak in 1952 to machinist father Dragoljub and mother Nerandža, professor of Serbian. At age thirteen, he formed his first band, Hermelini (trans. ''The Ermines''), with Borko Ilić (lead guitar), Prvoslav Savić (rhythm guitar), and Aca Dimitrijević (drums). Đorđević played bass guitar and the band's sound was influenced by the Zagreb-based beat band . Two years later Đorđević switched to rhythm guitar and began writing song lyrics and poetry. One of his earliest songs/p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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