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Pavane Pour Une Infante Défunte
''Pavane pour une infante défunte'' (''Pavane for a Dead Princess'') is a work for solo piano by Maurice Ravel, written in 1899 while the French composer was studying at the Conservatoire de Paris under Gabriel Fauré. Ravel published an orchestral version in 1910 using two flutes, an oboe, two clarinets (in B), two bassoons, two horns, harp, and strings. History Ravel described the piece as "an evocation of a pavane that a little princess might, in former times, have danced at the Spanish court". The pavane was a slow processional dance that enjoyed great popularity in the courts of Europe during the sixteenth and seventeenth centuries. This antique miniature is not meant to pay tribute to any particular princess from history, but rather expresses a nostalgic enthusiasm for Spanish customs and sensibilities, which Ravel shared with many of his contemporaries (most notably Debussy and Albéniz) and which is evident in some of his other works such as the ''Rapsodie espagnole'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rapsodie Espagnole
''Rapsodie espagnole'' is an orchestral rhapsody written by Maurice Ravel. Composed between 1907 and 1908, the ''Rapsodie'' is one of Ravel's first major works for orchestra. It was first performed in Paris in 1908 and quickly entered the international repertoire. The piece draws on the composer's Spanish heritage and is one of several of his works set in or reflecting Spain. Background The genesis of the ''Rapsodie'' was a Habanera, for two pianos, which Ravel wrote in 1895. It was not published as a separate piece, and in 1907 he composed three companion pieces. A two-piano version was completed by October of that year, and the suite was fully orchestrated the following February.Orenstein, p. 57 At about this time there was a distinctly Spanish tone to Ravel's output, perhaps reflecting his own Spanish ancestry.Goodwin, p. 4 His opera ''L'heure espagnole'' was completed in 1907, as was the song "Vocalise-Etude en forme de habanera". In the interval between the composition of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Horn
The German horn is a brass instrument made of tubing wrapped into a coil with a flared bell, and in bands and orchestras is the most widely used of three types of horn, the other two being the French horn (in the less common, narrower meaning of the term) and the Vienna horn. Its use among professional players has become so universal that it is only in France and Vienna that any other kind of horn is used today. A musician who plays the German horn is called a horn player (or less frequently, a hornist). The word "German" is used only to distinguish this instrument from the now-rare French and Viennese instruments. Although the expression "French horn" is still used colloquially in English for any orchestral horn (German, French, or Viennese), since the 1930s professional musicians and scholars have generally avoided this term in favour of just "horn". Vienna horns today are played only in Vienna, and are made only by Austrian firms. German horns, by contrast, are not all made by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Conservatory
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Horn
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth century the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. It consists of a mouthpiece, long coiled tubing, and a large flared bell. This instrument was used extensively until the emergence of the valved horn in the early 19th century. Hand stopping technique The natural horn has several gaps in its harmonic range. To play chromatically, in addition to crooking the instrument into the right key, two additional techniques are required: ''bending'' and ''hand-stopping''. Bending a note is achieved by modifying the embouchure to raise or lower the pitch fractionally, and compensates for the slightly out-of-pitch " wolf tones" which all brass instruments have. Hand-stopping is a technique whereby the player can modify the pitch of a note by up to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thérèse Dussaut
Thérèse Dussaut (born 20 September 1939) is a French pianist and music educator. Life Born in Versailles, the daughter of composers Robert Dussaut and Hélène Corvatti, Thérèse Dussaut studied piano in France with Marguerite Long and Pierre Sancan and in Germany with the Russian pianist Vladimir Horbowski. She won prizes at the Conservatoire de Paris and the State University of Music and Performing Arts Stuttgart. In 1957 she won first prize at the ARD International Music Competition in piano. After graduation, she began an international career as a concert pianist. Her repertoire includes works by contemporary composers such as Charles Chaynes's Piano Concerto and Léon Mouravieff's ''Strophe, Antistrophe and Epode''. From 1987 to 1995 she was artistic director of the ''Cévennes Festival'', which she founded. Between 1988 and 2000 she ran a summer university. She has given master classes in the USA, Russia, Germany and Ukraine and teaches a master class for piano at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego Velázquez
Diego RodrÃguez de Silva y Velázquez (baptized June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period (c.1600–1750). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece ''Las Meninas'' (1656). Velázquez's paintings became a model for 19th-century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador DalÃ, and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images. Most of his work entered the Spanish royal collection, and by far the best collection is in the Museo del Prado in Madrid, thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manoah Leide-Tedesco
Tranquillo Manoah Leide-Tedesco (August 19, 1894 – January 29, 1982) was an Italian-American composer, conductor and violinist. Biography Tranquillo Manoah Leide-Tedesco was born in Senigallia, Italy, but grew up in Naples. His father, Lazzaro Leide-Tedesco, originally from Reggio Emilia, became Rabbi of the Jewish Community of Greater Naples (1904-1941) and the Chief Rabbi of Naples. Manoah Leide-Tedesco grew up in an artistic family of composers, singers and musicians. His brother, Enrico Leide (1887-1970) was a concert cellist and orchestra conductor, conducting the first Atlanta Symphony Orchestra from 1920 to 1930. Educated at the University of Naples, Leide-Tedesco did his post graduate studies in Czechoslovakia (1925–1931), receiving his Doctorate in Philology and Sociology. He attended the Prague Conservatory where he continued his musical studies under Ildebrando Pizzetti, Josef Suk and Karel Jirák. From 1922-1935 Leide-Tedesco conducted many of the leading sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Vuillermoz
Émile-Jean-Joseph Vuillermoz (23 May 1878 – 2 March 1960) was a French critic in the areas of music, film, drama and literature. He was also a composer, but abandoned this for criticism. Early life Émile Vuillermoz was born in Lyon in 1878. He studied literature and law at University of Lyon, then became a music student at the Conservatoire de Paris, his teachers being Jules Massenet, Gabriel Fauré, Antoine Taudou and Daniel Fleuret. Among his fellow students was Maurice Ravel, who became his lifelong friend.Maurice-ravel.net frothe original/ref> He was a member of Les Apaches, along with Ravel, Igor Stravinsky, Manuel de Falla and others. Career He had early success as a writer of songs and operettas, and with settings of French and Canadian folk songs, but chose to follow the career of a critic instead. He wrote initially for the ''Mercure Musical'', and then he edited the '' Revue Musicale SIM'' ( Société internationale de musique). With Ravel, Paul Dukas, Florent Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Ivry
Benjamin Ivry is an American writer on the arts, broadcaster and translator. Ivry is author of biographies of Francis Poulenc, Arthur Rimbaud, and Maurice Ravel, as well as a poetry collection, ''Paradise for the Portuguese Queen''. The latter contains poems that first appeared in, among other places, ''The New Yorker'', the '' London Review of Books'', ''The Spectator'', ''Ambit Magazine'', and ''The New Republic''. He has also translated books from the French by authors such as André Gide, Jules Verne, Witold Gombrowicz, and Balthus. Ivry has written about the arts for a variety of periodicals including ''The New York Observer'', ''The New York Sun'', ''New England Review'', ''The Economist'', ''The Wall Street Journal'', ''Newsweek'', ''Time'', ''New Statesman'', ''The New York Times'', ''Bloomberg.com'', and ''The Washington Post''. Selected bibliography Biographies *'' Francis Poulenc'', 1996Phaidon *''Arthur Rimbaud'', 1998, Absolute Press, *'' Maurice Ravel: a Life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ravel Pavane Pour Une Infante Defunte
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Chabrier
Alexis-Emmanuel Chabrier (; 18 January 184113 September 1894) was a French Romantic music, Romantic composer and pianist. His Bourgeoisie, bourgeois family did not approve of a musical career for him, and he studied law in Paris and then worked as a civil servant until the age of thirty-nine while immersing himself in the modernist artistic life of the French capital and composing in his spare time. From 1880 until his final illness he was a full-time composer. Although known primarily for two of his orchestral works, ''España (Chabrier), España'' and ''Joyeuse marche'', Chabrier left a List of operas and operettas by Emmanuel Chabrier, corpus of operas (including ''L'étoile (opera), L'étoile''), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important inno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
