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Peter Joseph Von Lindpaintner
Peter Josef von Lindpaintner (8 December 1791 – 21 August 1856) was a German composer and conductor. Born in Koblenz as the son of a tenor, he studied with Peter Winter and Joseph Graetz. From 1819 onwards he was based in Stuttgart. Some of his early operas were Singspiele, but under the influence of Carl Maria von Weber his interest shifted to Romantic opera. He died in Nonnenhorn, Bavaria, on Lake Constance. Works Operas Bibliography * R. Hänsler: ''Peter Lindpaintner als Opernkomponist'' (diss., Munich, 1928) * R. Nägele: ''Peter Joseph von Lindpaintner: sein Leben, sein Werk'' (Tutzing, 1993) * R. Nägele: ''Peter von Lindpaintner – Briefe'' (letters, 1809–1856) (Göttingen, 2001) References * Clive Brown: "Lindpaintner, Peter Josef von", in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth ...
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Peter Josef Von Lindpaintner By Joseph Kriehuber
Peter may refer to: People * List of people named Peter, a list of people and fictional characters with the given name * Peter (given name) ** Saint Peter (died 60s), apostle of Jesus, leader of the early Christian Church * Peter (surname), a surname (including a list of people with the name) Culture * Peter (actor) (born 1952), stage name Shinnosuke Ikehata, Japanese dancer and actor * ''Peter'' (album), a 1993 EP by Canadian band Eric's Trip * ''Peter'' (1934 film), a 1934 film directed by Henry Koster * ''Peter'' (2021 film), Marathi language film * "Peter" (''Fringe'' episode), an episode of the television series ''Fringe'' * ''Peter'' (novel), a 1908 book by Francis Hopkinson Smith * "Peter" (short story), an 1892 short story by Willa Cather Animals * Peter, the Lord's cat, cat at Lord's Cricket Ground in London * Peter (chief mouser), Chief Mouser between 1929 and 1946 * Peter II (cat), Chief Mouser between 1946 and 1947 * Peter III (cat), Chief Mouser between 1947 ...
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Emmanuel Théaulon
Marie-Emmanuel-Guillaume-Marguerite Théaulon de Lambert (14 August 1787, Aigues-Mortes – 16 November 1841) was a French playwright. A customs inspector, then an inspector of military hospitals, he composed an ''Ode'' on the birth of the King of Rome which brought him thanks from Napoleon himself. In 1814 he sang for the Bourbons and put on his first play, ''Les Clefs de Paris, ou le Dessert d’Henri IV'' (The Keys of Paris, or the Deservings of Henry IV), in their honour. In 1815, he composed and organised the posting of proclamations in honour of Louis XVIII. He collaborated on the royalist journals ''Le Nain rose'', ''La Foudre'', ''L’Apollon''. Selected works Above all during the Bourbon restoration, he wrote and put on a large number (sometimes alone, sometimes with collaborators), 250 according to one account. Written extremely quickly, most of them are only sketches, whose style often leaves something to be desired but which do not lack wit and beauty. He wrote two ...
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Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ...
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The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ...
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August Lewald
August Lewald (14 October 1792 in Königsberg – 10 March 1871 in Baden-Baden) was a German author. Biography Lewald was born at Königsberg. He entered the Russian service at Warsaw, as secretary, during the War of the Sixth Coalition, War of Liberation. He became an actor, and after 1818 he was manager and director of theatres at Hamburg, Stuttgart, and elsewhere. In 1835, he founded the periodical ''Europa'' at Stuttgart, and afterwards became editor of the conservative ''Deutsche Chronik''. A collection of his works, made by himself, was published in twelve volumes (1844–45), including the autobiographical ''Aquarelle aus dem Leben'' (1836–37 and 1840). Family He was a cousin of writer Fanny Lewald whose first novel appeared in the pages of ''Europa''. Notes References

* * 1792 births 1871 deaths Writers from Königsberg German editors German male writers {{Germany-writer-stub ...
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Lichtenstein (novel)
''Lichtenstein. Romantische Sage aus der wuerttembergischen Geschichte'' is a historical novel by Wilhelm Hauff, first published in 1826, the year before his early death. Set in and around Württemberg, it is considered his greatest literary success next to his fairy-tales, and, together with the work of the almost forgotten Benedikte Naubert, represents the beginning of historical novel-writing in Germany. Hauff follows Sir Walter Scott (and Naubert) by allowing an invented figure in a real family, Georg Sturmfeder, to witness the events during the struggle of Ulrich, Duke of Württemberg, Ulrich von Württemberg against the Swabian League under Georg, Truchsess von Waldburg-Zeil, who plays the part of foil to the positively depicted Georg von Frundsberg. Hauff idealises Ulrich as a wronged man, who, in his moment of need, is restored to his rights through the efforts of his people, symbolised by the character of the Piper of Hardt. The historical Ulrich is remembered largely f ...
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Wilhelm Hauff
Wilhelm Hauff (29 November 180218 November 1827) was a Württembergian poet and novelist. Early life Hauff was born in Stuttgart, the son of August Friedrich Hauff, a secretary in the Württemberg ministry of foreign affairs, and Hedwig Wilhelmine Elsaesser Hauff. He was the second of four children. Young Hauff lost his father when he was seven years old, and his early education was practically self-gained in the library of his maternal grandfather at Tübingen, where his mother had moved after the death of her husband. In 1818 he was sent to the Klosterschule at Blaubeuren, and in 1820 began to study at the University of Tübingen. In four years he completed his philosophical and theological studies at the Tübinger Stift. Writings On leaving the university, Hauff became tutor to the children of the Württemberg minister of war, General Baron Ernst Eugen von Hugel (1774–1849), and for them wrote his ''Märchen'' ( fairy tales), which he published in his ''Märchen Almanach au ...
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Die Sicilianische Vesper
''Die sizilianische Vesper'' is an 1843 opera by Peter Josef von Lindpaintner Peter Josef von Lindpaintner (8 December 1791 – 21 August 1856) was a German composer and conductor. Born in Koblenz as the son of a tenor, he studied with Peter Winter and Joseph Graetz. From 1819 onwards he was based in Stuttgart. Some o ... premiered in Stuttgart.Elisabetta Fava Ondine, ''Vampiri e cavalieri: l'opera romantica tedesca'' (2006) p. 239: "Non dissimile come impostazione è l'altra opera composta da Lindpaintner in questi anni : ''Die sizilianische Vesper'', in scena a Stoccarda nel 1843 quando ormai i progetti di trasferimento erano stati definitivamente abbandonati." Recording *''Il Vespro siciliano'', Silvia Dalla Benetta, Ana Victoria Pitts, Danilo Formaggia, Cesar Arrieta, Camerata Bach Choir Poznan, Virtuosi Brunensis, Federico Longo, 4 CDs Naxos 2017 References 1843 operas German-language operas Operas set in Sicily War of the Sicilian Vespers Operas {{Ger ...
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Theater Am Kärntnertor
or (Carinthian Gate Theatre) was a prestigious theatre in Vienna during the eighteenth and nineteenth centuries. Its official title was (Imperial and Royal Court Theatre of Vienna). History The theatre was built in 1709 to designs by Antonio Beduzzi on a site near the former Kärntnertor, on the grounds of the present Hotel Sacher. The expenses of building the theatre were borne by the City of Vienna, and it was intended (as Eva Badura-Skoda notes)Badura-Skoda 1973 to be "frequented by the Viennese population of all classes". However, at the command of the emperor, the first performances were of Italian operas, an elite form of entertainment. In 1711, the theatre was redirected to its original purpose when it was placed under the direction of Josef Stranitzky, who put on a variety of entertainment, often embodying a German version of the Italian commedia dell'arte. The theatre was managed by Stranitzky's widow after his death. In 1728, court artists Borosini and Sellier ...
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Die Bürgschaft
"The Pledge" (German: "Die Bürgschaft", ) is a ballad published by the German poet Friedrich Schiller in his 1799 ''Musen-Almanach''. He took the idea out of the ancient legend of Damon and Pythias issuing from the Latin ''Fabulae'' by Gaius Julius Hyginus, as rendered in the medieval collection of the ''Gesta Romanorum''. It magnifies the belief in fidelity and loving friendship, and remains today one of the most famous German poems. Synopsis The ballad is set in the ancient Greek polis of Syracuse. After a failed attempt by Damon to kill the gruesome tyrant Dionysius, he is caught and sentenced to death but asks for a delay to marry his sister to her designated husband. Dionysius allows him an extension of three days on condition that his friend remains with him to guarantee Damon's return. If he would not be back on time, his friend would suffer his punishment, while Damon would go with impunity. To Dionysius' astonishment Damon, despite facing floods, an assault by a ...
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Friedrich Schiller
Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friendship with the already famous and influential Johann Wolfgang von Goethe. They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works that he had left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. They also worked together on ''Xenien'', a collection of short satirical poems in which both Schiller and Goethe challenge opponents of their philosophical vision. Early life and career Friedrich Schiller was born on 10 November 1759, in Marbach, Württemberg, as the only son of military doctor Johann Kaspar Schiller (1733–1796) and Elisabetha Dorothea Schiller (1732–1802). They also had five daughters, including Christophine, the eldest. ...
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Der Vampyr (Lindpaintner)
''Der Vampyr'' (''The Vampire'') is an opera (designated as a ''Romantische Oper'') in three acts by Peter Josef von Lindpaintner. The German libretto by Cäsar Max Hegel was based on a work by Heinrich Ludwig Ritter, based in turn on a French melodrama by Charles Nodier, Pierre Carmouche and Achille de Jouffroy, ultimately traceable to the short story "The Vampyre" (1819) by John William Polidori, although Lindpaintner's libretto credits, erroneously, Lord Byron. Other early 19th-century operas on the same theme were Silvestro de Palma's ''I vampiri'' (1812), Martin-Joseph Mengal's ''Le vampire'' (1826), and Heinrich Marschner's ''Der Vampyr'' of the same year as Lindpaintner's opera (1828). Performance history The first performance took place at the in Stuttgart on 21 September 1828. It proved the most successful of the composer's operas. Lindpaintner made a revised version of the opera in 1850, when he put recitatives in the place of the original spoken dialogue. Roles Sy ...
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