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Pink (Boris Album)
''Pink'' is the tenth album by Japanese experimental music band Boris. It was originally released in 2005 through Diwphalanx Records in Japan and subsequently reissued in 2006 by American label Southern Lord Records. The album received favorable reviews, particularly for incorporating more melody into the band's abrasive sound. The album's length was extended significantly on the LP version of the album. For the 2006 reissue of ''Pink'', the album's cover art, track order, and length were modified from the original version released in Japan in 2005. Additionally, a music video was shot for the title track which was limited to 100 copies on DVD. Since then, the music video has been included in the limited edition of the album ''Smile'', also published by Southern Lord. An expanded reissue of the album using the original Japanese filled stencil-style art was announced for worldwide release by Sargent House on May 9, 2016, simultaneously debuting new track "Are You Ready" from its b ...
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Boris (band)
is a Japanese band formed in 1992 in Tokyo and composed of drummer Atsuo, guitarist/bassist Takeshi, and guitarist/keyboardist Wata. All three members contribute vocals. Boris has released more than twenty studio albums on various labels around the world, as well as a wide variety of live albums, compilations, EPs, singles, and collaborative albums. They have collaborated with acts such as Sunn O))), Merzbow, Keiji Haino, and guitarist Michio Kurihara. History Boris was originally a four-piece band with Atsuo on lead vocals, Wata on guitar, Takeshi on bass, and Nagata on drums. The band is named after a song of the same name on the Melvins album '' Bullhead''. Boris's debut album ''Absolutego'' was released in 1996 on their own record label Fangs Anal Satan. Nagata departed in 1996 and Atsuo switched to drums, while Wata expanded her duties to lead guitar and keyboards, and Takeshi took on bass and rhythm guitar duties on a double-necked instrument of his own design. All thre ...
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Boris / Variations + Live In Japan
''Boris Variations'' is a compilation of previously recorded and re-recorded audio music, as well as live video music by Japanese band, Boris. The CD comprises selections from six Boris full-length releases that generally keep to their 'heavy rock' style, as well as one single B-side ("Floor Shaker" is from the "Statement" single). Five of the 13 songs have been re-recorded. Production credits on the CD are for Boris. Besides the three regular members of the band - Takeshi, Wata and Atsuo - Michio Kurihara also plays guitar on tracks 2, 6, 7, 9, 11 and 12. All songs are composed by Boris, except for track 6, which is by Boris and Michio Kurihara. The DVD is composed of 14 songs and is titled "Live in Japan" on the menu page. The first 11 tracks were recorded on December 14, 2008, and follow the track list set down by the band on their Smile -Live at Wolf Creek- recording and tour at the end of the band's Smile world tour at Daikanyama Unit in Tokyo. The last three songs wer ...
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SLUG Magazine
''SLUG'' – an acronym for ''SaltLakeUnderGround'', is a free monthly magazine based in Salt Lake City, Utah. SLUG Magazine features music, lifestyle, arts and events with interviews, reviews, and articles. Established in 1989, SLUG Magazine has remained in print for over 34 years, making it one of Utah’s longest-running independent magazines. They distribute over 20,000 copies monthly across Utah and Idaho, including every University campus in Utah except for BYU. Angela H. Brown took ownership of SLUG Magazine in 2000, and is the current owner of the publication. Under her ownership, SLUG launched SLUGMag.com, which publishes online exclusive content not found in the print issues. The magazine’s current tagline is “Causing A Scene Since 1989,” a reference to the magazine’s important role in documenting and promoting Salt Lake City’s local music scene since its inception. History SLUG Magazine was founded in 1989 by JR Ruppel in Salt Lake City, Utah. Created in th ...
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Garage Punk (fusion Genre)
Garage punk is a rock music fusion genre combining the influences of garage rock, punk rock, and often other genres, that took shape in the indie rock underground between the late 1980s and early 1990s. Bands drew heavily from 1960s garage rock, stripped-down 1970s punk rock, and Detroit proto-punk, and often incorporated numerous other styles into their approach, such as power pop, 1960s girl groups, hardcore punk, blues and early R&B, and surf rock. The term "garage punk" often also refers to the original 1960s garage rock movement rather than the 1980s-90s fusion style. The 1980s-90s style itself is sometimes referred to interchangeably as "garage rock" or "garage revival". The term "garage punk" dates back as early as 1972 in reference to the original 1960s garage rock style, although "punk" as it is known today was not solidified as its own distinct genre until 1976. Therefore, despite earlier references to 1960s garage rock as "garage punk", the usage of the term "pu ...
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Hardcore Punk
Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington D.C. and New York City, New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics." Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C. hardcore, Washington, D.C., Boston, and New York h ...
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Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ...
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The New York Observer
''The New York Observer'' was a weekly newspaper printed from 1987 to 2016, when it ceased print publication and became the online-only newspaper ''Observer''. The media site focuses on culture, real estate, media, politics and the entertainment and publishing industries. History The ''Observer'' was first published in New York City on September 22, 1987, as a weekly newspaper by Arthur L. Carter, a former investment banker. The ''New York Observer'' had also been the title of an earlier weekly religious paper founded by Sidney E. Morse in 1823. In July 2006, the paper was purchased by the American real estate figure Jared Kushner, then 25 years old. The paper began its life as a broadsheet, and was then printed in tabloid format every Wednesday, and currently has an exclusively online format. It is headquartered at 1 Whitehall Street in Manhattan. Previous writers for the publication include Kara Bloomgarden–Smoke, Kim Velsey, Matthew Kassel, Jillian Jorgensen, Joe Cona ...
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Thrash Metal
Thrash metal (or simply thrash) is an extreme subgenre of heavy metal music characterized by its overall aggression and often fast tempo.Kahn-Harris, Keith, ''Extreme Metal: Music and Culture on the Edge'', pp. 2–3, 9. Oxford: Berg, 2007, . The songs usually use fast percussive beats and low-register guitar riffs, overlaid with shredding-style lead guitar work. The lyrical subject matter often includes criticism of The Establishment and concern over environmental destruction, and at times shares a disdain for Christian dogma with that of black metal. The language is typically direct and denunciatory, an approach borrowed from hardcore punk. The genre emerged in the early 1980s as musicians began fusing the double bass drumming and complex guitar stylings of the new wave of British heavy metal (NWOBHM) with the speed and aggression of hardcore punk. Philosophically, thrash metal developed as a backlash against both the conservatism of the Reagan Era and the much more moder ...
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Stoner Metal
Stoner rock, also known as stoner metal or stoner doom, is a rock music fusion genre that combines elements of doom metal with psychedelic rock and acid rock. The genre emerged during the early 1990s and was pioneered foremost by Kyuss and Sleep. Characteristics Stoner rock is typically slow-to-mid tempo and features a heavily distorted, groove-laden bass-heavy sound, melodic vocals, and "retro" production. Due to the similarities between stoner and sludge metal, there is often a crossover between the two genres. This hybrid has traits of both styles, but generally lacks stoner metal's laid back atmosphere and its usage of psychedelia. Bands such as Weedeater, High on Fire and Electric Wizard creatively fuse both styles. Terminology The descriptor "stoner rock" may originate from the title of the 1997 Roadrunner Records compilation ''Burn One Up! Music for Stoners''. Desert rock is also used interchangeably as a descriptor, and was coined by a MeteorCity Records intern, arou ...
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Fact (UK Magazine)
''Fact'' is a music publication that launched in the UK in 2003. It covers UK, US, and international music and youth culture topics, with particular focus on electronic, pop, rap, and experimental artists. Having started as a bi-monthly print magazine, ''Fact'' went digital in 2008, focusing on its website and online TV channel ''Fact TV'', which produces documentaries and videos including the series ''Against the Clock''. In November 2020 it returned to publishing a bi-annual print magazine. ''Fact'' produces weekly Fact Mixes. It previously produced the Singles Club review series, and Make Music, aimed at inspiring producers and bedroom musicians. ''Fact'' operates out of a London office, with additional full-time staff in Los Angeles and New York City. It is part of The Vinyl Factory group. History ''Fact'' was founded in 2003 as a print magazine. It commissioned covers by artists including M.I.A., Bat for Lashes, Shepard Fairey, Barry McGee, Peter Saville, Trevor J ...
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Sludge Metal
Sludge metal (also known as sludge or sludge doom) is an extreme subgenre of heavy metal music that originated through combining elements of doom metal and hardcore punk. It is typically harsh and abrasive, often featuring shouted vocals, heavily distorted instruments and sharply contrasting tempos. The Melvins from the US state of Washington produced the first sludge metal albums in the mid-late 1980s. Characteristics The key characteristics of both sludge and doom metal are a slow tempo combined with down-tuned, heavily- distorted guitars to deliver the heaviest feel that is possible. The drummer must be able to lead the band through the slow parts of a piece with an accurate time feel, which is much harder to achieve when compared with playing faster pieces. Sludge metal includes sections of the aggression, shouted vocals and occasional fast tempos of hardcore punk. As ''The New York Times'' wrote on The Melvins, "The shorthand term for the kind of rock descending from ea ...
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Nashville Scene
''Nashville Scene'' is an alternative newsweekly in Nashville, Tennessee. It was founded in 1989, became a part of Village Voice Media in 1999, and later joined the ranks of sixteen other publications after a merger of Village Voice Media with New Times Media early in 2006. The paper was acquired by SouthComm Communications in 2009. Since May 2018, it has been owned by the Freeman Webb Company. The publication mainly reports and opines on music, arts, entertainment, and local and state politics in Nashville. The Nashville Scene once was a "throw away" sales advertising vehicle owned by Gordon Inman of Brentwood, TN. In 1989, after years as a national newspaper sales representative based in New York, Albie Delfavero recognized the need of his hometown, Nashville, to have an alternative weekly paper. The "alternative paper" format made news in cities across the country, especially on the east coast. The industry itself made news, took journalistic risk, provided arts criticism, s ...
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