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Pinacoteca Civica Di Palazzo Volpi, Como
The Pinacoteca Civica di Palazzo Volpi is the town art gallery on Via Diaz 84 in the town of Como, Lombardy, Italy. It is housed in the 17th-century Palazzo Volpi. History The palace was erected from 1610 to 1630 by the Catholic nuncio and bishop of Novara, Ulpiano Volpi. He commissioned the sober Renaissance-style design from the architect Sergio Venturi. The building in the 20th century served as a courthouse until the 1970s. Presently it is a civic art gallery. It houses collections whose core pre-19th-century works come from suppressed ecclesiastic institutions. For example, it houses Carolingian sculptures from the church of Sant'Abbondio as well as Romanesque and Gothic sculptures and frescoes. It contains a display of Paolo Giovio's portraits of illustrious men. It houses items from the Como Cathedral, including stained glass windows, sculptures, tapestries and wooden models. Among the paintings are: [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Volpi
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Francesco Nuvolone
Carlo Francesco Nuvolone (1608 or 1609 in Milan – 1661 or 1662 in Milan)The entry on Carlo Francesco Nuvolon, in: ''Dizionario Biografico degli Italiani - Volume 79'' (2013) places his birth in 1608 or 1609 and gives his death date as 1 August 1661 was an Italian painter of religious subjects and portraits who was active mainly in Lombardy. He became the leading painter in Lombardy in the mid-17th century, producing works on canvas as well as frescoes.Francesco Frangi. "Nuvolone." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 7 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Architecture In Lombardy
The Renaissance ( , ) , from , with the same meanings. is a Periodization, period in History of Europe, European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the Early modern period, early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Italian Renaissance painting#Proto-Renaissance painting, Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palaces In Lombardy
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ico Parisi
Ico Parisi (23 September 1916 – 19 December 1996) was an Italian architect and designer. Life Ico Parisi was born in Palermo in 1916. He graduated in construction and served his apprenticeship in the studio of Giuseppe Terragni. In 1937 he made a photographic study of the Casa del Fascio for the magazine ''Quadrante'', which marked the whole of Parisi's research into "meditating on the legacies and contradictions of the enormous store of ideas and forms constituted by the experience of the masters". His activity, marked by continuous experimentation, consists in an incessant research in the fields of architecture, art and design. Between 1948 and 1950 he devoted himself to the study of furniture elements. In the field of design, the crucial encounters with Munari and Fontana (1951), and Melotti profoundly marked his experience. In 1948 he founded, with his wife Luisa Aiani, planner and designer, the studio ''La ruota'' which ceased its activity in 1995. In 1954 he won ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Sant'Elia
Antonio Sant'Elia (; 30 April 1888 – 10 October 1916) was an Italian architect and a key member of the Futurist movement in architecture. He left behind almost no completed works of architecture and is primarily remembered for his bold sketches and influence on modern architecture. Life Antonio Sant'Elia was born in Como, Lombardy. A builder by training, he opened a design office in Milan in 1912 and became involved with the Futurist movement. A nationalist as well as an irredentist, Sant'Elia joined the Italian army as Italy entered World War I in 1915. He was killed during the Eighth Battle of the Isonzo, near Gorizia. Writing The ''Manifesto of Futurist Architecture'' was published in August 1914, supposedly by Sant'Elia, though this is subject to debate. In it, the author stated that "''the decorative value of Futurist architecture depends solely on the use and original arrangement of raw or bare or violently colored materials''". His vision was for a highly industri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Futurism
Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting '' Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurists would later go on to found groups of their o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Ligari
Giovanni Pietro Ligario (1686–1748) was an Italian painter and architect of the late-Baroque. He was born at Ardenno province of Sondrio in the Valtelline valley, and after early training there, moved to Rome, where he frequented the studio of Lazzaro Baldi, and afterwards visited Venice. On his return to his native town in 1727, he was employed in painting historical pictures for churches and private collections. He died at Sondrio. He has left a ‘‘St. Benedict’’ in the church of the convent at Sondrio, and a ‘‘Descent of the Holy Spirit’‘ in the church of San Giovanni Battista, Morbegno The Chiesa di San Giovanni Battista (Church of San Giovanni Battista) is a Roman Catholic collegiate church dating back to the 17th and 18th centuries, located in Morbegno in the Valtellina in region of Lombardy, and consecrated to St. John the .... His children, Angelo, Cesare, and Vittoria were also painters. References * * External links 1686 births 1748 deat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Campi
Bernadino Campi (1522–1591) was a Renaissance painter from Cremona, who worked in Reggio Emilia. He is known as one of the teachers of Sofonisba Anguissola and of Giovanni Battista Trotti (il Malosso). In Cremona, his extended family owned the main artistic studios. Giulio Campi and Antonio Campi, half-brothers, were distant relatives of Bernardino; the latter is generally considered the most talented of the family. All were active and prominent painters locally. Influences on Bernardino include local Cremonese such as Camillo Boccaccino and artists from neighbouring regions such as Correggio, Parmigianino and Giulio Romano. He made a number of sets of copies of the ''Eleven Caesars'' by Titian, then in the Gonzaga collection, adding one of Domitian, which he based on a work by Giulio Romano. Titian's originals were all lost in an 18th-century fire in Madrid. Bernardino was commissioned by Vespasiano Gonzaga to lead a team of artists including Pietro Martire Pesenti in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vespasiano Gonzaga Colonna
250px, Vespasiano I Gonzaga. Vespasiano I Gonzaga, Duke of Sabbioneta (6 December 1531 – 26 February 1591) was an Italian nobleman, diplomat, writer, military engineer and condottiero. He is remembered as a patron of the arts and the founder of Sabbioneta, a town in Lombardy designed according to the Renaissance principles of the "ideal city". He was born in Fondi, a Colonna fief in the southern Latium, the son of Isabella Colonna and the condottiero Louis Gonzaga, lord of Palazzolo, a member of a cadet branch of the House of Gonzaga, Dukes of Mantua. Soon orphaned, he was educated under his aunt Giulia Gonzaga, who had moved to Naples to escape attempts from other members of the Colonna family to kill Vespasiano in order to obtain the fiefs he had inherited from his mother. left, 220px, The Ducal Palace of Sabbioneta. At the age of eleven he was sent to the Spanish royal court to complete his education under King Philip II of Spain, to whom he was distantly related throug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pietro Gnocchi
Giovanni Pietro Gnocchi was an Italian painter, active during the late 16th century in Lombardy in a late-Renaissance or Mannerist styles. Biography He was born in Milan, and a pupil of Aurelio Luini. entry by Rossella Faraglia, Dizionario Biografico degli Italiani - Volume 57 (2001). His altarpiece depicting the ''Madonna and child with Saints Margherita d'Antiochia, Sant'Ambrogio (?), San Domenico, Santa Liberata e Santa Faustina'' is in the Museo Civici of Como
Como (, ; lmo, Còmm, label=Comasco dialect, Comasco , or ; lat, Novum Comum; rm, Com; french: Côme) is a city and ''comune'' in Lombardy, Italy. It is the administrative capital of ...
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Giulio Cesare Procaccini
Giulio Cesare Procaccini (1574–1625) was an Italian painter and sculptor of the early Baroque era in Milan. Biography Born in Bologna he was son of the Mannerist painter Ercole Procaccini the Elder and brother of Camillo Procaccini and Carlo Antonio Procaccini. The family moved to Milan around 1585 with the help of the rich art collector Pirro Visconti. He began as a sculptor in the Cathedral and in the Milanese church of Santa Maria presso San Celso. In 1610 he painted six of the '' Quadroni'', large canvases celebrating Saint Charles Borromeo. Among his many altarpieces are the ''Circumcision'' (c.1616) now in Galleria Estense, Modena, and the ''Last Supper'' (1616) for Convent associated with the Basilica della Santissima Annunziata del Vastato in Genoa. He also painted the '' Scourging of Christ''. In 1620 for the Church of Santa Maria di Canepanova in Pavia he painted two canvases depicting ''Debora who has the army gather'' and ''Rachel with Jacob'' at the we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
