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Pink Film
refers in Japan to movies produced by independent studios that includes nudity (hence 'pink') or deals with sexual content. This encompasses everything from dramas to action thrillers and exploitation film features. Many pink films would be analogous to erotic thrillers such as '' Fatal Attraction'' or '' Basic Instinct''. Independent studios that release pink films include OP Eiga, Shintōhō Eiga, Kokuei and Xces. The phrase 'pink film' came into use after the major Toei began advertising some of its movies as 'porno' in 1971 and another major Nikkatsu switched to producing only '' Roman Porno'' films later that year. Until the early 2000s, they were almost exclusively shot on 35 mm film. Recently, filmmakers have increasingly used video (while retaining their emphasis on soft-core narrative). Many theaters swapped 35mm for video projectors and began relying on old videos to meet the demand of triple-feature showings. Films that are now regarded as pink films became w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pink Film Theater 朝日劇場 - Yuya Tamai
Pink is a pale tint of red, the color of the Dianthus plumarius, pink flower. It was first used as a color name in the late 17th century. According to surveys in Europe and the United States, pink is the color most often associated with charm, politeness, sensitivity, tenderness, sweetness, childhood, femininity, and Romance (love), romance. A combination of pink and white is associated with innocence, whereas a combination of pink and black links to eroticism and seduction. In the 21st century, pink is seen as Gendered associations of pink and blue, a symbol of femininity, though it has not always been seen this way. In the 1920s, light red, which is similar to pink, was seen as a color that reflected masculinity. In nature and culture File:Color icon pink v2.svg, Various shades of pink File:Dianthus.jpg, The color pink takes its name from the flowers called pink (flower), pinks, members of the genus ''Dianthus''. File:Rosa Queen Elizabeth1ZIXIETTE.jpg, In most European l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fogging (censorship)
Fogging, also known as blurring, is used for censorship or privacy. A visual area of a picture or movie is blurred to obscure it from sight. This form of censorship is used for sexually related images/scenes, hiding genitals, pubic hair, buttocks, female nipples/breasts, or sexual activity of any sort. Pixelization is a form of fogging. In Japan Japan is an island country in East Asia. Located in the Pacific Ocean off the northeast coast of the Asia, Asian mainland, it is bordered on the west by the Sea of Japan and extends from the Sea of Okhotsk in the north to the East China Sea ..., where it is called , fogging is employed on most films aired on public television that feature adult content of any kind. This form of editing also appears in television programs where an individual's face may not be shown due to legal or privacy concerns. As it does not contrast with the surrounding image very much, it is arguably preferable over most other forms of censorship. However, u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russ Meyer
Russell Albion Meyer (March 21, 1922 – September 18, 2004) was an American filmmaker. He was primarily known for writing and directing a successful series of sexploitation films featuring campy humor, sly satire and large-breasted women, which have attracted a considerable cult following. His best-known works include ''Faster, Pussycat! Kill! Kill!'' (1965), '' Vixen!'' (1968), '' Supervixens'' (1975), '' Beneath the Valley of the Ultra-Vixens'' (1979), and the film he considered to be his definitive work, '' Beyond the Valley of the Dolls'' (1970). Early years Russ Meyer was born in San Leandro, California, the son of Lydia Lucinda (Hauck) and William Arthur Meyer, an Oakland police officer. His parents were both of German descent. Meyer's parents divorced soon after he was born, and Meyer was to have virtually no contact with his father during his life. When he was 14 years old, his mother pawned her wedding ring in order to buy him an 8 mm film camera. He made a numbe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Amants
''The Lovers'' () is a 1958 French drama film directed by Louis Malle which stars Jeanne Moreau, Alain Cuny, and Jean-Marc Bory. Based on the posthumously-published 1876 short story "Point de Lendemain" ("No Tomorrow") by Dominique Vivant (1747–1825), the film concerns a woman involved in adultery who rediscovers human love. ''The Lovers'' was Malle's second feature film, made when he was 25 years old. The film was a box-office hit in France when released theatrically, gaining 2,594,160 admissions in France alone. The film was highly controversial when released in the United States for its depiction of allegedly obscene material. At the 1958 Venice Film Festival, the film won the Grand Jury Prize and was nominated for the Golden Lion. Plot Jeanne Tournier (Moreau) lives with her husband Henri (Alain Cuny) and young daughter, Catherine, in a mansion near Dijon. Her emotionally remote husband is a busy newspaper owner who has little time for his wife, except when he chooses to plac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Malle
Louis Marie Malle (; 30 October 1932 – 23 November 1995) was a French film director, screenwriter, and producer who worked in both French cinema and Hollywood. Described as "eclectic" and "a filmmaker difficult to pin down", Malle made documentaries, romances, period dramas, and thrillers. He often depicted provocative or controversial subject matter. Malle's most famous works include the crime thriller '' Elevator to the Gallows'' (1958), the romantic drama '' The Lovers'' (1958), the World War II drama '' Lacombe, Lucien'' (1974), the period drama '' Pretty Baby'' (1978), the romantic crime film '' Atlantic City'' (1980), the dramedy '' My Dinner with Andre'' (1981), and the autobiographical '' Au revoir les enfants'' (1987). He also co-directed the landmark underwater documentary '' The Silent World'' with Jacques Cousteau, which won the 1956 and the 1957 Academy Award for Best Documentary. Malle is one of only four directors to have won the Golden Lion twice. His other a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Summer With Monika
''Summer with Monika'' () is a 1953 Swedish romance film. The motion picture was both written and directed by Ingmar Bergman. This featured Harriet Andersson and Lars Ekborg portraying the main characters. The plot was derived from one of Per Anders Fogelström's novels, of which had the same title, from 1951. Controversial because of one scene portrayal of au naturel and, along with the film '' One Summer of Happiness'' from the year before, directed by Arne Mattsson, contributed to an idea of Sweden as an immodest, sexually loose population. The film made a star of its lead actress, Andersson. Bergman had been intimately involved with Andersson at the time and conceived the film as a vehicle for her. The two of them would continue to work together, even after their romantic relationship had ended, in films like '' Sawdust and Tinsel'', '' Smiles of a Summer Night'', '' Through a Glass Darkly'', and '' Cries and Whispers''. Plot In Stockholm, the young working-class Harry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ingmar Bergman
Ernst Ingmar Bergman (14 July 1918 – 30 July 2007) was a Swedish film and theatre director and screenwriter. Widely considered one of the greatest and most influential film directors of all time, his films have been described as "profoundly personal meditations into the myriad struggles facing the psyche and the soul". Among his most acclaimed works are ''The Seventh Seal'' (1957), ''Wild Strawberries (film), Wild Strawberries'' (1957), ''Persona (1966 film), Persona'' (1966) and ''Fanny and Alexander'' (1982), which were included in the The Sight and Sound Greatest Films of All Time 2012, 2012 edition of ''Sight & Sound'' Greatest Films of All Time. He was also ranked No. 8 on the magazine's 2002 "Greatest Directors of All Time" list. Other notable works include ''Sawdust and Tinsel'' (1953), ''A Lesson in Love (1954 film), A Lesson in Love'' (1954), ''Smiles of a Summer Night'' (1955), ''The Virgin Spring'' (1960), ''Through a Glass Darkly (film), Through a Glass Darkly' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crazed Fruit
, also known as ''Juvenile Jungle'', is a 1956 Japanese Sun Tribe film directed by Kō Nakahira. It is an adaptation of the novel of the same name by Shintaro Ishihara, the older brother of cast member Yujiro Ishihara,Marc Moha"Crazed Fruit: The Criterion Collection"/ref> and is about two brothers who fall in love with the same woman and the resulting conflict. The film was controversial upon release because of its depiction of Japanese youth. It later was known as a foundational work of the Sun Tribe genre. Cast * Masahiko Tsugawa – Haruji * Yujiro Ishihara – Natsuhisa * Mie Kitahara – Eri * Harold Conway – Eri's husband * Masumi Okada – Frank * Shintaro Ishihara – Ishihara References External links * * ''Heat Stroke: Crazed Fruit and Japanese Cinema’s Season in the Sun''an essay by Chuck Stephens at the Criterion Collection''Crazed Fruit: Imagining a New Japan—The Taiyozoku Films''an essay by Michael Raine at the Criterion Collection The Criter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kō Nakahira
was a Japanese film director. After dropping out of the University of Tokyo in 1949, Nakahira joined Shochiku as an assistant director. As assistant director, he worked for such filmmakers as Akira Kurosawa, Eisuke Takizawa, Keisuke Kinoshita and Yuzo Kawashima. In 1954, he moved to Nikkatsu. Two years later, while at Nikkatsu, he co-directed his first feature with Koreyoshi Kurahara, a 1956 noir film entitled '' The Shadow of Fear'' (''Nerawareta otoko''). That same year, he made his solo directorial debut with the film ''Crazed Fruit'' (''Kurutta kajitsu''). Though ''Crazed Fruit'' was technically Nakahira's second feature, it was released first, as the immediate success of Yūjirō Ishihara's film ''Season of the Sun'' encouraged Nikkatsu to swap the release dates of ''The Shadow of Fear'' and ''Crazed Fruit''. Nakahira would go on to direct 48 films between 1956 and 1976, before passing away on September 11, 1978. His 1971 film '' A Soul to Devils'' (''Yami no naka no chimim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taiyozoku
is a Sino-Japanese term meaning tribe, clan, or family. As a suffix it has been used extensively within Japan to define subcultural phenomena, though many zoku do not acquire the suffix (e.g. cosplay). A ''zoku'' may be labeled with a Japanese stem (e.g. ''kaminari zoku'') or a foreign language (gairaigo) stem (e.g. ''saike zoku'', where ''saike'' comes from "psychedelic"). As with the usual practice elsewhere, subcultures in Japan have almost certainly been labeled by an outsider to the group, often an influential person in the media. Historic groups labeled as zoku 1950s/60s Subcultures that emerged in the early post-war decades include the "motorcycle-riding" Thunder Tribe (''kaminarizoku''), the amplified-music-loving Electric Tribe (''erekizoku''), and the Psychedelic Tribe (''saikezoku'')." Although ''zoku'' was applied to others in society, like senior citizens, salarymen, and political activists (e.g. Uyoku dantai), it was mostly used to label youth subcultures. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michiko Maeda
is a Japanese film and television actress who became known as the first Japanese actress to appear in a nude scene in a mainstream film. Life and career Michiko Maeda was born in Osaka Prefecture on February 27, 1934. She was working in a department store in the Nihonbashi district of Tokyo when she began working as an actress at the Shintoho studio in 1955. Her film debut was in director Hiromasa Nomura's ''Santōshain to Onna Hisho'' (), released in August 1955. Maeda's minor role as a Striptease, striptease dancer in director Seiichiro Uchikawa's ''Eikō to Bakusō Ō'' (, 1956) brought her to public attention through her voluptuous figure. In their ''The Japanese Film: Art and Industry'', Anderson and Donald Richie, Richie described Maeda as "a star who consisted almost entirely of mammary glands." Shintoho took advantage of Maeda's popularity to cast her in more roles in which she could display her famous figure. Other film studios reportedly engaged in a nationwide search ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shintoho
was a Japanese movie studio. It was one of the big six film studios (which also included Daiei, Nikkatsu, Shochiku, Toei Company, and Toho) during the Golden Age of Japanese cinema. It was founded by defectors from the original Toho company following a bitter strike in 1947. To compete with the other major studios in the horror/supernatural movie field, Shintoho turned out a large group of such films between 1957 and 1960, including a number of period ghost movies and low-budget science fiction films (such as the ''Starman'' ('' Super Giant'') series which was designed to compete with rival then-popular characters '' Planet Prince'', '' Space Chief'' and '' Moonlight Mask''). Shintoho declared bankruptcy in 1961, its last production being '' Jigoku''. Shintoho Starlet Program Like the other major Japanese movie companies at that time, Shintoho was also recruiting so-called new faces under the name of "Shintoho Starlet". Recruitment started in 1951. However, due to the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
