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Pelléas Et Mélisande (Fauré)
''Pelléas et Mélisande'', Op. 80 is a suite derived from incidental music by Gabriel Fauré for Maurice Maeterlinck's Pelléas and Mélisande, play of the same name. He was the first of four leading composers to write music inspired by Maeterlinck's drama. Claude Debussy, Debussy, Arnold Schoenberg, Schoenberg and Jean Sibelius, Sibelius followed in the first decade of the 20th century. Fauré's music was written for the London production of Maeterlinck's play in 1898. To meet the tight deadline of the production, Fauré reused some earlier music from incomplete works and enlisted the help of his pupil Charles Koechlin, who orchestrated the music. Fauré later constructed a four-movement suite from the original theatre music, orchestrating the concert version himself. History The score was commissioned in 1898 by Mrs Patrick Campbell for the play's first production in English, in which she starred with Johnston Forbes-Robertson and John Martin Harvey. Stella Campbell had invited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Bernhardt
Sarah Bernhardt (; born Henriette-Rosine Bernard; 22 or 23 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including ''La Dame Aux Camelias'' by Alexandre Dumas ''fils''; '' Ruy Blas'' by Victor Hugo, '' Fédora'' and '' La Tosca'' by Victorien Sardou, and ''L'Aiglon'' by Edmond Rostand. She also played male roles, including Shakespeare's Hamlet. Rostand called her "the queen of the pose and the princess of the gesture", while Hugo praised her "golden voice". She made several theatrical tours around the world, and was one of the first prominent actresses to make sound recordings and to act in motion pictures. She is also linked with the success of artist Alphonse Mucha, whose work she helped to publicize. Mucha would become one of the most sought-after artists of this period for his Art Nouveau style. Biography Early life Henriette-Rosine Bernard was born at 5 rue de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumental Duets
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing, an in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Gabriel Fauré
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hunga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Chevillard
Paul Alexandre Camille Chevillard (14 October 1859 – 30 May 1923) was a French composer and conductor. Biography He was born in Paris. He conducted the Orchestre Lamoureux in the premieres of Claude Debussy's '' Nocturnes'' (1900 and 1901) and '' La mer'' (1905), and promoted the music of Albéric Magnard. He was the son-in-law of the conductor Charles Lamoureux: in 1888 he married Lamoureux's daughter Marguerite. He died in Chatou. His pupils included Suzanne Chaigneau, Clotilde Coulombe, Sophie Carmen Eckhardt-Gramatté, Yvonne Hubert, Eugeniusz Morawski, and Robert Soetens. Selected works ;Stage * ''La Rousalka'', Incidental Music for the play by Édouard Schuré (1903) ;Orchestral * ''Ballade symphonique'', Op. 6 (1889) * ''Le chène et le roseau'' (The Oak and the Reed), Symphonic Poem after the fable by Jean de La Fontaine Jean de La Fontaine (, , ; 8 July 162113 April 1695) was a French fabulist and one of the most widely read French poets of the 17th c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre Lamoureux
The Orchestre Lamoureux () officially known as the Société des Nouveaux-Concerts and also known as the Concerts Lamoureux) is an orchestral concert society which once gave weekly concerts by its own orchestra, founded in Paris by Charles Lamoureux in 1881. It has played an important role in French musical life, including giving the premieres of Emmanuel Chabrier's ''España'' (1883), Gabriel Fauré's ''Pavane'' (1888), Claude Debussy's '' Nocturnes'' (1900 and 1901) and '' La mer'' (1905), Maurice Ravel's '' Menuet antique'' (1930) and Piano Concerto in G major (1932). Principal conductors *Charles Lamoureux (1881–1897) * Camille Chevillard (1897–1923) *Paul Paray (1923–1928) * Albert Wolff (1928–1934) *Eugène Bigot (1935–1950) * Jean Martinon (1951–1957) *Igor Markevitch (1957–1961) * Jean-Baptiste Mari * Jean Claude Bernède (1979–1991) * Valentin Kojin (1991–1993) *Yutaka Sado is a Japanese conductor. While still ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jewels (ballet)
''Jewels'' is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates. ''Jewels'' has been called the first full-length abstract ballet. It has three related movements: '' Emeralds'', '' Rubies'', and ''Diamonds'' (usually separated by intermissions). It can also be seen as three separate ballets, linked by their jewel-colored costumes. Balanchine commented: "The ballet had nothing to do with jewels. The dancers are just dressed like jewels." Each of the three acts features the music of a different composer: ''Emeralds'' is set to the music of Gabriel Fauré, ''Rubies'' to the music of Igor Stravinsky and ''Diamonds'' to music by Pyotr Ilyich Tchaikovsky. Costumes The costumes were created by Balanchine's long-time collaborator Barbara Karinska, who created a distinct look for each diffe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Büsser
Paul Henri Büsser (16 January 1872 – 30 December 1973) was a French classical composer, organist, and conductor. Biography Büsser was born in Toulouse of partly German ancestry. He entered the Paris Conservatoire in 1889, where he studied organ with César Franck and composition with Ernest Guiraud. After serving as secretary to Charles Gounod, he received valuable advice from him, who helped him obtain a position as organist at Saint-Cloud. In 1893, he won the Prix de Rome, and on his return from Italy he began a career as a conductor. At the personal request of Claude Debussy, Büsser led the fourth performance, and numerous subsequent performances, of '' Pelléas et Mélisande''. He also became a protégé of Jules Massenet and was one of his closest friends during the last two decades of his life (Massenet died in 1912). In 1921, Büsser began teaching at the Paris Conservatoire, and was promoted to professor of composition in 1931. Noted students include Prix de Rome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Van Lerberghe
Charles van Lerberghe (21 October 1861 – 26 October 1907) was a Belgian author who wrote in French and was particularly identified with the symbolist movement. The growing atheism and anticlerical stance evident in his later work made it popular among those who challenged establishment norms at the start of the 20th century. Life Charles van Lerberghe was born to a Flemish father and Walloon mother living in easy circumstances in Ghent. His father, also named Charles, died when the boy was seven and his mother when he was ten. Placed under the guardianship of an uncle of Maurice Maeterlinck, he then attended the Jesuit Collège Ste-Barbe in Ghent, along with the future poets Maeterlinck and Grégoire le Roy (1862-1941). Later he studied for a D.Phil in Brussels, which he gained in 1894. He was also participating with his friends in the magazines encouraging the new literary movement in Belgium and was discussed by Georges Rodenbach in his long article, ''Trois poètes nouveaux ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Chanson D'Ève
''La chanson d'Ève'', Op. 95, is a song cycle by Gabriel Fauré, of ten mélodies for voice and piano. Composed during 1906–10, it is based on the collection of poetry of the same name by Charles van Lerberghe.Orledge (1979), p. 309 It is Fauré's longest song cycle.Orledge (1979), p. 137 Composition Fauré was introduced to van Lerberghe's poems by Octave Maus.Nectoux (2004), p. 303 The songs were composed over the period June 1906 to January 1910. "Crépuscule" came first, in June 1906; its origin was as a re-setting of the music of "Mélisande's Song". The latter, an 1898 setting for voice of "La chanson de Mélisande" from Act 3 of Fauré's Pelléas et Mélisande, was his only setting of a text in English. Fauré only conceived the idea of a song cycle after "Crépuscule" had been published as an independent song. The composition of "Paradis" and "Prima verba" followed in September, while Faure was visiting Stresa and Lausanne. "Roses ardentes" and "L'aube blanche" cam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Cycle
A song cycle (german: Liederkreis or Liederzyklus) is a group, or cycle (music), cycle, of individually complete Art song, songs designed to be performed in a sequence as a unit.Susan Youens, ''Grove online'' The songs are either for solo voice or an ensemble, or rarely a combination of solo songs mingled with choral pieces. The number of songs in a song cycle may be as brief as two songs or as long as 30 or more songs. The term "song cycle" did not enter lexicography until 1865, in Arrey von Dommer's edition of ''Koch’s Musikalisches Lexikon'', but works definable in retrospect as song cycles existed long before then. One of the earliest examples may be the set of seven Cantiga de amigo, Cantigas de amigo by the 13th-century Galicians, Galician jongleur Martin Codax. Jeffrey Mark identified the group of dialect songs 'Hodge und Malkyn' from Thomas Ravenscroft's ''The Briefe Discourse'' (1614) as the first of a number of early 17th Century examples in England. A song cycle is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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