Piramo E Tisbe
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Piramo E Tisbe
''Piramo e Tisbe'' is an opera in two acts, described by its composer as an ''intermezzo tragico'', by Johann Adolf Hasse to a libretto by Marco Coltellini. ''Piramo e Tisbe'' is based on the story of the lovers Pyramus and Thisbe as told in Ovid's ''Metamorphoses''. The same story is parodied in Shakespeare's ''Midsummer Night's Dream'', and this comic version of it forms the basis of the 1745 opera ''Pyramus and Thisbe'' by John Frederick Lampe, but Coltellini's libretto is a straightforward sentimental tragedy, in which the two eponymous lovers kill themselves, (as does Tisbe's father, who blames himself, having previously forbidden their love). ''Piramo e Tisbe'' is more elaborately composed than Hasse's other operas, with accompanied recitatives and arias which are thorough-composed, that is, not merely strophic settings. Hasse wrote to a friend that he rated it "amongst the best works I have written". Performance history ''Piramo e Tisbe'' was first performed in the autu ...
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Johann Adolph Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of '' opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or seven ...
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Laxenburg Palace
Laxenburg castles are imperial palaces and castles outside Vienna, in the town of Laxenburg owned in equal parts by Vienna and Lower Austria."Hebeins Radweg-Debakel und Brauners umstrittener Job"
, March 10, 2021. Retrieved 2021-03-15. The castles became a Habsburg possession in 1333 and formerly served as a summer retreat, along with Schönbrunn palace, for the imperial Habsburg dynasty. ''Blauer Hof'' Palace was the birthplace of some members of the royal family, includin ...
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Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy)
– Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version
Italian ...
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Intermezzi
In music, an intermezzo (, , plural form: intermezzi), in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work. In music history, the term has had several different usages, which fit into two general categories: the opera intermezzo and the instrumental intermezzo. Renaissance intermezzo The Renaissance intermezzo was also called the intermedio. It was a masque-like dramatic piece with music, which was performed between the acts of a play at Italian court festivities on special occasions, especially weddings. By the late 16th century, the intermezzo had become the most spectacular form of dramatic performance, and an important precursor to opera. The most famous examples were created for Medici weddings in 1539, 1565, and 1589. In Baroque Spain the equivalent entremés or paso was a one-act comic scene, often ending in music and dance, between ''jornadas'' (acts) of a play.Le ...
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Operas By Johann Adolf Hasse
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing ...
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1768 Operas
Events January–March * January 9 – Philip Astley stages the first modern Circus (performing art), circus, with acrobatics, acrobats on galloping horses, in London. * February 11 – Samuel Adams's Massachusetts Circular Letter, circular letter is issued by the Massachusetts House of Representatives, and sent to the other Thirteen Colonies. Refusal to revoke the letter will result in dissolution of the Massachusetts Assembly, and (from October) incur the institution of martial law to prevent civil unrest. * February 24 – With Russian troops occupying the nation, opposition legislators of the national legislature having been deported, the government of Poland signs a treaty virtually turning the Polish–Lithuanian Commonwealth into a protectorate of the Russian Empire. * February 27 – The first Secretary of State for the Colonies is appointed in Kingdom of Great Britain, Britain, the Wills Hill, 1st Marquess of Downshire, Earl of Hillsborough. * ...
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Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ...
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Sven Hansell
Sven Hostrup Hansell (23 October 1934 – 6 March 2014) was an American musicologist and Professor Emeritus of Musicology at the University of Iowa. He was a specialist in the music and performance practices of the 17th and 18th centuries, as well as a harpsichordist and composer.University of Illinois Musicology DivisionPhDs Completed in Musicology/ref> Life and career Hansell was born in New York City and grew up in Philadelphia. He received his bachelor's degree from the University of Pennsylvania in 1956 and a Master's Degree from Harvard University in 1958. He then studied composition with Nadia Boulanger in France as well as undertaking further studies at the University of Copenhagen, the Musikhochschule in Berlin, and Indiana University. He received his PhD from the University of Illinois in 1966 with a dissertation on the cantatas, motets, and antiphons of Johann Adolf Hasse. Hansell taught music history and harpsichord at University of California, Davis before joining t ...
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Michael Schneider (conductor)
Michael Schneider (born 10 August 1953) is a German flautist, recorder player, conductor and academic teacher. He is especially connected with later Baroque repertoire such as the works of Telemann and with early Classical repertoire such as the works of Carl Philipp Emanuel Bach, and founded the orchestra La Stagione to perform and record such repertoire. Career Schneider was born in Nordhorn. He studied flute and recorder at the Musikhochschule Köln. In 1978 he was a winner of the ARD International Music Competition in the category recorder.Michael Schneider
University of Music and Performing Arts, Frankfurt ...
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Barbara Schlick
Barbara Schlick (born 21 July 1943, Würzburg) is a German soprano who is particularly admired for interpretations of the concert literature of the baroque era. Career Schlick studied singing under at the Hochschule für Musik Würzburg and in Essen under Hilde Wesselmann. She later pursued further studies with Rudolf Piernay and Gisela Rohmert. Starting in 1966, Schlick began to appear throughout Europe as a soloist with Adolf Scherbaum's Baroque ensemble. She appeared for the first time in North America in a tour with Paul Kuentz and his chamber orchestra. She has since appeared at major concert halls, performance venues, and music festivals throughout Europe, Israel, Japan, Canada, the United States and Russia, singing under the batons of people like Frans Brüggen, William Christie, Michel Corboz, Reinhard Goebel, Philippe Herreweghe, René Jacobs, Sigiswald Kuijken, and Karl-Friedrich Beringer. She took part in the project of Ton Koopman and the Amsterdam Baroque Orchest ...
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Helmut Müller-Brühl
Helmut Peter Müller-Brühl (28 June 1933 – 2 January 2012) was a German conducting, conductor. Müller-Brühl was a pupil of Hermann Abendroth, founder of the Cologne Chamber Orchestra. In 1958, Müller-Brühl invited this orchestra to be the principal orchestra for concerts given at his family home, Schloss Brühl. In 1964, the orchestra's conductor, Erich Kraak, invited Müller-Brühl to be chief conductor, and Müller-Brühl led the orchestra until 2008. He also successfully collaborated with Takako Nishizaki on the “Discovery” album of violin concertos by the Chevalier de Saint-Georges. Müller-Brühl died on January 2, 2012, following a long illness. (German) He was 78. References Helmut Müller-Brühl biography and discographyat Naxos.com
at Naxos.com German male conductors (music) 1933 births 2012 deaths 20th-century German conductors (music) 20th-century German male musicians {{germany-conductor-stub ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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