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Play Don't Worry
''Play Don't Worry'' is the second album by English guitarist and singer Mick Ronson, recorded in 1974 and released in January 1975 after his several projects in the early seventies together with David Bowie, Lou Reed and the band the Spiders from Mars. It contains mainly covers arranged by Ronson for his own sound, covering everyone from Pure Prairie League, The Velvet Underground and Little Richard. The backing track to "White Light/White Heat" was salvaged from Bowie's '' Pin Ups'' sessions. The title track was co-written by Bob Sargeant, later producer to The Beat amongst others, who released an album ''First Starring Role'' in April 1974 which included Ronson on recorder and producing four tracks. Track listing ;Side one # "Billy Porter" (Mick Ronson) – 3:30 # "Angel No. 9" (Craig Fuller) – 5:31 # "This Is for You" (Laurie Heath) – 4:30 # "White Light/White Heat" (Lou Reed) – 4:07 ;Side two # "Play Don't Worry" (Ronson, Bob Sargeant) – 3:15 # "Hazy Days" (Rons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mick Ronson
Michael Ronson (26 May 1946 – 29 April 1993) was an English musician, songwriter, arranger, and producer. He achieved critical and commercial success working with David Bowie as the guitarist of the Spiders from Mars. He was a session musician who recorded five studio albums with Bowie followed by four with Ian Hunter, and also worked as a sideman in touring bands with Van Morrison and Bob Dylan. Ronson and Bowie also produced Lou Reed's ''Transformer'' with Ronson playing lead guitar and piano and writing string arrangements, which brought mainstream recognition. The album is considered an influential landmark of the glam rock genre, anchored by Reed's most successful single, " Walk on the Wild Side". Ronson recorded five solo studio albums, the most popular being '' Slaughter on 10th Avenue'', which reached No. 9 on the UK Albums Chart. He played with various bands after his time with Bowie. A classically trained musician, Ronson was known for his melodic approach to guit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pin Ups
''Pin Ups'' (also referred to as ''Pinups'' and ''Pin-Ups'') is the seventh studio album by English musician David Bowie, released on 19October 1973 through RCA Records. Devised as a "stop-gap" album to appease his record label, it is a covers album, featuring songs by British bands from the 1960s that were influential to Bowie as a teenager, including the Pretty Things, the Who, the Yardbirds and Pink Floyd. The tracks mostly stay true to their original counterparts, albeit performed in glam rock and proto-punk styles. The album was recorded from July to August 1973 at the Château d'Hérouville in Hérouville, France following the completion of the Ziggy Stardust Tour. It was co-produced by Bowie and Ken Scott, marking the final collaboration between the two. Two members of Bowie's backing band the Spiders from Mars contributed, guitarist Mick Ronson and bassist Trevor Bolder, while Mick Woodmansey was replaced by Aynsley Dunbar on drums. Following a surprise announcem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clavinet
The Clavinet is an electrically amplified clavichord invented by Ernst Zacharias and manufactured by the Hohner company of Trossingen, West Germany, from 1964 to 1982. The instrument produces sounds by a rubber pad striking a point on a tensioned string, and was designed to resemble the Renaissance-era clavichord. Although originally intended for home use, the Clavinet became popular on stage, and could be used to create electric guitar sounds on a keyboard. It is strongly associated with Stevie Wonder, who used the instrument extensively, particularly on his 1972 hit "Superstition", and was regularly featured in rock, funk and reggae music throughout the 1960s and 1970s. Modern digital keyboards can emulate the Clavinet sound, but there is also a grass-roots industry of repairers who continue to maintain the instrument. Description The Clavinet is an electromechanical instrument that is usually used in conjunction with a keyboard amplifier. Most models have 60 keys ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent (historian), David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram Records, Phonogram records and had developed the report initially as a hobby ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Love
"Soul Love" is a song by English singer-songwriter David Bowie, released on his 1972 album ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' by RCA Records. Co-produced by Bowie and Ken Scott, it features Bowie's backing band known as the Spiders from Mars — comprising guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey. It was recorded on 12 November 1971 at Trident Studios in London and features a saxophone solo from Bowie and a guitar solo from Ronson. Lyrically, the song is about numerous characters dealing with love before the impending disaster that will destroy Earth as described in the album's opening track " Five Years". Like most tracks on the album, the song was rewritten to fit the ''Ziggy Stardust'' narrative. Since its release, the song has received positive reviews from music critics, with many praising Ronson's guitar work and Bowie's saxophone solo. Bowie rarely performed the song live, only on occasion during the Ziggy Stard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annette Peacock
Annette Peacock is an American composer, musician, songwriter, producer, and arranger. She is a pioneer in electronic music who combined her voice with one of the first Moog synthesizers in the late 1960s. Biography Annette Peacock was writing music by the time she was four years old. She is self-taught except for her time as a student at The Juilliard School in the early 1970s. She grew up in California. She moved to New York to marry jazz bassist Gary Peacock in 1960. During the early 1960s, she was an associate and guest of Timothy Leary. and Ram Das at Millbrook, and was among the first to study Zen Macrobiotics with Michio Kushi, a discipline she continues to uphold. Peacock toured Europe with avant-garde jazz saxophonist Albert Ayler while she was married to Gary Peacock, then pianist Paul Bley. Her compositions appeared on his album ''Ballads'' and influenced the style of ECM Records. She was a pioneer in synthesizing electronic vocals after having been given a prototyp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Coggio
Antonio Coggio (16 May 1939 – 19 October 2021) was an Italian composer, arranger, pianist, and record producer. After his studies at the Conservatorio Niccolò Paganini in Genoa, between 1964 and 1966 Coggio was pianist for Gino Paoli, accompanying him in live performances and in the album ''Paoli dal vivo allo Studio D''.Nicola Sisto. "Coggio, Antonio". Gino Castaldo (edited by). ''Dizionario della canzone italiana''. Curcio Editore, 1990. pp. 412-3. He was later hired by RCA Italiana, first as a musical assistant and later as a producer, producing, among others, works of Mia Martini, Ivano Fossati, Patty Pravo, Stefano Rosso and Claudio Baglioni. With Baglioni he also collaborated as a composer, penning some of his major hits, including "Questo piccolo grande amore", "E tu", "Amore Bello", "Poster". In 1979 he founded with Roberto Davini the label Calycantus, which launched the careers of Fiorella Mannoia, Mariella Nava, Luca Barbarossa Luca Barbarossa (born 15 April 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Baglioni
Claudio Baglioni (; born 16 May 1951) is an Italian pop singer-songwriter and musician. His career has been going on for over 50 years. Some songs from the 70s are part of Italian culture such as ''E tu come stai?''. In the 80s he released the two best-selling albums ever in Italy ''Strada facendo'' and ''La vita è adesso''. And in the 90's he embraced World Music with records like '' Oltre'' and ''Io sono qui.'' In 2006 he composed the anthem of the 2006 Winter Olympics. Biography Around 1968 he composed the ''Annabel Lee'' musical suite, based on a poem by Edgar Allan Poe. In 1969, he released his first single and recorded the single ''Signora Lia''; a comic song that tells of a lady's marital infidelity, over time the song will become a cult of Italian pop music despite its poor initial success. He collaborated with Italian singer Mia Martini for her debut album. Success came only in 1972, with the album ''Questo piccolo grande amore''; the homonymous song in 1985 will be a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Troup
Robert William Troup Jr. (October 18, 1918 – February 7, 1999) was an American actor, jazz pianist, singer, and songwriter. He wrote the song " Route 66" and acted in the role of Dr. Joe Early with his wife Julie London in the television program '' Emergency!'' in the 1970s. Early life Robert William Troup Jr. was born in Harrisburg, Pennsylvania. His father Robert William Troup worked for the family business J. H. Troup Music House and founded its Lancaster, Pennsylvania branch store. He graduated from The Hill School, a preparatory school in Pottstown, Pennsylvania, in 1937. He went on to graduate Phi Beta Kappa from the Wharton School at the University of Pennsylvania with a degree in economics. Career Military and music His earliest musical success came in 1941 with the song " Daddy" written for a Mask and Wig production. Sammy Kaye and His Orchestra recorded "Daddy", which was number one for eight weeks on the ''Billboard'' chart and the number five record of 1941; o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Girl Can't Help It (song)
"The Girl Can't Help It" is the title song to the film '' The Girl Can't Help It'', with words and music by songwriter Bobby Troup. It was performed by Little Richard and was released in December 1956. In the US, the song peaked at No. 49 on the ''Billboard'' Top 100 singles chart and No. 7 on the R&B Best Sellers Chart. Overseas, "The Girl Can't Help It" peaked at No. 9 in the UK Singles Chart. It was included on the Rolling Stone's 500 Greatest Songs of All Time at No. 413. Originally, Fats Domino was lined up to record the track, which was not written as a rock song. Cover versions and adaptations The Animals covered it on both their US debut album ''The Animals'', on MGM Records and their UK debut album also called ''The Animals'', on Columbia (EMI) in 1964. In 1965 by the Everly Brothers, in 1969 by the Flamin' Groovies, in 1970 by Led Zeppelin, in 1975 by Mick Ronson, and in 2001 by Babes in Toyland. The first single by UK band Darts, released in 1977, was a medley of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Light/White Heat (song)
"White Light/White Heat" is a song recorded by the American rock band the Velvet Underground. It was released in January 1968 as the title track on their second studio album of the same name. Also in January 1968, the song was released as a single with the B-side "Here She Comes Now". Background "White Light/White Heat" was recorded in the course of the recording sessions for ''White Light/White Heat'' in September 1967 at Scepter Studios in Manhattan. The song's vocals are performed primarily by Lou Reed, with John Cale and Sterling Morrison performing backing vocals. The song, much like " I'm Waiting for the Man", features a pounding rock-and-roll Barrelhouse-style piano vamp. The song is about the sensations produced by intravenous injection of methamphetamine and features a heavily distorted electric bass outro played by John Cale over a single chord. This bass solo purportedly mimics the throbbing, ear-ringing effects experienced during the methamphetamine "rush." " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
