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Peigín Leitir Móir
"Peigín Leitir Móir" is a popular Irish folk song. The original verses of the song were written in Irish by Máirtín Ó Clochartaigh and Pádraic Ó Maille of Leitir Caladh (a townland to the north of Leitir Mór, County Galway) around the turn of the 20th century. It was published in the review ''An Claidheamh Soluis'' in 1911. However, new verses were added at various times and places as the song gained popularity in Irish-speaking districts. In general, the song extols the beauty of a woman called Peigín, and tells how she attracts not only the poet but men from different districts. The song is also played as a polka, without lyrics, by traditional musicians. Recordings *The Dubliners, '' In Concert'' (1965), '' A Time to Remember'' (2009) * Na Casaidigh (1994) *Orthodox Celts, ''The Celts Strike Again'' (1997) *Tadhg Mac Dhonnagáin (2008) *John Spillane, ''Irish Songs We Learned at School'' (2008) *Seán Ó Riada Seán Ó Riada (; born John Reidy; 1 August 19 ...
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Irish Language
Irish ( Standard Irish: ), also known as Gaelic, is a Goidelic language of the Insular Celtic branch of the Celtic language family, which is a part of the Indo-European language family. Irish is indigenous to the island of Ireland and was the population's first language until the 19th century, when English gradually became dominant, particularly in the last decades of the century. Irish is still spoken as a first language in a small number of areas of certain counties such as Cork, Donegal, Galway, and Kerry, as well as smaller areas of counties Mayo, Meath, and Waterford. It is also spoken by a larger group of habitual but non-traditional speakers, mostly in urban areas where the majority are second-language speakers. Daily users in Ireland outside the education system number around 73,000 (1.5%), and the total number of persons (aged 3 and over) who claimed they could speak Irish in April 2016 was 1,761,420, representing 39.8% of respondents. For most of recorded ...
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Na Casaidigh
Na Casaidigh or The Cassidys are an Irish traditional group. They have been based in Dublin for many years, but they originally hail from Gweedore, County Donegal. The group consists of brothers Aongus, Seathrún, Ciarán, Fionntán, Feargus, and Odhrán. Irish is their native tongue and they had to study English as a second language during their school years. The brothers' music has attracted worldwide attention and brought them to audiences from Togo in West Africa to Carnegie Hall in New York City. The Cassidys' father has long been a church choirmaster. He instilled his love of music, and Gaelic music in particular. Music instruction was woven through the boys' childhood. Piano or fiddle was introduced first, followed by other instruments that included whistles and pipes, bodhrán, and guitar. All of the Cassidy brothers contribute to the group's harmonies. In addition, each plays several instruments. Odhrán studied the violin in Dublin, Vienna, and Manchester. He went on ...
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Irish Folk Music
Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a Music genre, genre of folk music that developed in Ireland. In ''A History of Irish Music'' (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the ''cruit'' (a small harp) and ''Celtic harp, clairseach'' (a bigger harp with typically 30 strings), the ''timpan'' (a small string instrument played with a Bow (music), bow or plectrum), the ''feadan'' (a Fife (musical instrument), fife), the ''buinne'' (an oboe or flute), the ''guthbuinne'' (a bassoon-type Natural horn, horn), the ''bennbuabhal'' and ''corn'' (Hornpipe (musical instrument), hornpipes), the ''cuislenna'' (bagpipes – see Great Irish warpipes), the ''stoc'' and ''sturgan'' (Clarion (instrument), clarions or trumpets), and the ''cnamha'' (bones (instrument), bones).
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Irish Folk Songs
Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a genre of folk music that developed in Ireland. In ''A History of Irish Music'' (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the ''cruit'' (a small harp) and '' clairseach'' (a bigger harp with typically 30 strings), the ''timpan'' (a small string instrument played with a bow or plectrum), the ''feadan'' (a fife), the ''buinne'' (an oboe or flute), the ''guthbuinne'' (a bassoon-type horn), the ''bennbuabhal'' and ''corn'' ( hornpipes), the ''cuislenna'' ( bagpipes – see Great Irish warpipes), the ''stoc'' and ''sturgan'' (clarions or trumpets), and the ''cnamha'' (bones).''A History of Irish Music: Chapter ...
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Ceoltóirí Chualann
Ceoltóirí Chualann (pronounced ) was an Irish traditional band, led by Seán Ó Riada, which included many of the founding members of The Chieftains. Ceoltóirí is the Irish word for musicians, and Cualann is the name of an area just outside Dublin where Ó Riada lived. Ó Riada's work with Ceoltóirí Chualann is credited with revitalizing the use of the bodhrán as a percussion instrument in Celtic music. In 1960 Ó Riada was looking for musicians to perform music for the play "The Song of the Anvil" by Bryan MacMahon. Paddy Moloney, at the age of 20, was called to participate in the project, along with his friend Sean Potts on tin whistle, Sonny Brogan on accordion and John Kelly on fiddle. They rehearsed weekly in Ó Riada's house in Galloping Green, on the outskirts of Dublin. Following its success, Ó Riada had the idea of forming Ceoltóirí Chualann, a band to play traditional Irish songs with accompaniment and traditional dance tunes and slow airs, arranged wit ...
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Seán Ó Riada
Seán Ó Riada (; born John Reidy; 1 August 1931 – 3 October 1971), was an Irish composer and arranger of Irish traditional music. Through his incorporation of modern and traditional techniques he became the single most influential figure in the revival of Irish traditional music during the 1960s. Ó Riada's career began as a music director at Radio Éireann from 1954, after which he worked at the Abbey Theatre from 1955 to 1962. He lectured in music at University College Cork from 1963 until his death in 1971. He became a household name in Ireland through his participation in Ceoltóirí Chualann, compositions, writings and broadcasts. His best-known pieces in the classical tradition include ''Nomos No. 1: Hercules Dux Ferrariae'' (1957), but he became particularly famous for his film scores ''Mise Éire'' (1959) and '' Saoirse?'' (1960). He left a lasting influence as founder and director of the ensemble Ceoltóirí Chualann (from 1961). His music still endures: his ma ...
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John Spillane
John Spillane (born 1961) is a singer-songwriter from Cork, Ireland. Background Spillane grew up in the Cork suburb of Wilton, in a family of five boys. He was educated in Coláiste an Spioraid Naoimh, Bishopstown. Raised by his mother, she influenced his musical nature and taught him a variety of Cork songs including "The Banks of My Own Lovely Lee" and "The Lonely Woods of Upton". A shy child who shunned the spotlight, he got his first guitar at the age of fifteen and joined his first band in school. When he first began his main influences derived from artists like the Beatles, Neil Young, Planxty and Bob Dylan. His beginnings were more rock than anything else until he had a change of heart. "When I started out with rock bands, I sang in an American accent. Then I heard real Americans sing the blues and it made me feel like a fraud. Ever since then, the most important thing for me is to be true to who I am and where I come from." After finishing the leaving cert he took a ...
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Tadhg Mac Dhonnagáin
Tadhg Mac Dhonnagáin is a writer, musician and publisher, originally from Aghamore, County Mayo, Aghamore, County Mayo in Ireland. Biography Born in 1961 and educated in St Louis Community School, Kiltimagh, he graduated from St Patrick's College, Dublin, in 1982. He taught in County Kildare for five years in Gaelscoil Uí Dhálaigh, an Irish-medium primary school in Leixlip. In 1984, Mac Dhonnagáin was invited to present children's programme ''Dilín ó Deamhas'' on RTÉ Television and in 1987 he left teaching to become a presenter/reporter on the Irish language features programme, ''Cúrsaí''. In 1995, a weekly arts edition of the show ''Cúrsaí Ealaíne'' began to air, with Mac Dhonnagáin co-presenting. Cúrsaí Ealaíne won an Irish Film and Television Awards award in 2000 for best TV Features series. Mac Dhonnagáin, a guitarist and singer, also recorded two albums while living in Dublin: ''Solas Gorm'', a tongue-in-cheek blues collection, and ''Raiftéirí san Undergr ...
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The Celts Strike Again
''The Celts Strike Again'' is the second studio album by the Serbian Irish folk/Celtic rock band Orthodox Celts released in 1997. ''The Celts Strike Again'' was the band's first album to feature their own songs – besides covers of traditional Irish songs, the album features two songs written by the members of the band, "Drinking Song" and "Blue". The album featured numerous guest musicians: actress Ana Sofrenović on vocals (on the song "Loch Lomond"), Vampiri member Aleksandar Eraković on backing vocals, Stočari member Branko Vitas on banjo, member of the band Pachamama (the band Orthodox Celts recorded the live album '' Muzičke paralele'' with) Milan Mihaljčić on khene and thin whistle, and Renesansa member Žorž Grujić on zurla and gajde. In the cover of the traditional Irish song "I'll Tell Me Ma" the band replaced the line "She's the belle of Belfast City" with "She's the belle of Belgrade City", in reference to their hometown. Track list All songs are covers of ...
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Orthodox Celts
Orthodox Celts is a Serbian band formed in Belgrade in 1992 which plays Irish folk music combined with rock elements. Despite their uncharacteristic genre in their home country, the band is one of the top acts of the Serbian rock scene and has influenced several younger Serbian bands, most notably Irish Stew of Sindidun and Tir na n'Og. The band started their career performing traditional Irish songs and, gradually, introduced more and more of their own material (lyrics mostly written by the band's frontman Aleksandar "Aca Celtic" Petrović, music mostly written by band's violinist Ana Đokić). All their lyrics are in English, but the group has composed some purely instrumental songs as well. The band traditionally celebrates St. Patrick's Day with a large concert in Belgrade. The band also traditionally performs on the Belgrade Beer Fest, and is the only act that has appeared on every Belgrade Beer Fest so far (except Belgrade Beer Fest 2004, when a part of the program was c ...
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A Time To Remember
''A Time to Remember'' is the 2009 double album recording of the show by the same name, by The Dubliners, recorded in Vienna. First performed in Vicar Street, Dublin on 4 July 2009 and later taken on tour around Europe, it was conceived as a tribute to their deceased members. The show features the group playing along live to video and audio performances featuring former members Ciarán Bourke, Luke Kelly and Ronnie Drew, as well as performances from The Dubliners' then current lineup. This is the last Dubliner's release featuring Barney McKenna, as he died in 2012. This also means that it is the last album to feature a founding member, as following McKenna's death none of the founding members of the band are still alive. Track list Disc 1: # "Introduction" # "Fermoy Lassies/Sporting Paddy" # "The Banks Of The Roses" # " The Ferryman" # "Three Score And Ten" # "The Belfast Hornpipe/The Swallow’s Tail" # "For What Died The Sons Of Róisín" # "Maids When You’re Young" # "Th ...
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Irish Folk Song
Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a genre of folk music that developed in Ireland. In ''A History of Irish Music'' (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the ''cruit'' (a small harp) and '' clairseach'' (a bigger harp with typically 30 strings), the ''timpan'' (a small string instrument played with a bow or plectrum), the ''feadan'' (a fife), the ''buinne'' (an oboe or flute), the ''guthbuinne'' (a bassoon-type horn), the ''bennbuabhal'' and ''corn'' ( hornpipes), the ''cuislenna'' (bagpipes – see Great Irish warpipes), the ''stoc'' and ''sturgan'' (clarions or trumpets), and the ''cnamha'' (bones).''A History of Irish Music: Chapter III ...
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