Phineas Newborn, Jr. Plays Harold Arlen's Music From Jamaica
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Phineas Newborn, Jr. Plays Harold Arlen's Music From Jamaica
''Phineas Newborn Jr. Plays Harold Arlen's Music from Jamaica'' is an album by American jazz pianist Phineas Newborn Jr. recorded in 1957 and released on the RCA Victor label.Phineas Newborn Jr. catalog
accessed May 11, 2015

accessed May 11, 2015 The album features Newborn's interpretations of compositions from the Broadway musical '' Jamaica''.


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The Allmus ...
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Phineas Newborn Jr
Phineas Newborn Jr. (December 14, 1931 – May 26, 1989) was an American jazz pianist, whose principal influences were Art Tatum, Oscar Peterson, and Bud Powell. Biography Newborn was born in Whiteville, Tennessee, and came from a musical family: his father, Phineas Newborn Sr., was a drummer in blues bands, and his younger Calvin Newborn, brother, Calvin, a jazz guitarist. He studied piano as well as trumpet, and tenor and baritone saxophone. Before moving on to work with Lionel Hampton, Charles Mingus, and others, Newborn first played in an Rhythm and Blues, R&B band led by his father on drums, with his brother Calvin Newborn, Calvin on guitar, Tuff Green on bass, Ben Branch and future Hi Records star Willie Mitchell (musician), Willie Mitchell. The group was the house band at the now famous Plantation Inn Club in West Memphis, Arkansas, from 1947 to 1951, and recorded as B. B. King's band on his first recordings in 1949, as well as the Sun Records sessions in 1950. They left ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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Bongos
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck ...
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Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Osie Johnson
James "Osie" Johnson (January 11, 1923, in Washington, D.C. – February 10, 1966, in New York City) was a jazz drummer, arranger and singer. Johnson studied at Armstrong Highschool where he was classmates with Leo Parker and Frank Wess. He first worked with Sabby Lewis and then, after service in the United States Navy, freelanced for a time in Chicago. From 1951 to 1953, he was a member of Earl Hines's band. He can be heard on albums by Paul Gonsalves, Zoot Sims, and Mose Allison and is the drummer on Bobby Darin's "Mack the Knife". (Some sources list Don Lamond as the drummer on "Mack the Knife") and on Ray Conniff's first album '' 'S Wonderful!''. He recorded the album ''A Bit of the Blues'' as a singer and had arranged at a "hit" for singer Dinah Washington. His final recordings as a singer were on a J. J. Johnson album, now compiled as a collection called ''Goodies''. In 1957, Johnson appeared with Thelonious Monk and Ahmed Abdul-Malik on '' The Sound of Jazz''. Johns ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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George Duvivier
George Duvivier (August 17, 1920 – July 11, 1985) was an American jazz double-bassist. Biography Duvivier was born in New York City, the son of Leon V. Duvivier and Ismay Blakely Duvivier. He attended the Conservatory of Music and Art, where he studied violin. At age sixteen, he worked as assistant concertmaster for the Central Manhattan Symphony Orchestra. He began playing double bass and concentrated on composition at New York University. In the early 1940s, he accompanied Coleman Hawkins, Lucky Millinder, and Eddie Barefield. After serving in the U.S. Army, he worked as an arranger for Jimmie Lunceford, then as arranger and bassist for Sy Oliver. In the 1950s, he accompanied Lena Horne on her tour in Europe. He recorded for commercials, television shows, and movie soundtracks. Although he spent most of his career as a sideman, he recorded as a leader in 1956 with Martial Solal for Coronet. For four years beginning in 1953, he worked steadily with Bud Powell. He also worked ...
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Jazz Guitar
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars. In the early 1930s, jazz musicians sought to amplify their sound to be heard over loud big bands. When guitarists in big bands switched from acoustic to semi-acoustic guitar and began using amplifiers, it enabled them to play solos. Jazz guitar had an important influence on jazz in the beginning of the twentieth century. Although the earliest guitars used in jazz were acoustic and acoustic guitars are still sometimes used in jazz, most jazz guitarists since the 1940s have performed on an electrically amplified guitar or electric guitar. Traditionally, jazz electric guitarists use an archtop with a relatively broad hollow sound-box, violin-style f-holes, a " floating bridge", and a magnetic pickup. Solid body guitars, mass-produced since the early 1950s, are also used. Jazz guitar playing styles include '' c ...
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Les Spann
Leslie Spann Jr. (May 23, 1932 – January 24, 1989) was an American jazz guitarist and flautist. As a sideman he recorded with Nat Adderley, Benny Bailey, Bill Coleman, Eddie "Lockjaw" Davis, Curtis Fuller, Red Garland, Benny Goodman, Sam Jones, Abbey Lincoln, Charles Mingus, Duke Pearson, Jerome Richardson, Charlie Shavers, Sonny Stitt, Billy Taylor, Randy Weston, and Ben Webster. As a leader he recorded only once, the album ''Gemini'' in 1961. Career Les Spann was born in Pine Bluff, Arkansas, United States. From 1950 to 1957, he studied music at Tennessee State University. At the end of that time he worked with Phineas Newborn Jr. and in 1958 with Ronnell Bright. The following year, he joined a quintet in New York City led by Dizzy Gillespie, performing solos on flute and guitar and appearing on two of Gillespie's albums for Verve Records. After a year with Gillespie, he went to Europe as a member of Quincy Jones's big band. Two more albums followed, this time with Spann jo ...
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Bass Clarinet
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave below the soprano B clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare (in contrast to the regular A clarinet, which is quite common in classical music). Bass clarinets regularly perform in orchestras, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular. Someone who plays a bass clarinet is called a bass clarinettist or a bass clarinetist. Description Most modern bass clarinets are straight-bodied, with a small upturned silver-colored metal bell and curved metal neck. Early examples varied in shape, some having a doubled body making them look similar to bassoons. The bass clarinet is fairly heavy and is suppor ...
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Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ...
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