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Persian Maqam
Persian maqam ( fa, مقام) is a notion in Persian classical music. Quoting Nooshin, According to Hormoz Farhat, Persian maqams have also been known in South Asia. The Sanskrit theorist Pundarika Vitthala noted the names of the Persian maqams in his sixteenth-century treatise ''Ragamanjari''. References {{reflist Persian classical music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Classical Music
Persian traditional music or Iranian traditional music, also known as Persian classical music or Iranian classical music, refers to the classical music of Iran (also known as ''Persia''). It consists of characteristics developed through the country's classical, medieval, and contemporary eras. It also influenced areas and regions that are considered part of Greater Iran. Due to the exchange of musical science throughout history, many of Iran's classical modes are related to those of its neighboring cultures. Iran's classical art music continues to function as a spiritual tool, as it has throughout history, and much less of a recreational activity. It belongs for the most part to the social elite, as opposed to the folkloric and popular music, in which the society as a whole participates. However, components of Iran's classical music have also been incorporated into folk and pop music compositions. History The history of musical development in Iran dates back thousands of years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hormoz Farhat
Hormoz Farhat ( fa, هرمز فرهت; 9 August 1928 – 16 August 2021) was a Persian-American composer and ethnomusicologist who spent much of his career in Dublin, Ireland. An emeritus professor of music, he was a fellow of Trinity College, Dublin. Described by the ''Irish Times'' as a "a gifted and distinctive composer of contemporary classical music," his compositions include orchestral, concertante, piano and choral music, as well string quartets and chamber works. He also wrote numerous film scores, including that of Dariush Mehrjui's 1969 film '' The Cow''. However, his musicological research dominates his legacy; his writings on the music of Iran—a country which he insisted be called 'Persia'—were pivotal in ethnomusicology, particularly his acclaimed 1990 study ''The Dastgah Concept in Persian Music''. Life and career Hormoz Farhat was born on 9 August 1928, in Tehran, the capital city of what was then Imperial State of Persia, but renamed in 1935 as Iran. His fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
