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Phad Painting
Phad painting or phad (; IAST: ''Phad'', ) is a style religious scroll painting and folk painting, practiced in Rajasthan state of India. This style of painting is traditionally done on a long piece of cloth or canvas, known as '. The narratives of the folk deities of Rajasthan, mostly of Pabuji and Devnarayan are depicted on the ''s''. The Bhopas, the priest-singers traditionally carry the painted ''s'' along with them and use these as the mobile temples of the folk deities, who are worshipped by the Rebari community of the region. The ''s'' of Pabuji are normally about in length, while the ''s'' of Devnarayan are normally about 30 feet long. Traditionally the ''s'' are painted with vegetable colors. Traditional examples of this art are Devnarayan Ki Phad and Pabuji Ki Phad. This style was revolutionized by Shree Lal Joshi and Pradip Mukherjee about forty years ago. Mukherjee's paintings are based on the stories of ''Ramcharitmanas'', ''Gita Govinda'', ''Kumārasambhava,'' ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pabuji Ka Phad 02
Pabuji is a folk-deity of Rajasthan in India who is also worshiped in parts of Gujarat and the Indus plain. The Narrative of Pabuji The narrative of Pabuji is sung by the Bhopa poet-singers of Nayak community is based according to the tradition on a text, the ''Pabuprakasa''. This text, according to the Bhopas consists of number of episodes of two different types, ''parvaro''s and ''sayl''s. The narrative of Pabuji is found in the ''Nainsi ri Khyat'' (17th century) under the title ''Vata Pabujiri''. Episodes of Pabuji Dhandal Rathore had four children, two sons (Buro and Pabuji) and two daughters (Sonalbai and Pemabai). When he died, both his sons set up court in their village of Kolu; but Pabuji was a god incarnate, born not from Dhandal's wife but from a celestial nymph who had promised him that when he was twelve years old she would return to him in the form of a mare for him to ride. He had four companions: Chando and Dhebo, two brothers of whom Dhebo was a colossus with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramcharitmanas
''Ramcharitmanas'' ( deva, श्रीरामचरितमानस, Rāmacaritamānasa), is an epic poem in the Awadhi language, based on the ''Ramayana'', and composed by the 16th-century Indian bhakti poet Tulsidas (c. 1532–1623). This work is also called, in popular parlance, ''Tulsi Ramayana'', ''Tulsikrit Ramayana'', or ''Tulsidas Ramayana''. The word ''Ramcharitmanas'' literally means "Lake of the deeds of Rama". It is considered one of the greatest works of Hindu literature. The work has variously been acclaimed as "the living sum of Indian culture", "the tallest tree in the magic garden of medieval Indian poetry", "the greatest book of all devotional literature" and "the best and most trustworthy guide to the popular living faith of the Indian people".Lutgendorf 1991, p. 1. Tulsidas was a great scholar of Sanskrit. However, he wanted the story of Rama to be accessible to the general public, as many Apabhramsa languages had evolved from Sanskrit and at that time fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Painting
Indian painting has a very long tradition and history in Indian art, though because of the climatic conditions very few early examples survive.Blurton, 193 The earliest Indian paintings were the rock paintings of prehistoric times, such as the petroglyphs found in places like Bhimbetka rock shelters. Some of the Stone Age rock paintings found among the Bhimbetka rock shelters are approximately 10,000 years old. India's ancient Hindu and Buddhist literature has many mentions of palaces and other buildings decorated with paintings ('' chitra''), but the paintings of the Ajanta Caves are the most significant of the few ones which survive. Smaller scale painting in manuscripts was probably also practised in this period, though the earliest survivals are from the medieval period. A new style emerged in the Mughal era as a fusion of the Persian miniature with older Indian traditions, and from the 17th century its style was diffused across Indian princely courts of all religions, each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajasthani Culture
The culture of Rajasthan includes many artistic traditions that reflect the ancient Indian way of life. Rajasthan is also called "Land of Kings". It has many tourist attractions and facilities for tourists. This historical state of India attracts tourists and vacationers with its rich culture, tradition, heritage, and monuments. It also has some wildlife sanctuaries and national parks. More than 70% of Rajasthan is vegetarian, which makes it the most vegetarian state in India. Music and dance The Ghoomar dance from Jodhpur and the Kalbeliya dance of Jaisalmer have gained international recognition. Folk music is a vital part of Rajasthani culture. Bhopa, Chang, Teratali, Ghindar, Kachchigghori, Tejaji, parth dance are examples of traditional Rajasthani culture. Folk songs are commonly ballads which relate heroic deeds and love stories; and religious or devotional songs known as bhajans and banis (often accompanied by musical instruments like dholak, sitar, sarangi etc.) are als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajasthani Arts
Rajasthani may refer to: * something of, from, or related to Rajasthan, a state of India * Rajasthani languages, a group of languages spoken there * Rajasthani people, the native inhabitants of the region * Rajasthani architecture * Rajasthani art * Rajasthani cuisine * Rajasthani literature, literature written in various genres starting from 1000 AD * Rajasthani music This type of music originates from the Rajasthan, one of the states of India and home to several important centers of Indian musical development, including Udaipur, Jodhpur and Jaipur. The region's music shares similarities both with nearby are ... * Rajasthani painting {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schools Of Indian Painting
A school is an educational institution designed to provide learning spaces and learning environments for the teaching of students under the direction of teachers. Most countries have systems of formal education, which is sometimes compulsory education, compulsory. In these systems, students progress through a series of schools. The names for these schools vary by country (discussed in the ''School#Regional terms, Regional terms'' section below) but generally include primary school for young children and secondary school for teenagers who have completed primary education. An institution where higher education is taught is commonly called a university college or university. In addition to these core schools, students in a given country may also attend schools before and after primary (elementary in the U.S.) and secondary (middle school in the U.S.) education. Kindergarten or preschool provide some schooling to very young children (typically ages 3–5). University, vocational ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanuman Chalisa
The ''Hanuman Chalisa'' (; '' Forty chaupais on Hanuman'') is a Hindu devotional hymn (''stotra'') in praise of Hanuman.Rambhadradas 1984pp. 1–8./ref> It was authored by Tulsidas in the Awadhi language, and is his best known text apart from the ''Ramcharitmanas''. Apart from Awadhi, the ''Hanuman Chalisa'' is also available in various languages including Sanskrit, Kannada, Marathi, Telugu, Tamil, Gujarati and Bengali. The word "chālīsā" is derived from "chālīs", which means the number forty in Hindi, as the ''Hanuman Chalisa'' has 40 verses (excluding the couplets at the beginning and at the end). Hanuman is a devotee of Rama and one of the central characters of the ''Ramayana''. According to the Shaivite tradition, God Hanuman is also an incarnation of God Shiva. Folk tales acclaim the powers of Hanuman.Peebles 1986, p. 100 The qualities of lord Hanuman – his strength, courage, wisdom, celibacy, devotion to Lord Rama and the many names by which he is known – are detail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavad Gita
The Bhagavad Gita (; sa, श्रीमद्भगवद्गीता, lit=The Song by God, translit=śrīmadbhagavadgītā;), often referred to as the Gita (), is a 700- verse Hindu scripture that is part of the epic ''Mahabharata'' (chapters 23–40 of book 6 of the Mahabharata called the Bhishma Parva), dated to the second half of the first millennium BCE and is typical of the Hindu synthesis. It is considered to be one of the holy scriptures for Hinduism. The Gita is set in a narrative framework of a dialogue between Pandava prince Arjuna and his guide and charioteer Krishna. At the start of the dharma yuddha (or the "righteous war") between the Pandavas and the Kauravas, Arjuna is preoccupied by a moral and emotional dilemma and despairs about the violence and death the war will cause in the battle against his kin. Wondering if he should renounce the war, he seeks Krishna's counsel, whose answers and discourse constitute the Gita. Krishna counsels Arjuna to "fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumārasambhava
''Kumārasaṃbhavam'' ( sa, कुमारसम्भवम् "The Birth of Kumāra") is an epic poem by Kālidāsa. It is widely regarded as the finest work of Kālidāsa as well as the greatest kāvya poem in Classical Sanskrit. The style of description of spring set the standard for nature metaphors pervading many centuries of Indian literary tradition. ''Kumārasaṃbhavam'' basically talks about the birth of Kumara ( Kārtikeya), the son of Shiva and Parvati. The period of composition is uncertain, although Kālidāsa is thought to have lived in the 5th century. Legend say that Kālidāsa could not complete his epic Kumārasambhava because he was cursed by the goddess Pārvatī, for obscene descriptions of her conjugal life with Śiva in the eighth canto. But later it has inspired the famed sculpture of Khajuraho temples. The English renderings of these Sanskrit plays tend to avoid erotic and explicit aspects due to moral tastes of modern audience. The play depicts Kālid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gita Govinda
The ''Gita Govinda'' ( sa, गीत गोविन्दम्; ) is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and ''gopis'' (female cow herders) of Vrindavan. The ''Gita Govinda'' is organized into twelve chapters. Each chapter is further sub-divided into one or more divisions called ''Prabandha''s, totalling twenty-four in all. The prabandhas contain couplets grouped into eights, called ''Ashtapadis''. It is mentioned that Radha is greater than Krishna. The text also elaborates the eight moods of Heroine, the ''Ashta Nayika'', which has been an inspiration for many compositions and choreographic works in Indian classical dances. Summary The work delineates the love of Krishna for Radha, the milkmaid, his faithlessness and subsequent return to her, and is taken as symbolical of the human soul's straying from its true allegiance but returning at length to the God which created it. Chapters # ''Sāmoda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pabuji Ki Phad
Pabuji Ki Phad is a religious scroll painting of folk deities, which is used for a musical rendition of the only surviving ancient traditional folk art form, Phad painting in the world of the epic of Pabuji, the Rathore Rajput chief. Bhopas of Pabusar are the bards and also priests who are the traditional narrators of this art form. The Phad is also spelt as "Par". This art form is popular in the Indian state of Rajasthan. Literally, 'Pabuji Ki Phad' translates into two versions namely, "The Screen of Pabuji'' or ''O, Read of Pabuji!. Pabuji is also known as "the Ascetic Deity of Sand Desert". The three basic features associated with this art form are: the epic story of Pabuji, the Rathore chief of Rajasthan in the 14th century, who is extolled as an incarnation of Hindu God, and worshipped by the Rabari tribals of Rajasthan; the Phad or ''Par'', which is a long scroll painting (or sewn) made on cloth, with the martial heroics of Pabuji richly displayed for worship; and the bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IAST
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the nineteenth century from suggestions by Charles Trevelyan, William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars. Usage Scholars commonly use IAST in publications that cite textual material in Sanskrit, Pāḷi and other classical Indian languages. IAST is also used for major e-text repositories such as SARIT, Muktabodha, GRETIL, and sanskritdocuments.org. The IAST scheme represents more than a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
