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Pembroke's Men
The Earl of Pembroke's Men was an Elizabethan era playing company, or troupe of actors, in English Renaissance theatre. They functioned under the patronage of Henry Herbert, 2nd Earl of Pembroke. Early and equivocal mentions of a Pembroke's company reach as far back as 1575; but the company is known for certain to have been in existence in 1592. In that year, a share in the company was valued at £80 (more than William Shakespeare would pay for New Place in Stratford-upon-Avon five years later). Shakespeare Some think that Shakespeare spent time as both an actor and writer for Pembroke's Men in the early 1590s. Two of the earliest quarto publications of individual Shakespearean plays are both linked to this company: the title page of the earliest text of ''Henry VI, Part 3'' (1595) states that the play was performed by Pembroke's Men, while the title page of Q1 of ''Titus Andronicus'' (1594) states that that play was acted by three companies, Pembroke's Men, Derby's Men, and Susse ...
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Elizabethan Era
The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The symbol of Britannia (a female personification of Great Britain) was first used in 1572, and often thereafter, to mark the Elizabethan age as a renaissance that inspired national pride through classical ideals, international expansion, and naval triumph over Spain. This "golden age" represented the apogee of the English Renaissance and saw the flowering of poetry, music and literature. The era is most famous for its theatre, as William Shakespeare and many others composed plays that broke free of England's past style of theatre. It was an age of exploration and expansion abroad, while back at home, the Protestant Reformation became more acceptable to the people, most certainly after the Spanish Armada was repelled. It was also the end of the period when England was a separate r ...
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Philip Henslowe
Philip Henslowe (c. 1550 – 6 January 1616) was an Elizabethan theatrical entrepreneur and impresario. Henslowe's modern reputation rests on the survival of his diary, a primary source for information about the theatrical world of Renaissance London. Life Henslowe was born in Lindfield, Sussex, into a family with roots in Devon. His father, Edmund Henslowe, was appointed Master of the Game for Ashdown Forest, Sussex, from 1539 until his death in 1562. Before Edmund Henslowe's death, his daughter Margaret had married Ralf Hogge, an ironmaster. By the 1570s, Henslowe had moved to London, becoming a member of the Dyers' Company. Henslowe is recorded working as assistant to Henry Woodward, reputed to be the bailiff for Anthony Browne, 1st Viscount Montagu, owner of Cowdray House and Battle Abbey in Sussex. Henslowe married Woodward's widow, Agnes, and from 1577 lived in Southwark, opposite the Clink prison. His elder brother Edmund, a merchant, also owned property in Southwark ...
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Marshalsea
The Marshalsea (1373–1842) was a notorious prison in Southwark, just south of the River Thames. Although it housed a variety of prisoners, including men accused of crimes at sea and political figures charged with sedition, it became known, in particular, for its incarceration of the poorest of London's debtors. Over half the population of England's prisoners in the 18th century were in jail because of debt. Run privately for profit, as were all English prisons until the 19th century, the Marshalsea looked like an Oxbridge college and functioned as an extortion racket. Debtors in the 18th century who could afford the prison fees had access to a bar, shop and restaurant, and retained the crucial privilege of being allowed out during the day, which gave them a chance to earn money for their creditors. Everyone else was crammed into one of nine small rooms with dozens of others, possibly for years for the most modest of debts, which increased as unpaid prison fees accumulated. The ...
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Gabriel Spencer
Gabriel Spenser, also spelt Spencer, (c. 1578 – 22 September 1598) was an Elizabethan actor. He is best known for episodes of violence culminating in his death in a duel at the hands of the playwright Ben Jonson. Acting career Spenser appears in a number of documents as an actor associated with two of the major theatre companies of the day. Spenser first appears in records working for Francis Langley, in the Earl of Pembroke's Men, though he may have already been working for the Lord Chamberlain's Men.Alan Palmer, Veronica Palmer, ''Who's Who in Shakespeare'', Palgrave Macmillan, 1999, p. 238. The stage direction "enter Gabriel" in the First Folio version of Shakespeare's ''Henry VI, Part 3'' has often been thought to refer to Spenser's role in the play — that of a messenger. The names of actors are sometimes accidentally substituted for roles in published versions of plays. It has also been suggested that Spenser was the actor responsible for the so-called bad quarto of ''R ...
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Privy Council Of The United Kingdom
The Privy Council (PC), officially His Majesty's Most Honourable Privy Council, is a formal body of advisers to the sovereign of the United Kingdom. Its membership mainly comprises senior politicians who are current or former members of either the House of Commons or the House of Lords. The Privy Council formally advises the sovereign on the exercise of the Royal Prerogative, and as a body corporate (as King-in-Council) it issues executive instruments known as Orders in Council which, among other powers, enact Acts of Parliament. The Council also holds the delegated authority to issue Orders of Council, mostly used to regulate certain public institutions. The Council advises the sovereign on the issuing of Royal Charters, which are used to grant special status to incorporated bodies, and city or borough status to local authorities. Otherwise, the Privy Council's powers have now been largely replaced by its executive committee, the Cabinet of the United Kingdom. Certai ...
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Ben Jonson
Benjamin "Ben" Jonson (c. 11 June 1572 – c. 16 August 1637) was an English playwright and poet. Jonson's artistry exerted a lasting influence upon English poetry and stage comedy. He popularised the comedy of humours; he is best known for the satirical plays ''Every Man in His Humour'' (1598), '' Volpone, or The Fox'' (c. 1606), '' The Alchemist'' (1610) and '' Bartholomew Fair'' (1614) and for his lyric and epigrammatic poetry. "He is generally regarded as the second most important English dramatist, after William Shakespeare, during the reign of James I." Jonson was a classically educated, well-read and cultured man of the English Renaissance with an appetite for controversy (personal and political, artistic and intellectual) whose cultural influence was of unparalleled breadth upon the playwrights and the poets of the Jacobean era (1603–1625) and of the Caroline era (1625–1642)."Ben Jonson", ''Grolier Encyclopedia of Knowledge'', volume 10, p. 388. His ancestor ...
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Thomas Nashe
Thomas Nashe (baptised November 1567 – c. 1601; also Nash) was an Elizabethan playwright, poet, satirist and a significant pamphleteer. He is known for his novel ''The Unfortunate Traveller'', his pamphlets including ''Pierce Penniless,'' and his numerous defences of the Church of England. Life Nashe was the son of the parson William Nashe and Janeth (née Witchingham). He was born and baptised in Lowestoft, on the coast of Suffolk, where his father, William Nashe, or Nayshe as it is recorded, was curate. Though his mother bore seven children, only two survived childhood: Israel (born in 1565) and Thomas.Nicholl, Charles. ''A Cup of News: The Life of Thomas Nashe''. Routledge & Kegan Paul. 1984. The family moved to West Harling, near Thetford, in 1573 after Nashe's father was awarded the living there at the church of All Saints. Around 1581 Thomas went up to St John's College, Cambridge, as a sizar, gaining his bachelor's degree in 1586. From references in his own polemics ...
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The Isle Of Dogs (play)
''The Isle of Dogs'' is a play by Thomas Nashe and Ben Jonson which was performed in 1597. It was immediately suppressed, and no copy of it is known to exist. The play The play was performed, probably by Pembroke's Men, at the Swan Theatre in Bankside in the last week of July 1597. A satirical comedy, it was reported to the authorities as a "lewd plaie" full of seditious and "slanderous matter". While extant records do not indicate what gave offence, a reference in '' The Returne from Parnassus (II)'' suggests that the Queen herself was satirised. Other evidence suggests that Henry Brooke, 11th Baron Cobham may have been the target. The Isle of Dogs is a location in London on the opposite bank of the Thames to Greenwich, home of a royal palace, Placentia, where indeed the Privy Council met. It was also believed to be where the queen kennelled her dogs, hence the name. David Riggs suggests that the satire might have been related to portrayal of the queen's councillors as lap ...
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The Swan (theatre)
The Swan was a theatre in Southwark, London, England, built in 1595 on top of a previously standing structure, during the first half of William Shakespeare's career. It was the fifth in the series of large public playhouses of London, after James Burbage's The Theatre (1576) and Curtain (1577), the Newington Butts Theatre (between 1575 and 1577) and Philip Henslowe's Rose (1587–88). The Swan Theatre was located in the manor of Paris Gardens, on the west end of the Bankside district of Southwark, across the Thames River from the City of London. It was at the northeast corner of the Paris Garden estate nearest to London Bridge that Francis Langley had purchased in May 1589, four hundred and twenty-six feet from the river's edge. Playgoers could arrive also by water landing at the Paris Garden Stairs or the Falcon Stairs, both short walking distances from the theatre.Trussler, Simon. ''The Cambridge Illustrated History of British Theatre''. New York: Press Syndicate of ...
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Francis Langley
Francis Langley (1548–1602) was a theatre builder and theatrical producer in Elizabethan era London. After James Burbage and Philip Henslowe, Langley was the third significant entrepreneurial figure active at the height of the development of English Renaissance theatre. Background Langley was a goldsmith by profession, and also held the office of "Alnager and Searcher of Cloth" – he was an official quality inspector of fabric. His brother-in-law was a clerk for the Privy Council; Langley had been appointed to his Alnager's post through a recommendation from Sir Francis Walsingham. Langley became involved in theatre in the mid-1590s, and operated much as Henslowe did, contracting individual actors and troupes to work exclusively for him, and serving as their reliable creditor. Langley, however, did not leave the relatively abundant documentary record that Henslowe did; his affairs are much more mysterious and difficult to untangle. Swan Theatre Langley's central achievement ...
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Edward Alleyn
Edward "Ned" Alleyn (; 1 September 156621 November 1626) was an English actor who was a major figure of the Elizabethan theatre and founder of the College of God's Gift in Dulwich. Early life Alleyn was born on 1 September 1566 in Bishopsgate, London; or so it was recorded in the ''Biographia Britannica'' as a product of Alleyn's own writing. Alleyn does record his birth date in a diary several times but not distinctly identifies his birthplace as Bishopsgate. In the St. Botolph parish registers it is recorded that he was baptized on the day after his birth. He was born a younger son of Edward Alleyn with three brothers named John, William, and Edward. His father was an innkeeper and porter to Queen Elizabeth I and his mother, Margaret Townley, was the daughter of John Townley. His mother's link to the Lancashire Townley family is somewhat of a mystery. Alleyn said she was the daughter of John Townley of Townley but the claim does not easily fit with the available informatio ...
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The Taming Of The Shrew
''The Taming of the Shrew'' is a comedy by William Shakespeare, believed to have been written between 1590 and 1592. The play begins with a framing device, often referred to as the induction, in which a mischievous nobleman tricks a drunken tinker named Christopher Sly into believing he is actually a nobleman himself. The nobleman then has the play performed for Sly's diversion. The main plot depicts the courtship of Petruchio and Katherina, the headstrong, obdurate shrew. Initially, Katherina is an unwilling participant in the relationship; however, Petruchio "tames" her with various psychological and physical torments, such as keeping her from eating and drinking, until she becomes a desirable, compliant, and obedient bride. The subplot features a competition between the suitors of Katherina's younger sister, Bianca, who is seen as the "ideal" woman. The question of whether the play is misogynistic has become the subject of considerable controversy, particularly among mode ...
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